Axel-In-Charge: Extending "Secret Wars," Excitement for a "Totally Awesome Hulk"
Comics | Liam Burke, editor of the essay collection Fan Phenomena: Batman, discusses the enduring appeal of the Dark Knight, who of course turns 75 this year: “This isn’t a guy who’s from an alien planet, this isn’t someone who was bitten by a radioactive spider. This is an average guy, albeit incredibly wealthy and incredibly intelligent, at the peak of human fitness, but an average guy nonetheless. That sort of aspirational quality has been identified as the reason Batman sort of stands above Spider-Man, Superman or any number of heroes.” [RN Drive]
Publishing | David Harper looks at the economics of monthly creator-owned comics, as well as how trades fit into the picture; for creators, the monthlies provide a regular stream of income so they can always be working on the next issue. Brandon Montclare, Jim Zubkavich and others provide some first-hand commentary on how things work in the real world. [Multiversity Comics]
Continuing the theme of the previous post, Great Pacific writer Joe Harris pulls back on the curtain to reveal what might have been had DC Comics not canceled The Fury of Firestorm: The Nuclear Men earlier this year.
On his blog, Harris, who came on board the series as co-writer with Issue 7, touches upon some of his ideas that never made their way into the book — “Things got changed around a bit, and I had to do a lot of rewriting to fit shifting plans, sudden crossovers, and other changes made on high, so much of this stuff never saw the light of day” — before breaking out something truly impressive: the “mindmap.”
You can check it out for yourself at the link, but it’s effectively a flow chart that lays out his vision for “Firestorm Year Two & Beyond,” with color-coded plot threads. I’m a habitual list- and chart-maker, so I was instantly drawn in by Harris’ dedication to planning and detail.
However, the writer notes, “Honestly, this map, while big, is conservative for me. You should see the master sheet I keep together for X-Files ideas!”
As with Cullen Bunn’s exploration of the development of The Fearless Defenders, Harris’ post and accompanying chart makes for interesting reading for fans and process junkies alike.
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Joining us today is Joe Harris, writer of Great Pacific, Wars in Toyland, X-Files: Season 10, Ghost Projekt, Spontaneous, The Fury of Firestorm, Vampirella And The Scarlet Legion , Slingers, Bishop: The Last X-Man and many more.
Now let’s get to it …
Comics | A Columbus, Ohio, entertainment weekly lays out a case for the city — home of Jeff Smith, the Billy Ireland Cartoon Library & Museum and the Small Press and Alternative Comics Expo — becoming, like Portland, Oregon, a hub for comic books. “Comics in Columbus is a weird underground, sort of hip-hop thing,” indie publisher Victor Dandridge Jr. says. “We’re like hip-hop in the Bronx in ’79, just on the corner doing our thing.” [Columbus Alive]
Conventions | Bart Beaty files a final report on this year’s Angouleme International Comics Festival, and his verdict is … meh. “There was a consensus all around that the show was flat. People would throw around adjectives like “fine,” “good,” and “okay.” It wasn’t a disaster (as were some of the shows disrupted by construction), but it also wasn’t that memorable either” [The Comics Reporter]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start out with Legend of Luther Strode #1 (Image, $3.50). I was behind the times on the first series, but now I will raise my fist to the air and decree “NO MORE!” (to the stunned silence of my local comic shop owner). Justin Jordan really brought a different take on this story, but for me the sizzle on this is Tradd Moore’s art. It reminds me of Sam Keith’s middle-period during his Marvel Comics Presents Wolverine run, and that’s nothing but a good thing. After that I’d get Stumptown #4 (Oni Press, $3.99). Some might compare Dex’s journey to that of Jessica Jones in Marvel’s Alias, but it’s anything but. Greg Rucka really knows how to make a story feel more than just mere fiction. My third pick this week would be Invincible #98 (Image, $2.99), seeing Mark Grayson get his powers back – just in time to be stomped into the ground, from the looks of it. Reading this series since the first issue, I’m noticing the colorist change more and more here; John Rauch definitely is a step removed from FCO Plascencia, and I’m still getting used to it. Kirkman and Ottley are delivering here so well that Domino’s should be jealous. (ba-dum CHING!) Last up in my Wednesday haul would be Avengers #1 (Marvel, $3.99). I’ve noticed in doing Food or Comics for as long as I have how I’ll routinely follow writers but when they manage to get an artist I particularly like I’ll fall over myself trying to get to it. Case in point, this book, with Jonathan Hickman joining forces with Jerome Opeña to kick off a new era for Marvel’s flagship book. I’m all for “Jonathan Hickman’s Avengers,” but I’m even more excited to see Opeña’s take on this.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item. I’m filling in this week for Michael May, who is off in Florida spending his splurge money on mouse ears and giant turkey legs.
