Joe Lambert Archives | Robot 6 | The Comics Culture Blog

Joe Lambert’s poster for ‘a documentary about comics and a school for the people who draw them’

Joe Lambert, alum of The Center For Cartoon Studies, has illustrated the poster for the movie about his alma mater, Cartoon College. The documentary features an insight into the surprisingly dramatic goings-on on an MA course dedicated to turning out graphic novelists, alongside a wealth of interviews with an all-star cast of alt-comics legends, all of whom have been associated with the school as visiting faculty and thesis advisors.

Each fall The Center for Cartoon Studies invites 20 of the world’s most promising aspiring cartoonists  and graphic novelists to the ramshackle village of White River Junction, Vermont for a no-holds-barred education in comics. Those who complete the two-year program earn a Master of Fine Arts degree and are ready to face the uncertainty of a career in one of the world’s most labor-intensive, drudgery-inducing art forms. Cartoon College is their story.

Featuring a who’s-who of the biggest names in literary comics, including Chris Ware, Lynda Barry, Art Spiegelman, Francoise Mouly, Scott McCloud, Jason Lutes, and James Sturm, among many others, as well as the music of Beulah, Archers of Loaf, Portastatic, Tortoise, Tokyo Police Club, Quinn Marston, The Hot IQs, Fire Tapes, and an original score by Jason Zumpano, Cartoon College is a fast-paced look at a school where the stakes are high and spilled ink and tears are often the only reward.

There’s an impressive selection of Lambert’s comics available to view at his website

(Via the always great Drawn)

What Are You Reading? with Chris Williams

America's Got Powers #1

Hello and welcome to another edition of What Are You Reading? Today our special guest is Chris Williams, editor of the web series The Variants.

To see what Chris and the Robot 6 crew have been reading, click below …

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Food or Comics? | This week’s comics on a budget

Bakuman Vol. 4

Welcome to Food or Comics?, where every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList if you’d like to play along in our comments section.

Chris Mautner

If I had $15:

I have a couple of options here. The new issue of The Boys is out ($3.99), as is Vol. 4 of Bakuman ($9.99) and both are currently on my “must-buy” list. But then there’s I Will Bite You ($14), a new collection of comics by Joseph Lambert, courtesy of Secret Acres. I’ve enjoyed the few mini-comics by Lambert that I’ve read, enough to at least consider putting my other purchases aside in order to get this book instead. There’s also what I believe to be the final issue of Alan Moore’s Dodgem Logic ($8), which I’d likely ask my retailer to put aside for me for a week when the pickings were slimmer.

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Talking Comics with Tim: Dustin Harbin–the Sequel Interview

Dustin Harbin

Dustin Harbin

A few months back when I interviewed Dustin Harbin regarding this year’s HeroesCon, I made a mental note to follow-up with Harbin in another interview, where we could just discuss his creative projects/process. This interview was conducted via email several weeks back. Late last week, Harbin let me know that while he’s remaining as Creative Director at Heroes Aren’t Hard To Find and Heroes Convention, he will be reducing his hours at the store and has “gone full-time with cartooning”. My thanks to Harbin for another interview, I’m happy to say this one was even more fun than the last.

Tim O’Shea: How much are you paying Tom Spurgeon to pimp your work? Seriously, Spurgeon praises many talented storytellers, but he seems to be your number one fan. Did you buy him a lot of meals when he came to HeroesCon in 2008 or what?

Dustin Harbin: I remember having to argue with Tom just to be able to bring him a water: I tried hard to buy him a drink at the hotel bar, but he was leery of my seductive ways. I think Tom is like a lot of us–he’s a passionate advocate for people he thinks deserve wider recognition. I’m not basing this just on the very VERY kind attention he’s showed my comics so far, but he’s the reason I discovered Richard Thompson’s work, who you’ll agree Tom is an even more vociferous a supporter of. I don’t know what attracted Tom’s good feelings, but I’m incredibly grateful for them.

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