Legal | The final chapter of The Oatmeal vs. Charles Carreon has been completed (we hope), and it’s not a shining moment for Carreon: A judge has ordered him to pay $46,000 in attorney’s fees to the creator of a Satirical Charles Carreon website, whom he threatened with legal action. Carreon eventually dropped his suit, but the whole dispute escalated anyway, and the judge cited his “malicious conduct” in awarding the fees. [Ars Technica]
Digital comics | Amazon has quietly launched Kindle Comic Creator, which allows creators to upload various types of files and make them into e-books to be sold in the Kindle store; the software has its own system for creating panel-by-panel view, and the finished product can be read on a wide variety of Kindles and Kindle apps. [Good E-Reader]
Viz Media has been busy snapping up licenses for its VizKids imprint, and now has announced a new one: a series of Ben 10 Omniverse graphic novels that will tie in with the Cartoon Network show.
Ben 10 Omniverse is the fourth iteration of the Ben 10 cartoon created by four comics writers (Joe Casey, Joe Kelly, Duncan Rouleau and Steven T. Seagle), beginning as the story of 10-year-old Ben Tennyson, who changes into different types of aliens with the help of a device called the Omnnitrix. In Ben 10 Omniverse, Ben is now 15 and has a new Omnitrix that transforms him into different creatures. His Grandpa Max pairs him up with a rookie plumber named Rook (who’s “highly skilled with his Proto-Tool, but lacks any field experience,” according to the press release) to explore an alien city and stay one step ahead of the bad guys who are in hot pursuit. If this is making you feel a little lost, here’s some good news: Cartoon Network is having a “Ben 10 Bootcamp” this weekend, with 17 hours of Ben 10 programming so everyone can catch up.
For a comic series that owes its inspiration to throwback grindhouse films, A.K.A. sure uses cutting-edge technology to get it done. The retro revenge story by Steven Walters and Rob Reilly is set to hit shelves this summer, but it’s already made its premiere digitally — and it wouldn’t have been finished at all if it weren’t for online fundraising. The story follows a mob bodyguard tasked to take down his boss’ rival after the target is found carousing with the boss’ daughter.
“A.K.A. is a 4 part,70′s grindhouse inspired, crime/action mini-series about what happens when you cross the wrong people,and those people who put a million dollar bounty on your head afterwards,” Walters explains.
A.K.A.‘s creators took full advantage of the modern tools of digital comics publishing to see their idea to fruition. In May 2011, Reilly and Walters used Kickstarter to fund the lettering and coloring of the four-part series, and now in February of this year they debuted the full series exclusive to digital on Graphic.ly. And now they’re taking the book to the next stage of its journey with a print edition available for pre-order in this month’s Previews.
Here’s a four-page preview of the first issue:
I Kill Giants, the 2008 miniseries by Joe Kelly and J.M. Ken Niimura, has won the top prize in the fifth International Manga Award competition, established by Japan’s Foreign Ministry to honor comics produced abroad. It’s the first American comic to win the honor, characterized as “the Nobel Prize of manga.”
Originally published by Image Comics, I Kill Giants is a coming-of-age tale that follows a troubled fifth-grader who retreats into a fantasy world where she battles monsters both real and imagined.
According to The Mainichi Daily News, the ministry received 145 entries from 30 countries and territories, including 38 from Thailand, 21 from Malaysia and 16 from China. Silver awards went to Pan Liping from China, Cory from Taiwan and Tanis Werasakwong from Thailand.
The winners will receive their awards Friday during a ceremony in Tokyo, part of a 10-day stay during which they’ll meet with Japanese cartoonists and publishers, and visit the Tohoku region, which was hit hard last spring by the earthquake and tsunami.
Saturday at Comic-Con International in San Diego, once upon a time, was “big movie day” at the con … back before every day became big movie day at the con. Still, today somewhat lived up to its reputation for being eventful, as the Avengers assembled on stage, Green Lantern movie footage was shown and one poor fan was stabbed in the eye while attending programming in Hall H, where several of the big movie panels took place. The victim was taken to UCSD Medical Center, while his attacker was taken away by police after attendees detained him.
In happier news, here’s what was announced on the comics front:
• Marvel Editor-in-Chief and Chief Creative Officer Joe Quesada confirmed that Marvel is “gonna be doing some CrossGen stuff.” CrossGen, which published numerous titles like Sojourn, Way of the Rat, Abadazad and Meridian starting 1998, went bankrupt in 2004. Disney bought their assets that same year.
Their titles covered many different genres, from fantasy to horror to detective stories. “I think with the CrossGen stuff you’re going to see us attempt a little more genre publishing, which I think is much-needed in our imprint,” Quesada said. No word yet on what properties they plan to bring back.
• Kurt Busiek announced that American Gothic, the urban fantasy comic announced at last year’s WildStorm panel, will now be called Witchlands. The series will be drawn by Connor Willumson. Busiek is also working on an Arrowsmith novel titled Arrowsmith: Far from the Fields We Know, which will include illustrations by Carlos Pacheco.
Wow, I’m tired .. had a blast today, but I’m wiped out. I wanted to write something up about the first day of WonderCon, but instead I’m just gonna show off some pictures and go to bed. It’s been a long day, and tomorrow will be longer.
Note that the first six pics here are courtesy of Carla Hoffman, so I’m not entirely sure what some of them are of; the rest are mine.