Chris Pine in Talks to Join "Wonder Woman" Film
The first cities and dates have been revealed for The Marvel Experience, billed as “a first-of-its-kind, hyper-reality attraction.”
At a press conference held today at the Marvel booth at New York Comic Con, producer Hero Ventures announced the tour will hold previews Dec. 12-Jan. 2 in Phoenix before staging its world premiere Jan. 9 in Dallas. From there, it will head to San Diego and San Francisco before moving to the East Coast. Additional stops will be announced later; the tour will remain in each city for about three weeks.
Colbert Report host Stephen Colbert Tuesday on Late Night with Seth Meyers, where the conversation quickly turned to the upcoming Marvel variant cover depicting him as the Falcon, and then to what he recalled as “one of my proudest moments”: when he was bequeathed Captain America’s shield in 2007 following the death of Steve Rogers.
“I got a letter — and the shield — I got a letter from Joe Quesada, who’s the head of Marvel Comics, he said, ‘We’ve read Cap’s will, and in his will he said there’s only one person patriotic enough to wield the solid vibranium shield,’ and it was you, Stephen Colbert. And my wife, who knows nothing from Marvel — she grew up playing with, you know, paper dolls, that sort of thing — she read the letter and wept with pride for me. And she said, ‘I don’t know why I’m so proud of you.'”
As most readers likely have seen by now, Marvel confirmed last night on The Colbert Report that Sam Wilson is the new Captain America, but you may not caught a heartbroken Stephen Colbert learning from Marvel Chief Creative Officer Joe Quesada that, alas, he won’t be the one taking up the shield. Watch the video below.
Colbert made a pretty good case for himself, saying, “Obviously, you have to be truly patriotic, you have to look decades younger than your actual age. … It should be someone who actually owns Captain America’s shield. That’s right, that’s right — the shield has been up there since 2007. I needed it for my battle against Nickelback.” (It was actually given to Colbert by Quesada during the “Death of Captain America” storyline.)
Feld Entertainment has released a new look behind the scenes of Marvel Universe Live!, complete with explosions, flipping S.H.I.E.L.D. vehicles, dirtbikes, a skateboarder, Captain America’s flying shield … and a cameo by Marvel Chief Creative Officer Joe Quesada.
Employing a combination of state-of-the-art special effects, pyrotechnics and aerial stunts, the multimillion-dollar arena tour show centers on the Cosmic Cube, which has been split into pieces by Thor to keep the device out of the wrong hands. But when Loki hatches a plan to clone the item’s powers, the Marvel superheroes must unite for a globe-spanning mission to secure all of the pieces before the villains can.
Crime | Police in St. Charles, Missouri, have arrested 24-year-old Adam Radigan and charged him in the Monday-morning robbery of a comic store employee. The robbery occurred in the parking lot as the employee walked out of the Fantasy Shop with a bank bag that contained $26 in coins. The suspect allegedly indicated he had a gun and demanded the bag; after the employee handed it over, fled on foot. Nearby schools were briefly locked down after the incident. [The St. Louis Post-Dispatch, KDSK]
Comics | “Seattle and the Northwest have carved a lasting niche in the comics world by applying the same traits to cartoons that we apply to music — lo-fi, provocative and introspective. Our comics are often funny as in peculiar, not necessarily funny as in laugh-out-loud, our heroes bumbling rather than swashbuckling”: Tyrone Beason looks at Seattle’s thriving alt-comics scene, and talks with Peter Bagge, Ellen Forney, Tom Van Deusen and the organizers of the Short Run Comix and Arts Festival. [The Seattle Times]
USA Today has confirmed story details for Marvel Universe Live!, the upcoming arena tour show from Marvel and Feld Entertainment.
Employing a combination of state-of-the-art special effects, pyrotechnics and aerial stunts, the production centers on the Cosmic Cube, which has been split into pieces by Thor to keep the device out of the wrong hands. But when Loki hatches a plan to clone the item’s powers, the Marvel superheroes must unite for a globe-spanning mission to secure all of the pieces before the villains can. Early teasers for Marvel Universe Live! had hinted at the Cosmic Cube as a plot element.
