“After much thought and internal discussion, we felt that between the two, ‘Miracleman’ was the coolest name for the project. I wish I had a more scientific answer for you, but that’s kind of how it went down. A bunch of us sat around at the editorial meeting and talked about it. We all remember it fondly as ‘Miracleman’ and just felt that the name was by far better than Marvelman. That’s not to say that the name Marvelman isn’t in play for something else down the line some day, but when asked to choose between the two, well …”
– Marvel Chief Creative Officer Joe Quesada, in an interview with Comic Book Resources, explaining why the company chose to go with the name “Miracleman” over the original “Marvelman”
Dan DiDio informed his Facebook followers Thursday that he was set to appear on today’s episode of tje daytime talk show The View, and the DC Entertainment co-publisher did appear — not as an in-studio guest, but as one of several industry dignitaries who interacted with co-host Whoopi Goldberg at New York Comic Con.
Goldberg explained at the beginning of the segment that she attended the convention seeking advice on how to get her comic book idea published. In addition to DiDio, Goldberg — already a part of geek culture due to her role as Guinan on Star Trek: The Next Generation — sought the counsel of Marvel Chief Creative Officer Joe Quesada, Kevin Smith, Seth Green, Clare Grant, Ronald D. Moore, Diana Gabaldon, True Blood‘s Kristin Bauer van Straten and more, in a comedic montage segment.
“The greatest thing I discovered is it’s really family oriented,” Goldberg said of the event. “People come dressed with their families. … They’re happy to be there.” Watch the segment below.
Organizations | The Siegel and Shuster Society is seeking donations to repair the fence surrounding the former site of Joe Shuster’s childhood home in Cleveland and to help maintain the new Superman exhibit at Cleveland Hopkins International Airport. The wooden fence, which is decorated with large metal plates depicting the first Superman story from Action Comics #1, was damaged early last month by a drunken driver. Repairs are expected to cost about $3,000; any additional money will be put toward future restoration. Dedicated in October, the airport’s Superman Welcoming Center has suffered wear from visitors encouraging children to pose for photographs beside the statue. The group is seeking $1,500 to fix the damage and install a barrier to keep kids off the exhibit. Donations can be made through the Cleveland Foundation. [Cleveland Plain Dealer]
Conventions | It’s time for the mass media to start earnestly explaining Comic-Con to their readers; here’s one that gives a quick overview of the history of the con and gathers quotes from various notables, including Marvel’s Joe Quesada, the guy who runs the Walking Dead obstacle course, and CBR’s Jonah Weiland. [The Long Beach Press-Telegram]
Shout! Factory has debuted the trailer for Marvel Knights Animation’s Wolverine: Origin, the motion-comic adaptation of the 2001-2002 limited series that, as the title suggests, revealed the early years of the ubiquitous Marvel mutant. It was written by Paul Jenkins from a story by Jenkins, Joe Quesada and Bill Jemas, and illustrated by Andy Kubert and Richard Isanove.
Wolverine: Origin is the ninth title produced by Shout! Factory since 2009, joining the likes of Inhumans, Spider-Woman: Agent of S.W.O.R.D., Iron Man: Extremis, Black Panther and, most recently, Astonishing X-Men: Unstoppable. It will be available on DVD beginning July 9 for $14.97.
The timing of the release couldn’t be better, considering that director James Mangold’s The Wolverine premieres July 26.
For those who might’ve missed this 2006-2007 miniseries, Doctor Strange: The Oath is a five-issue story written by Brian K. Vaughan and drawn by Marcos Martin — that pedigree alone should ensure it has a place in your long box or the handy trade paperback sits on your shelf. Vaughan’s clear, lyrical writing style is in full force, and Martin’s art is as fluid and dynamic as it’s been for Mark Waid’s Daredevil. The story delves into the occult to save Wong, who’s been stricken with a fatal disease. Not only does it have magic and mysticism, it also reminds you of Strange’s classical origin as an arrogant surgeon who had to learn humility in an area both street-level and far-flung dimensions. It also brought Night Nurse in as a strong supporting character to the good Doctor’s retinue and, as the back cover tells me, firmly establishes Doctor Strange in the Marvel Universe.
A nice idea, but it really did nothing of the sort.
Marvel’s Chief Creative Officer Joe Quesada tweeted the above photo of himself taking a punch to the jaw from Phil Coulson himself, Agents of S.H.I.E.L.D. star Phil Coulson, writing, “Reminder to self, don’t touch Lola … ever again!”
