John Byrne

Comics A.M. | ‘Death of Phoenix’ page fetches $65,000 at auction

From Uncanny X-Men #137

Comics | An original page by John Byrne and Terry Austin from Uncanny X-Men #137, the 1980 issue that featured the death of Phoenix, sold at auction Wednesday for $65,725. As ICv2 notes, the sale continues the trend of 1980s comic art going for high prices; a page of Frank Miller art from Batman: The Dark Knight Returns #3 sold for $448,125 in May. [ICv2.com]

Digital | ICv2′s Milton Griepp makes the case for publishers to provide sales information on digital comics. “Why would this information be useful? There are a number of reasons. One is that it would help distributors (most importantly, Diamond Comic Distributors) and retailers selling physical comics and graphic novels identify which titles have the largest audiences in digital form. They could then make sure that they’re merchandising the top digital titles appropriately, so they can take advantage of demand for physical titles that results from digital exposure (we’ve been hearing that there’s a significant phenomenon of digital purchasers looking for collections of comics they’ve purchased online). Digital demand can also indicate potential demand for physical books from consumers that aren’t purchasing digitally; a good book, after all, is a good book, and if digital purchasers are finding a title that’s not as popular in physical form, it may indicate that there’s an untapped market of consumers of physical books as well.” [ICv2.com]

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Food or Comics? | Point One, Silver Star, Tezuka and more

Point One

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Chris Arrant

If I had $15, I’d first get the third issue of my favorite New 52 title, Batwoman #3 (DC, $2.99). Seriously, J.H. Williams III is hitting a home run on every outing here when it comes to my tastes. Although the writing isn’t up to the level of Greg Rucka’s time on the book, it’s close and only bound to get better. Next up I’d get Point One #1 (Marvel, $5.99). I think this format–an extra-size preview book for what’s coming next–is an interesting experiment, and I’m intrigued most by the Nova story, but also interested to see what the others do. Third would be Uncanny X-Force #17 (Marvel, $3.99), to get the one-two punch of Rick Remender and Jerome Opena. Iceman as a bad guy? I dig this.

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Food or Comics? | Rub-A-Dub-Dub, Batman in a tub

Batman #2

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Michael May

If I had $15, I’d mostly grab the second issues of some DC stuff I enjoyed last month: Batman ($2.99), Birds of Prey ($2.99), and especially Wonder Woman ($2.99). No Justice League for me though. Unlike Action Comics, I didn’t enjoy the first issue enough that I can rationalize paying $4 for it. Instead, I’ll grab Avengers 1959 #2 ($2.99) and Red 5′s Bonnie Lass #2 ($2.95), both of which had strong first issues.

If I had $30, I’d have to put back Bonnie Lass and wait for the collection in order to afford Jonathan Case’s atomic-sea-monster-love-story Dear Creature ($15.99).

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Five talents I’d like to see on projects for Marvel and DC

Although mainstream comic publishing is built on characters and brand names, the importance of creators has been one of the keys to its success. Since the early 1990s, talented creators have served as fonts of ideas as well as big draws for sales. And with the competition between DC and Marvel reaching to new heights in the build-up to “The New 52,” comic creators are being snapped up left and right into exclusive agreements and put to work. But amidst all of this, there remains a number of talents that haven’t been drafted. They might simply prefer to work on their own outside the Big Two or are just waiting for the right offer. I’m going to list creators who could make a big difference if they chose to go to Marvel or DC.

Let me preface this to say that I’m avoiding mentioning some creators due to the fact that they’re generally considered as not looking for work from Marvel or DC. I’m talking about creators like Alan Moore, Brian K. Vaughn, Robert Kirkman, Mike Mignola, Joss Whedon and the like.

Joe Hill: Joe Hill is many things to many people. For comics readers he’s the co-creator of the IDW epic Locke & Key; for novel readers he’s the writer of Horns and Heart-Shaped Box; for Stephen King, he’s his son. With all of that, Joe Hill could be a potent force if DC or Marvel would choose to go the lengths to get him on board. Hill is no stranger to super-heroes; he wrote a story for Marvel’s Spider-Man Unlimited years ago, and did the recent series The Cape for IDW. Imagine him in the city limits of Gotham or perhaps showing up in Marvel’s version of Hell’s Kitchen.

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Previews: What Looks Good for October

Spera, Volume 1

It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes, and first issues so that I don’t have to come up with a new way to say, “Jeff Lemire’s Frankenstein is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.

Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.

Archaia

The Grave Doug Freshley – A lot of publishers are doing Weird Western comics lately and that’s just fine with me.

Spera, Volume 1 – I like the sound of this fairy tale in which a couple of princesses combine efforts to save their kingdoms. It’s not that I’m anti-prince, but that’s a cool, new way to do that story.

Avatar

Captain Swing and the Electrical Pirates of Cindery Island – Warren Ellis doing Steampunk sounds thrilling, but really all they had to say was “pirates.” I bet this is still really good though, even if you’re pickier than I am.