“After much thought and internal discussion, we felt that between the two, ‘Miracleman’ was the coolest name for the project. I wish I had a more scientific answer for you, but that’s kind of how it went down. A bunch of us sat around at the editorial meeting and talked about it. We all remember it fondly as ‘Miracleman’ and just felt that the name was by far better than Marvelman. That’s not to say that the name Marvelman isn’t in play for something else down the line some day, but when asked to choose between the two, well …”
— Marvel Chief Creative Officer Joe Quesada, in an interview with Comic Book Resources, explaining why the company chose to go with the name “Miracleman” over the original “Marvelman”
Dan DiDio informed his Facebook followers Thursday that he was set to appear on today’s episode of tje daytime talk show The View, and the DC Entertainment co-publisher did appear — not as an in-studio guest, but as one of several industry dignitaries who interacted with co-host Whoopi Goldberg at New York Comic Con.
Goldberg explained at the beginning of the segment that she attended the convention seeking advice on how to get her comic book idea published. In addition to DiDio, Goldberg — already a part of geek culture due to her role as Guinan on Star Trek: The Next Generation — sought the counsel of Marvel Chief Creative Officer Joe Quesada, Kevin Smith, Seth Green, Clare Grant, Ronald D. Moore, Diana Gabaldon, True Blood‘s Kristin Bauer van Straten and more, in a comedic montage segment.
“The greatest thing I discovered is it’s really family oriented,” Goldberg said of the event. “People come dressed with their families. … They’re happy to be there.” Watch the segment below.
Organizations | The Siegel and Shuster Society is seeking donations to repair the fence surrounding the former site of Joe Shuster’s childhood home in Cleveland and to help maintain the new Superman exhibit at Cleveland Hopkins International Airport. The wooden fence, which is decorated with large metal plates depicting the first Superman story from Action Comics #1, was damaged early last month by a drunken driver. Repairs are expected to cost about $3,000; any additional money will be put toward future restoration. Dedicated in October, the airport’s Superman Welcoming Center has suffered wear from visitors encouraging children to pose for photographs beside the statue. The group is seeking $1,500 to fix the damage and install a barrier to keep kids off the exhibit. Donations can be made through the Cleveland Foundation. [Cleveland Plain Dealer]
Conventions | It’s time for the mass media to start earnestly explaining Comic-Con to their readers; here’s one that gives a quick overview of the history of the con and gathers quotes from various notables, including Marvel’s Joe Quesada, the guy who runs the Walking Dead obstacle course, and CBR’s Jonah Weiland. [The Long Beach Press-Telegram]
Shout! Factory has debuted the trailer for Marvel Knights Animation’s Wolverine: Origin, the motion-comic adaptation of the 2001-2002 limited series that, as the title suggests, revealed the early years of the ubiquitous Marvel mutant. It was written by Paul Jenkins from a story by Jenkins, Joe Quesada and Bill Jemas, and illustrated by Andy Kubert and Richard Isanove.
Wolverine: Origin is the ninth title produced by Shout! Factory since 2009, joining the likes of Inhumans, Spider-Woman: Agent of S.W.O.R.D., Iron Man: Extremis, Black Panther and, most recently, Astonishing X-Men: Unstoppable. It will be available on DVD beginning July 9 for $14.97.
The timing of the release couldn’t be better, considering that director James Mangold’s The Wolverine premieres July 26.