That’s a reference to a scene from the first trailer for the upcoming ABC action drama in which Coulson cautions a member of the Helicarrier hangar deck crew, “Don’t touch Lola,” his shiny red convertible.
Created by Joss Whedon with Dollhouse veterans Jed Whedon and Maurissa Tancharoen, Agents of S.H.I.E.L.D. also stars Ming-Na as Agent Melina May, Elizabeth Henstridge as Agent Gemma Simmons, Iain De Caestecker as Agent Leo Fitz, Brett Dalton as Agent Grant Ward and Chloe Bennett as Skye. The series will air Tuesdays at 8 p.m. ET/PT on ABC.
Publishing | In advance of Chicago Comic & Entertainment Expo, DC Comics Co-Publisher Dan DiDio and Marvel Chief Creative Officer Joe Quesada discuss who’s reading their comics, and the creative challenges of writing about characters who have been around for generations. Asked if he was the custodian of contemporary myths, DiDio answered, “You know, I feel like a renter, to be honest. I’m in charge at this moment, and the goal is to keep these myths healthy enough so that, eventually, you can pass them down to the next person who rents them.” [Chicago Tribune]
Conventions | Christopher Butcher, the organizer of the Toronto Comic Arts Festival, talks about how the show has grown and what to expect this year, including an interesting slate of international creators, from David B. to Taiyo Matsumoto. [The Comics Reporter]
Ahead of the Jan. 21 season premiere of Ultimate Spider-Man, Disney XD has released a preview of “Marvel Comics Close-Up,” a new series of interstitials that uses Marvel comics in an effort to encourage kids to read.
As we noted last month, the spots are hosted by Marvel’s Chief Creative Officer Joe Quesada (aka “Marvel Master”) and Dylan Riley Snyder (“Kickin’ It”), who offer viewers an inside look at 10 of the publisher’s comics. In the segment below, which arrives courtesy of The Hollywood Reporter, they tie in the debut of the Lizard in the animated series with his appearance in Ultimate Spider-Man #7, by Brian Michael Bendis and Mark Bagley. Viewers will be able to read the comics they discuss on the Disney XD website.
One of the longtime laments of many fans is that DC Entertainment and Marvel don’t better utilize popular animated series like Young Justice or the late Avengers: Earth’s Mightiest Heroes to promote their comic books. Well, that’s about to change.
When Disney XD’s Ultimate Spider-Man returns Jan. 21 for a second season, it will be accompanied by a new series of interstitials designed to encourage kids to read. Hosted by Marvel’s Chief Creative Officer Joe Quesada and Dylan Riley Snyder (“Kickin’ It”), “Marvel Comics Close-Up” will give viewers an inside look at 10 comics, including Ultimate Spider-Man #7, Invincible Iron Man #7, Hulk #3, Thor #364 and Marvel Adventures Spider-Man #16. In addition, free Marvel digital comics will be offered on the Disney XD website.
Ultimate Spider-Man returns Monday, Jan. 21 at 7 p.m. ET/PT with a one-hour premiere that introduces Electro and the Lizard. New episodes follow in the show’s regular time slot, Sundays at 11 a.m. ET/PT.
During the 1960s creation of Marvel Comics, when Jack Kirby, Stan Lee and Steve Ditko conceived the core stable of characters and the emerging shared-setting of the Marvel Universe, the line’s writer/editor/spokesman Lee created a fictional Marvel Bullpen.
Based on the crowded, raucous studio environment of the Golden Age, which Kirby actually worked in and Lee essentially interned in, Lee’s Bullpen presented he and his collaborators and employees as a big happy family, joyfully creating comics for their young readers an environment that could seem as fun as working in Santa’s workshop.
At the time of its creation, Lee’s fantasy might have been a pure invention (although later, after Kirby and Ditko left the publisher and Lee was promoted out of his hands-on control of the line, such an environment would occasionally come into existence, depending on the year, the employees and the owner at the time), but it did hint at an aspect of reality.
The characters who were making Marvel comics were in many ways just as colorful and talented as the characters starring in them; the story of Marvel Comics is at least as exciting as any story in Marvel comics. And, in a very real way, Sean Howe’s book Marvel Comics: The Untold Story is probably the Marvel story of the year—bigger, more epic and with greater conflict and drama than Fear Itself or Avengers Vs. X-Men or even that billion-dollar feature Marvel Studios released over the summer … the movie’s monstrous success being what gives Howe’s book a sort of validating end-point, a raison d’etre; to both Lee’s decades-long ambition to see Marvel characters on the big screen, and owner after owner’s ambition to become very, very rich off the heroes Kirby and company created.
