Brevoort Talks "Captain America's" Shocking, Controversial Twist
Publishing | Zainab Akhtar looks at the success of Koyama Press and how it changed the comics small press world as a whole. She starts with the amazing origin story: Founder Annie Koyama nearly died from a brain aneurysm, and while she was recovering she played the stock market so successfully that she was able to quit her job and launch Koyama Press. For six years she provided funding for artists without taking anything for herself, and she also searched for and promoted emerging artists. “On an immediate level, Annie’s generous yet meritocratic approach validated the work of artists who were otherwise written off by the established alternative comics community, which often views this new generation of cartoonists working primarily online as somehow less legitimate,” Akhtar writes. “On a broader scale, her commitment to taking risks on emerging artists reflected an ongoing paradigm shift affecting the way alternative comics are produced and consumed.” [The Fader]
The New-York Historical Society will explore the history of superhero comics, and the city’s importance “as a creative force behind a uniquely American mythology,” in an exhibition called “Superheroes in Gotham.”
“Comics are a huge cultural force, but few remember their New York roots,” Dr. Louise Mirrer, president and CEO of the New-York Historical Society, said in a statement. “’Superheroes in Gotham’ will immerse visitors in the early days of comics and their evolution, so they can learn more about the genesis of their favorite characters, encounter new voices that continue the creative tradition today, and perhaps see aspects of their own neighborhoods imaginatively captured on the page.”
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Jack Kirby’s work from the early 1960s on is so indelible and influential that the enormous amount of work he did with Joe Simon in the years prior often seems to take a back seat to his more recent work. As a result, it often appears as though several chapters in our appreciation of one Kirby’s work and career are missing.
Thankfully, effort has been made lately to rectify that perception. Publishers like Titan Books and Fantagraphics have made an attempt to get some of these pre-code comics under readers’ noses.
Now Abrams has jumped into the ring with The Art of the Simon and Kirby Studio, a lavish, oversize compendium of stories and art (scanned from the original pages) offered in stores in time for the holiday rush.
By the way, the emphasis in that title should firmly be on the word studio. For while Simon and Kirby’s art is well-represented here, editor Mark Evanier takes considerable care in highlighting stories by other artists who worked for the studio, most notably one Bill Draut, a clean-lined Milton Caniff-styled cartoonist whose work I was heretofore unaware of (other featured artists include Angelo Torres, George Tuska and Mort Meskin).
All-New X-Men #33, Fantastic Four #12, Inhuman #7 and Wolverine and the X-Men #11 include the phrase “Created By Stan Lee and Jack Kirby,” while Death of Wolverine: Deadpool & Captain America #1 states, “Captain America Created By Joe Simon and Jack Kirby.” The credits pages can be found below.
Added with no fanfare, the credits follow a settlement agreement announced last month, ending the five-year-old fight between Marvel and Kirby’s children over the copyrights to 45 characters created or co-created by their father — among them, the Avengers, the X-Men and the Fantastic Four.
Neither side has commented publicly on their agreement beyond the joint statement, issued even as the U.S. Supreme Court was expected to decide whether it would consider an appeal by the Kirby heirs: “Marvel and the family of Jack Kirby have amicably resolved their legal disputes, and are looking forward to advancing their shared goal of honoring Mr. Kirby’s significant role in Marvel’s history.”
Crime | Police in St. Charles, Missouri, have arrested 24-year-old Adam Radigan and charged him in the Monday-morning robbery of a comic store employee. The robbery occurred in the parking lot as the employee walked out of the Fantasy Shop with a bank bag that contained $26 in coins. The suspect allegedly indicated he had a gun and demanded the bag; after the employee handed it over, fled on foot. Nearby schools were briefly locked down after the incident. [The St. Louis Post-Dispatch, KDSK]
Comics | “Seattle and the Northwest have carved a lasting niche in the comics world by applying the same traits to cartoons that we apply to music — lo-fi, provocative and introspective. Our comics are often funny as in peculiar, not necessarily funny as in laugh-out-loud, our heroes bumbling rather than swashbuckling”: Tyrone Beason looks at Seattle’s thriving alt-comics scene, and talks with Peter Bagge, Ellen Forney, Tom Van Deusen and the organizers of the Short Run Comix and Arts Festival. [The Seattle Times]
Although romance comics are a rarity nowadays, at least in the North American market, there was a time when they were a major force on newsstands, as superhero titles faded in the aftermath of World War II and gave way to other genres: Sweathearts, Heart Throbs, My Life, Love Confessions, Just Married, to name only a few of the series. However, it all began with Young Romance, created by Joe Simon and Jack Kirby.
Simon’s granddaughter Megan Margulies provides a nice reminder that her “Daddy Joe” and his longtime collaborator effectively created an entire genre with her Cigar Joe Designs Etsy store, which offers, among other items, posters, iPhone cases and T-shirts featuring art from some of those classic comics.
Even if those kinds of products aren’t up your alley, the Cigar Joe Designs Facebook page is a terrific resource for old Simon and Kirby work and photos.