Boom!

Roger Langridge’s Snarked #1 – After a well-loved zero-issue, Langridge’s version of Wonderland gets its real, official start.

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John Byrne working on new ‘period piece’ comic Cold War

Cold War

John Byrne, creator of Next Men, is working on his first all-new comic series in more than a decade, according to an Associated Press story.

Matt Moore reports that Byrne, who worked on Uncanny X-Men, Fantastic Four, Alpha Flight, Amazing Spider-Man, Superman and many other titles back in the 1970s, 80s and 90s, is writing and drawing a new “period piece” called Cold War. Published by IDW, the series stars former MI6 agent-turned-freelancer Michael Swann. The first issue involves Swann attempting to stop a British scientist from defecting to the Soviet Union.

“He operates on a freelance basis, and occasionally his former bosses call upon him to handle something that is perhaps a bit too messy for Her Majesty’s Government to be involved” with, Byrne told the Associated Press. “So he knows that when he is called upon, things have reached some dire straits. His response to this is usually very straightforward and brutal.”

Byrne shared a few more details on his forums: “Altho set in the early days of the Cold War, this is NOT going to be a history book. I am playing quite freely with the order in which things happened in the real world. And I will not be tying Swann’s exploits to any specific year or sequence of years. Those with an awareness of the history of this period may spot a few landmarks — one in most particular plays an important part as a sub-thread to my overall tale — but no reason to start checking the History Channel in order to be able to follow what’s going on in this series!”


Comics A.M. | Comics fall short of 100K mark; tribute to Kirby from his son

Flashpoint #1

Publishing | Despite the debut of DC Comics’ Flashpoint and the release of the second issue of Marvel’s Fear Itself — big summer events for both publishers — no comic sold more than 100,000 copies in the direct market in May. Fear Itself #2 led Diamond Comic Distributors’ list of Top 300 comics with an estimated 96,318 copies, a decline of some 32,000 copies from its first issue. But it’s the debut of Flashpoint in the No. 2 slot, with an estimated 86,981 copies, that ICv2 says “has to be considered disappointing.” However, the retail news and analysis website is quick to point out that several stores have indicated they sold out of their initial orders of the book, suggesting it may have been under-ordered by event-wary retailers. ICv2 also notes a 17.3 percent drop in the Top 300 comics before explaining the situation isn’t as grim as that figure may suggest. However, it cautions, the same can’t be said for the graphic novel category, which was down just 6.2 percent from May 2010 — a month in which no title sold more than 5,000 copies. John Jackson Miller has further analysis. [ICv2.com]

Jack Kirby

Creators | In a piece titled “Happy Father’s Day; Glad You’re Not Here,” Neal Kirby pays tribute to his father, the late Jack Kirby, in the process exposing some of the bitterness over the way the comics legend has been credited in recent movie adaptations: “If [you're] unfamiliar with the comics industry, and just enjoy super-hero movies, you will notice my fathers’ name on some screen credits, usually buried at the end of the movie; sometimes, as in the recent Thor release, coming third after someone who had no hand in the characters’ creation other than being the editor-in-chief’s brother. Unfortunately, for the past several years, some in the comics industry who have had the benefit of longevity have used the opportunity to claim to be the sole creator of all of Marvels’ characters. Must be great to be the last man standing. It would seem that being backed by the public relations department of a large corporation buys access into the 24/7 news cycle.” [CO2 Comics Blog]

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Food or Comics? | This week’s comics on a budget

John Byrne's Next Men

Welcome once again to Food or Comics?, where every week we talk about what comics we’d buy based on certain spending limits — $15, $30 to spend and if we had extra money to spend on what we call the “Splurge” item. Check out Diamond’s release list for this week if you’d like to play along in our comments section.

Michael May

If I had $15:

There are a lot of great periodicals coming out this week, so I’d have some hard choices to make. With only $15, I’d concentrate first on those with the cheapest prices: the first issue of Dark Horse’s new Mighty Samson ($3.50), Atomic Robo and the Deadly Art of Science #2 ($3.50), and Mouse Guard: Black Axe #1 ($3.50). I’m already a huge fan of both Atomic Robo and Mouse Guard and – based on its concept and vague memories of stories I read as a kid – hope to become one of Mighty Samson too. I’d spend the last of my money on Northern Guard #1, because I’m a sucker for Canadian superheroes.

If I had $30:

I’d add Doc Macabre #1 ($3.99), John Byrne’s Next Men #1 ($3.99), and Strange Tales 2 #3 ($4.99). “Doc Macabre” is an awesome name and I love Steve Niles’ pulp stuff, I’ve been waiting 16 years for that Next Men issue, and the Strange Tales book has a Kate Beaton story in which the Avengers go to a carnival. I’d pay five bucks just for Beaton’s deal, but it’s also got a Thing tale by Harvey Pekar (and yes, Harvey Pekar is in the story).