Marvel has revealed Joe Quesada’s variant cover for The Amazing Spider-Man #700, the final issue of the long-running series, which is ending as part of the Marvel NOW! initiative. The issue features a regular cover by Mr. Garcin, and a second sketch variant by Quesada.
Before the year closes out, fans are in for one of the biggest shocks to hit the life of Peter Parker. Just when you thought all was going well for the World’s Greatest Super Hero, think again. This December, secrets are revealed, but the twists and turns are not done yet! Join Dan Slott, Humberto Ramos, and a cavalcade of talented writers and artists in witnessing Amazing Spider-Man come to a close as we celebrate 50 years of Spider-Man!
The Amazing Spider-Man #700 will be one of only two Marvel comics on sale Dec. 26, which Diamond Comic Distributors as designated as a skip week because of the holiday. The other is Avenging Spider-Man #15.1, by Chris Yost and Paco Medina, which continues what Marvel is billing as “the must-read story.” See the full Quesada cover below.
As promised, Marvel Chief Creative Officer Joe Quesada appeared last night on ABC’s Jimmy Kimmel Live, where he promoted Marvel NOW! to a national audience — “We’re not rebooting our universe, but if you’re a fan of the movies, or if you’re a lapsed comic-book fan, it’s the perfect opportunity for you to come in and start on the Marvel Universe” — while the talk-show host played the role of the nervous creator hoping to sell the House of Ideas on his own characters.
But these weren’t just any characters; these were the heroes and villains that sprang from the mind of a 6- or 7-year-old Jimmy. Or so we’re told. There’s the Terrific Ten — “There’s 10 of them, and they’re terrific” — led by Muscleman, the King of Superheroes (complete with crown), and featuring Colored Kid, who has all the powers of a rainbow, Lucky Lad, who’s kind of like a leprechaun. Of course, the heroes need villains equal to their … terrific-ness. Enter, the Terrible Ten, which includes Evil Eye, Doctor Bolt and Bleach Master (with his Clor-Ax).
Surprisingly, neither team was exactly what Quesada had in mind for Marvel NOW!, so he makes Kimmel a pitch of his own. (By the way, who knew Quesada was so stingy with his comics?) Watch the full video below.
In a bit of corporate synergy, Joe Quesada will pay a visit Tuesday on ABC’s Jimmy Kimmel Live to launch Marvel NOW! with the debut of Uncanny Avengers, and to … propose a team-up with the talk-show host?
“First Jimmy Kimmel rocked the Emmys in front of the entire world and now he’s set his sights on the Marvel Universe,” Marvel’s chief creative officer said in a statement. “I’m looking forward to meeting with him to see just what he has planned for the Avengers, Spider-Man, Wolverine or whichever of Marvel’s superheroes interest him the most. But this is Marvel NOW! and we’re going to need the biggest ideas to compete with what we’ve planned! One things for sure — you’ve never seen Marvel on TV like this before!”
USA Today teases the Sunday premiere of Disney XD’s Marvel Universe animated programming block with a preview of “Master Class,” a series of shorts in which Marvel’s Chief Creative Officer Joe Quesada demonstrates how to draw some of the company’s most famous characters. Here, the veteran artist tackles the Incredible Hulk.
Anchored by Ultimate Spider-Man and The Avengers: Earth’s Mightiest Heroes, the Marvel Universe block also features such shorts as the “Fury Files” (dossiers on Marvel heroes), “Animated Realities” (superhero moves demonstrated by stunt and special-effects experts) and “What Would It Take?” (a look at the technology required to replicate heroes’ gadgets and abilities in real life).
Disney XD’s Marvel Universe block premieres Sunday at 11 a.m. ET/PT.
“Yeah, of course — that’s what people want to think. But let’s be clear: The DC relaunch is a response to everything Marvel’s been doing, and not the other way around. You don’t set fire to your entire house for no good reason. And by the way, I tip my hat to them. They did something daring and it worked for them. They boosted sales of some of their books. But Avengers vs. X-Men is something that’s been on our docket for publishing for several years now.”
– Marvel Chief Creative Officer Joe Quesada, reacting to suggestions
that Avengers vs. X-Men is a response to DC’s New 52