Rarely will you find an artifact of comics history that is as simultaneously amusing, bewildering and infuriating as this 1947 Timely Comics feature that purports to recount the creation of a comic strip — specifically, Captain America. Posted by cartoonist Max Riffner (via The Marvel Age of Comics), who attributes the writing to a young Stan Lee, the piece becomes the Martin Goodman story, playing up the role of “the young brilliant magazine king who is today one of the greatest names in the comics magazine world” while not even mentioning Jack Kirby and Joe Simon.
If we’re to believe this account, Captain America and Bucky were actually assembled by committee from the odds and ends of an open call, or possibly willed into existence by the dogged resolution of Martin Goodman. Read part of the account below, and see how it all ends on Riffner’s blog.
Arriving in bookstores today is The Simon & Kirby Library: Science Fiction, a 320-page collection from Titan Books that spans more than 20 years, beginning with the very first collaboration between Joe Simon and Jack Kirby.
Before they created Captain America, the legendary duo worked together on Simon’s Blue Bolt, a character whose origin, in the words of Don Markstein, “is even more excruciating than that of most superheroes”: College football star Fred Parrish is struck by lightning during practice, and then stumbles to an airplane to fly for help — only to be struck again by lightning. The plane crashes, depositing Parrish underground, conveniently where a scientist named Bertoff has established a laboratory. The danger-prone athlete is revived and treated with radium, which grants him with lightning powers. Oh, and he also gets a lightning gun. Hey, it was the 1940s.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d buy the leading contender for best ongoing series this year, Saga #10 (Image, $2.99). I loved the last issue focusing on the Will, but I’m excited at the prospect this one teases of Izabel returning – although in a red-tinged, seemingly evil demeanor. After that I’d get another creator-owned gem with Francesco Francavilla’s The Black Beetle #2 (Dark Horse, $3.99). I love the latitude Dark Horse is giving Francavilla in the design packaging here – that cover is something special — and luckily, the insides have the promise of being even better given what happened last issue. Third and last in my $15 haul this week would be Dark Horse Presents #21 (Dark Horse, $7.99). Criminally underrated and consciously mind-blowing, this issue promises three new serials debuting plus a collaboration between Neil Gaiman and Paul Chadwick about alien saucers. Why isn’t this a top-selling book?
If I had $30, I’d make it a Dark Horse trifecta with Conan the Barbarian #13 (Dark Horse, $3.50). How does Brian Wood do it, finding such great artists that no one else knows about like Mirko Colak? This time, Conan tries to conquer the desert. Then I’d do a Marvel trifecta: Avengers #6 (Marvel, $3.99), Nova #1 (Marvel, $3.99) and Thor: God of Thunder #5 (Marvel, $3.99). Avengers has seemingly the origin of my formerly most favorite D-list hero in the Marvel Universe, Captain Universe – until she upgraded to the A-list as an Avenger. Then Nova has a spirited, seemingly kid-friendly romp by Jeph Loeb and Ed McGuinness. Then Thor … Thor. This thoroughly dark and mythic story has made Jason Aaron’s beard even more ominous than before.
If I could splurge, I’d get Alter-Ego #115 (TwoMorrows, $8.95). Normally a magazine about comics, in this issue they collect some lost gems – namely the stereoscopic comics (3-D!) – of the 1950s. 3-D glasses included, this issue contains work by Joe Simon, Jack Kirby, Joe Kubert, Curt Swan (!!), George Tuska and more. Truly a highlight of the week.
I love comic books, too. They’re awesome. I get plenty worked up sometimes about what goes on in the pages of my favorite books because they’re not doing it right! I get it. I’ve devoted countless hours to these characters. Heck, I’m the guy who ran a New Warriors fan site for years, tracking the chronological order of every random appearance, no matter how minor. And I did it completely without irony! So I get the emotional investment we have for these characters.
I also get how fun it is to use social networks. I use Facebook a lot, and Twitter, too, and it’s easy to get riled about something you see posted there. There’s no ‘dislike’ button to click so sometimes you just have to vent. And sometimes it feels like a regular old “how could you?!” just isn’t enough, that it just doesn’t get across how deeply you disagree with a plot development.
Regardless, none of that justifies sending threats. Dan Slott has received some extreme reactions to the leaked details of The Amazing Spider-Man #700 that go so far beyond normal fan griping that I wondered just what could’ve provoked such a backlash. So I reviewed the leaked information, and I have to say my response was, “That’s it?“
The legacy of Joe Kubert is rich and varied, from his school to his work on Sgt. Rock, Hawkman and other DC Comics properties. But one aspect of his career isn’t often a focus: He was among the first comic book professional to own his own character, predating the current creator-owned movement by more than 50 years.
The prehistoric Tor first appeared in 1,000,000 Years Ago #1, published in 1953 and edited by Joe Kubert and Norman Maurer. Its contents were owned by the book’s publisher, St. John Publications. But then in 1958, St. John abandoned comics and simply turned the rights to Tor over to Kubert.