If I had $15, I’d start of the week with Brian K. Vaughn and Fiona Staples’ Saga #7 (Image, $2.99). Saga has become a real bright spot in comics for me being sci-fi without being “sci-fi,” being romance without being “romance,” and being great at being great. It gives me the same excitement the way Bone, Strangers In Paradise and A Distant Soil did back in the early 90s. Next up would be Punk Rock Jesus #5 (DC/Vertigo, $2.99) by Sean Murphy. Murphy’s really exceeded my expectations here, creating a nuanced and elaborate world that has great art as a bonus. You can really tell Murphy’s been thinking about this story for awhile now. After that I’d get Invincible #97 (Image, $2.99), to finally get the truth behind the new Invincible, Zandale. I’ve been enticed by what’s been teased so far, and I hope the inevitable return of Mark Grayson doesn’t prevent me from seeing more of Zandale in the future. Last up with my $15 budget would be my call for the best superhero book on the stands today, Wolverine & The X-Men #20 (Marvel, $3.99). I feel like the title isn’t getting the attention it deserves with Marvel NOW! upon us, but Jason Aaron and Nick Bradshaw are absolutely delivering it here.
If I had $30, I’d double back and double up on Brian Wood with Conan The Barbarian #10 (Dark Horse, $3.50) and The Massive #6 (Dark Horse, $3.50). The Massive has survived the monumental loss of artist Kristian Donaldson, forging on in Wood’s story of one ship trying to survive in an ecological destitute Earth. Over at Conan The Barbarian, Declan Shalvey looks to be bringing the goods and showing he’s more than a Marvel superhero artist. After that I’d get the second series debut of Where Is Jake Ellis? (Image, $3.50) by Nathan Edmondson and Tonci Zonjic. This is a mighty pairing, and seeing them peel back the layers on Jake Ellis has been fun.
You saw our preview of Great Pacific #2, by Joe Harris and Martin Morazzo, but if you’re curious for more, Comic Book Resources posted a sneak peek of the debut issue in August. The comic struck me as being a perfect science-fiction story, with an intriguing high-tech premise and plenty of human hubris to make things go wrong, so I asked Harris to talk a bit about the genesis of his Image Comics series, how he developed the idea, and his original attempt to fund it via Kickstarter. Great Pacific debuts Wednesday.
Robot 6: The idea of someone colonizing the Great Pacific Garbage Patch is pretty freaky. What was your inspiration?
Joe Harris: The idea for this series sprang from a few places at once, honestly. First of all, just learning about the Great Pacific Garbage Patch itself got my imagination spinning. I mean, how could this monstrosity exist? Why isn’t the world banding together to clean it up? All pretty obvious questions I’m sure most people come to when they first learn about the reality of this environmental blight.
But my thoughts quickly turned to the speculative fiction potential.
Joe Harris’ Image Comics’ series Great Pacific, illustrated by Martin Morazzo, is based on an intriguing idea: Chas Worthington III, the scion of an oil family, stakes a claim to the Great Pacific Garbage Patch and begins a campaign to have it recognized as a sovereign nation. In the first issue, which due out next week, Chas begins his adventure by faking his own death and heading out to the patch; this preview from the second issue follows Chas as he starts to explore the patch, which he has dubbed “New Texas.”
After a late afternoon opening to the general public on Thursday, the New York Comic Con kicked into high gear today with panels, announcements and the usual con craziness we’ve come to expect from big shows. Here’s a round-up of comic-related news and announcements coming out of Friday. If you missed anything from Thursday, I’ve also got your back. I’d also point you to Brigid Alverson’s rundown of the ICv2 sessions before NYCC that go deep on comic sales in 2011 and 2012 thus far, if you’re into that.
• Keith Giffen returns to the stars next year with Threshold, a new DC Comics series that features Blue Beetle, Space Ranger, Star Hawkins, the original Starfire and other space heroes, with a Larfleeze back-up. Giffen also seemingly confirmed that the current Blue Beetle series is coming to an end.
• Vertigo announced several new projects today, including The Wake by Scott Snyder and Sean Murphy, Trillium by Jeff Lemire and an Unwrtten/Fables event that will see the Unwritten characters wander into the Fables comic. Snyder said that American Vampire will go on hiatus after issue #34 so he and artist Rafael Albuquerque can catch up on it. When it returns, it’ll jump ahead to the 1960s.
Oni Press brought guns, war and webcomics to New York Comic Con today, announcing a new graphic novel from Joe Harris and Adam Pollina, a Sixth Gun spinoff miniseries and the transformation of their website from “a marketing resource for its print titles into a full-fledged content hub with comic updates five days a week.”
Here’s a rundown of the announcements ….