For those who might’ve missed this 2006-2007 miniseries, Doctor Strange: The Oath is a five-issue story written by Brian K. Vaughan and drawn by Marcos Martin — that pedigree alone should ensure it has a place in your long box or the handy trade paperback sits on your shelf. Vaughan’s clear, lyrical writing style is in full force, and Martin’s art is as fluid and dynamic as it’s been for Mark Waid’s Daredevil. The story delves into the occult to save Wong, who’s been stricken with a fatal disease. Not only does it have magic and mysticism, it also reminds you of Strange’s classical origin as an arrogant surgeon who had to learn humility in an area both street-level and far-flung dimensions. It also brought Night Nurse in as a strong supporting character to the good Doctor’s retinue and, as the back cover tells me, firmly establishes Doctor Strange in the Marvel Universe.
A nice idea, but it really did nothing of the sort.
Marvel’s Chief Creative Officer Joe Quesada tweeted the above photo of himself taking a punch to the jaw from Phil Coulson himself, Agents of S.H.I.E.L.D. star Phil Coulson, writing, “Reminder to self, don’t touch Lola … ever again!”
That’s a reference to a scene from the first trailer for the upcoming ABC action drama in which Coulson cautions a member of the Helicarrier hangar deck crew, “Don’t touch Lola,” his shiny red convertible.
Created by Joss Whedon with Dollhouse veterans Jed Whedon and Maurissa Tancharoen, Agents of S.H.I.E.L.D. also stars Ming-Na as Agent Melina May, Elizabeth Henstridge as Agent Gemma Simmons, Iain De Caestecker as Agent Leo Fitz, Brett Dalton as Agent Grant Ward and Chloe Bennett as Skye. The series will air Tuesdays at 8 p.m. ET/PT on ABC.
Publishing | In advance of Chicago Comic & Entertainment Expo, DC Comics Co-Publisher Dan DiDio and Marvel Chief Creative Officer Joe Quesada discuss who’s reading their comics, and the creative challenges of writing about characters who have been around for generations. Asked if he was the custodian of contemporary myths, DiDio answered, “You know, I feel like a renter, to be honest. I’m in charge at this moment, and the goal is to keep these myths healthy enough so that, eventually, you can pass them down to the next person who rents them.” [Chicago Tribune]
Conventions | Christopher Butcher, the organizer of the Toronto Comic Arts Festival, talks about how the show has grown and what to expect this year, including an interesting slate of international creators, from David B. to Taiyo Matsumoto. [The Comics Reporter]
Ahead of the Jan. 21 season premiere of Ultimate Spider-Man, Disney XD has released a preview of “Marvel Comics Close-Up,” a new series of interstitials that uses Marvel comics in an effort to encourage kids to read.
As we noted last month, the spots are hosted by Marvel’s Chief Creative Officer Joe Quesada (aka “Marvel Master”) and Dylan Riley Snyder (“Kickin’ It”), who offer viewers an inside look at 10 of the publisher’s comics. In the segment below, which arrives courtesy of The Hollywood Reporter, they tie in the debut of the Lizard in the animated series with his appearance in Ultimate Spider-Man #7, by Brian Michael Bendis and Mark Bagley. Viewers will be able to read the comics they discuss on the Disney XD website.
One of the longtime laments of many fans is that DC Entertainment and Marvel don’t better utilize popular animated series like Young Justice or the late Avengers: Earth’s Mightiest Heroes to promote their comic books. Well, that’s about to change.
When Disney XD’s Ultimate Spider-Man returns Jan. 21 for a second season, it will be accompanied by a new series of interstitials designed to encourage kids to read. Hosted by Marvel’s Chief Creative Officer Joe Quesada and Dylan Riley Snyder (“Kickin’ It”), “Marvel Comics Close-Up” will give viewers an inside look at 10 comics, including Ultimate Spider-Man #7, Invincible Iron Man #7, Hulk #3, Thor #364 and Marvel Adventures Spider-Man #16. In addition, free Marvel digital comics will be offered on the Disney XD website.
Ultimate Spider-Man returns Monday, Jan. 21 at 7 p.m. ET/PT with a one-hour premiere that introduces Electro and the Lizard. New episodes follow in the show’s regular time slot, Sundays at 11 a.m. ET/PT.