How did he pull that off? By asking. As Tom Spurgeon’s obituary at The Comics Reporter explains, “Kubert said that receiving the copyright on Tor was as simple as requesting from the heir to the St. John publishing enterprise that the copyright be returned to him after the publisher had moved away from comics. The legally appropriate person provided a letter doing just that.”
If only it were that easy now!
Action! Mystery! Thrills!: Comic Book Covers of the Golden Ages, 1933-1945
Edited by Greg Sadowski
Fantagraphics Books, 208 pages, $29.99
Amazing Mysteries: The Bill Everett Archives Vol. 1
Edited by Blake Bell
Fantagraphics Books, 224 pages, $39.99
Young Romance: The Best of Simon & Kirby’s Romance Comics
Edited by Michael Gagne
Fantagraphics Books, 200 pages, $29.99
Our current publishing era has been dubbed the Golden Age of Reprints by a number of online pundits, myself included, and it’s not too hard to see why. Classic comics that fans and scholars never thought would make it to the bookbinders, let alone be available in an affordable version, are now coming off the presses at a staggering rate.
One of the benefits of this plethora of reprint projects is it allows us to re-examine certain noteworthy periods of comics history, help us discover long ignored artists and fully consider cartoonists who, though their names might have been recognizable, have largely been unappreciated except by a few. The alleged Golden Age of comics in particular has benefited from this scrutiny, not only in illuminating people like Fletcher Hanks but in showcasing work by folks like Jack Cole and Bill Everett.
One of the people leading the way in this specific endeavor is editor Greg Sadowski, who, in anthologies like Supermen! and Four Color Fear, has given average readers access to comics from well-covered eras (i.e. the early superhero and horror trends) merely by republishing stories that didn’t come from Marvel (or whatever it was called at the time), EC or DC.
Sadowski’s latest book, Action! Mystery! Thrills! has a somewhat even narrower focus, dealing entirely with comic book covers from the Golden era. It makes a certain amount of sense. While covers are still an integral part of marketing and selling a comic, they were even more essential back in those early, heady days, when you competed with hundreds of other titles and an eye-catching cover could mean the difference between profit and cancellation (or at least that’s what many editors and publishers of the time felt).
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes, and first issues so that I don’t have to come up with a new way to say, “ Life with Archie is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Richie Rich Gems Winter Special - In addition to their modern-look Richie Rich, Ape has also re-introducied the classic version in both new and reprinted adventures. I missed the solicit for Richie Rich Gems #44 last month (which picked up where the Harvey series left off in 1982), but the series continues with not only the Winter Special, but #45 as well.
Dragons vs Dinosaurs - I haven’t had great luck with Arcana’s books in the past, but c’mon. The title alone…
Hero Happy Hour: On the Rocks - This, on the other hand, is no risk at all. I’m a big fan of Dan Taylor and Chris Fason’s superhero bar stories and this is an all-new, 80-page adventure. Not reprints; not even a printed version of the webcomic. It’s all-new and I need it.
The Dare Detectives: The Snow Pea Plot Collected Edition – Archaia prepares for their publishing Ben Caldwell’s Dare Detectives: The Kula Kola Caper by re-publishing the first story that was originally put out by Dark Horse.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15 this week, I’d immediately go for Flashpoint #1 (DC Comics, $3.99) – I am very, very unsure about the number of tie-ins DC are pushing out for the new crossover event, but with Geoff Johns in charge, I’m suspecting that the main book will be worth a look at least. I’d also grab the relaunched GI Joe #1 (IDW, $3.99), if only to follow up on the “Cobra Civil War” storyline that I admit has completely caught my attention unexpectedly. Curiosity would also get me to pick up both Moriarty #1 (Image, $2.99) and Total Recall #1 (Dynamite, $1.99), two new launches that will hopefully take familiar ideas and characters in directions I wouldn’t expect…
Legal | The general affairs committee of the Tokyo Metropolitan Assembly has approved the government’s revised amendment to the Youth Healthy Development Ordinance, clearing the way for a vote by the full assembly on Wednesday. The controversial bill would further restrict sexual content in manga, anime and video games. A breakdown of the legislation can be found here. The Mainichi Daily News provides commentary. [Anime News Network]
Legal | In a surprise move, the Consumer Product Safety Commission has decided that the DC superhero- and Wizard of Oz-themed drinking glasses recalled last month because of high lead content aren’t children’s products and, therefore, not subject to recall. [The Associated Press]
Passings | Bluegrass musician and comic-art collector Don Lineberger, 71, died Dec. 5 after being pulled from a house fire in Valdosta, Georgia. Smoke inhalation is believed to be the cause of death. A banjo player who performed with the likes of Bill Monroe, Glen Campbell and Steve Martin, Lineberger was also known for his extensive collection of EC Comics memorabilia. Posters in this thread at the Collectors Society message board are attempting to compile a list of original EC work likely lost in the fire. [The Valdosta Daily Times]