Wars in Toyland by Joe Harris and Adam Pollina
From the Slingers (hey, remember Slingers?) team comes an oversized graphic novel “darkly inspired” by Babes in Toyland. Per the press release, “this new book looks at the once wondrous and beautiful Toyland after the rise of the teddy dictator, Roxbury. After Matthew’s brother and playmate, Alex, disappears, young Matthew finds himself carried into Toyland by his own loyal toy soldiers. Only Matthew soon learns that Alex has been here, too – and is now being held captive by Roxbury. Leading an attack on the teddy bear’s fortress, Matthew never considers that his brother might be beyond saving.”
It’s time once again for our monthly trip through Previews looking for cool, new comics — now with 100 percent more JK Parkin! Michael May, Graeme McMillan, Chris Arrant and JK have each picked the five comics they’re most anticipating in order to create a Top 20 (or so; we overlap sometimes) of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
47 Ronin #1 (Dark Horse, $3.99): Mike Richardson, Dark Horse’s head honcho, teams with Usagi Yojimbo creator Stan Sakai to retell the story of the 47 ronin who avenged their master after he was forced to commit ritual suicide for assaulting a court official. It will be both very cool and a little odd to see Sakai drawing samurai that aren’t anthropomorphic animals and aren’t in black and white (the book’s full color), but I’ve always admired his clean style. As an added bonus, Kazuo Koike of Lone Wolf and Cub fame consulted on the project, so this should be a treat.
Great Pacific #1 (Image Comics, $2.99): Joe Harris and Martin Morazzo have come up with a book that I just love the high concept behind: the heir to one of America’s most successful oil companies moves to the infamous Great Pacific Garbage Patch and declares it a sovereign country. He then fights giant sea monsters, based on the preview art that’s been released, which is an added bonus.
Marvel NOW!: This might be cheating, but Marvel has 10 new comics debuting in November under the Marvel NOW! banner. Mark Waid on Hulk? John Romita on Captain America? Matt Fraction writing Fantastic Four and FF? Jonathan Hickman on Avengers? Yeah, I’ll just lump all these together and hope no one notices I’m gaming the system here …
Walt Disney’s Donald Duck: A Christmas for Shacktown: Fantagraphics continues its series of high-end collections of the best of Carl Barks’ duck stories, with the Christmas-themed third volume arriving just in time to be stuffed in somebody’s stocking.
Retrovirus (Image Comics, $16.99): Jimmy Palmiotti and Justin Gray’s latest graphic novel, drawn by Norberto Fernandez, is about a research scientist who specializes in viruses heading to Antarctica to examine a perfectly preserved caveman. I’m a fan of Palmiotti and Gray’s work together, from Jonah Hex to The Monolith (which gets the collection treatment in November), and this one sounds like it could be a lot of fun.
Hello and welcome to What Are You Reading?, where each week we talk about what comics and other stuff have been on our reading piles. To see what the Robot 6 crew have been reading, click below.
DC Comics has revealed a new creator lineup for its digital-first Legends of the Dark Knight that includes Jeff Parker, Michael Avon Oeming, Phil Hester, Gabriel Hardman and Joshua Hale Fialkov.
Launched in June as part of an expansion of the publisher’s digital-first slate, the out-of-continuity series features standalone stories by different creative teams chronicling some of Batman’s cases. New chapters appear each Thursday.
Here’s the fall schedule:
Earlier this year Joe Harris (Fury of Firestorm) ran a Kickstarter project for Great Pacific, a comic about the heir to one of America’s most successful oil companies deciding to move out to the infamous Great Pacific Garbage Patch and declaring it a sovereign country.
Featuring art by Martin Morazzo and editorial assistance from freelance editor Shawna Gore, the comic was unsuccessful on Kickstarter, but seems to have gained new life courtesy of Image Comics. io9 has the release and some art from the series, which comes out in November.
Being a judge in the Eisner Awards meant making hard choices. It’s like being an admissions officer at Harvard: You could make a top-notch set of picks, throw them away, and still have a strong field for the second set. With six judges each having a different voice, sometimes a book that one or two of us think is the greatest thing since sliced bread doesn’t make the final cut.
Here’s my short list of comics that, if it were up to me, would have gotten Eisner nominations.
Best Limited Series
One of my favorite series of 2011 was Spontaneous, by Brett Weldele and Joe Harris. It’s a great crypto-mystery about spontaneous human combustion, with a nerdy know-it-all played off against an aggressive reporter. The story has its flaws, but I couldn’t put it down.
Best Publication for Early Readers (up to age 7)
Nina in That Makes Me Mad: We had an unusually strong field of children’s books, even after we split the category into two age groups, but this book was my first choice for a nomination. The writing is sharp and perceptive, and Hilary Knight’s illustrations are amazing. Even the page layouts are awesome. This is a book that speaks directly to children, in a voice they can understand, yet does it with an elegance that adults can appreciate as well.