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In another lifetime, Kittyhawk led the New Mutants

Letters of Note, a blog that posts letters related to history and pop culture, shares a letter from John Byrne to Chris Claremont on the creation of Kitty Pryde. In the letter, which is now owned by Jonathan Mueller, Byrne provides not only an illustration but powers, potential codenames (including Sprite and Ariel, both of which were eventually used, and Kittyhawk, which wasn’t) and the suggestion that she be on a second team of “X-Men in training.”

Via

Better than a motion comic: J. Torres fan film

YouTube user haiku132 created a short, sweet fan film from J. Torres and Tim Levins’s short comic How I Learned to Stop Worrying and Love John Byrne. It’s simple pan-and-scan, but the music and pacing are just right. Take two minutes to enjoy it.

(via J. Torres’s blog)

Grumpy Old Fan | Like the feel of your favorite leisure suit

Neal Adams covers the 1976 DC calendar

A couple of weeks ago, I mentioned The Comics Reporter’s excellent list of “emblematic” ‘70s comics, and how I’d like to put together something similar. Thus, with help from the timeline at comics.org, I started putting together a short list of significant creators, books and characters that I thought defined ‘70s DC.

However, the more I thought about my list, the more it struck me as indicative of a company at odds with itself. In the ‘80s and ‘90s, DC boasted several successful long-term marriages of professional and property, including Alan Moore’s Swamp Thing, Marv Wolfman and George Pérez’s New Teen Titans and Pérez’s Wonder Woman, Steve Englehart and Joe Staton’s Green Lantern, John Byrne’s Superman, Grant Morrison’s Animal Man, Doom Patrol and JLA, and Mark Waid’s Flash. In the ‘70s, though, this wasn’t necessarily the case. Writers like Gerry Conway and Cary Bates became synonymous with Justice League and Flash, so much so that by the mid-‘80s (and the Detroit League and “Trial of the Flash”) they had arguably stayed too long.

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SDCC ’10 | John Byrne’s Next Men return at IDW

Next Men

Next Men

IDW Publishing announced yesterday that John Byrne’s Next Men will return with new stories in December.

“When John started working for us three or four years ago, two things happened, and have been happening pretty much every month since then,” said IDW’s CCO/Editor-in-Chief Chris Ryall. “I’ve been asking John about doing new Next Men comics, and fans have been e-mailing me demanding that we do new Next Men stories. Happily, after all this time, John is going to quiet us all down and do just that.”

Debuting in 1991, Byrne’s Next Men originally ran for thirty issues and a standalone prequel graphic novel, 2112. Next Men ceased publication in 1995 and left fans with a cliffhanger at the end of issue 30.

IDW has previously collected the existing Next Men material, in two black and white “Compleat” volumes and oversized Premiere Edition hardcovers, the third volume of which will be available in stores in September.

SDCC ’10 | A roundup of Saturday’s news

Comic-Con International

Comic-Con International

Saturday at Comic-Con International in San Diego, once upon a time, was “big movie day” at the con … back before every day became big movie day at the con. Still, today somewhat lived up to its reputation for being eventful, as the Avengers assembled on stage, Green Lantern movie footage was shown and one poor fan was stabbed in the eye while attending programming in Hall H, where several of the big movie panels took place. The victim was taken to UCSD Medical Center, while his attacker was taken away by police after attendees detained him.

In happier news, here’s what was announced on the comics front:

• Marvel Editor-in-Chief and Chief Creative Officer Joe Quesada confirmed that Marvel is “gonna be doing some CrossGen stuff.” CrossGen, which published numerous titles like Sojourn, Way of the Rat, Abadazad and Meridian starting 1998, went bankrupt in 2004. Disney bought their assets that same year.

Their titles covered many different genres, from fantasy to horror to detective stories. “I think with the CrossGen stuff you’re going to see us attempt a little more genre publishing, which I think is much-needed in our imprint,” Quesada said. No word yet on what properties they plan to bring back.

• Kurt Busiek announced that American Gothic, the urban fantasy comic announced at last year’s WildStorm panel, will now be called Witchlands. The series will be drawn by Connor Willumson. Busiek is also working on an Arrowsmith novel titled Arrowsmith: Far from the Fields We Know, which will include illustrations by Carlos Pacheco.

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Comics A.M. | The comics Internet in two minutes

Apple

Apple

Technology | Apple said it is adding new security measures to its iTunes store after a developer reportedly hacked into numerous customer accounts to boost the ranking of his comic apps, which briefly dominated the book category. The company claims the weekend incident was an isolated — about 400 of its 150 million iTunes users were affected — but customers tell The Wall Street Journal that hackers have hijacked accounts before, with Apple doing little to stop them. [The Wall Street Journal]

Conventions | Heidi MacDonald looks at the tug of war between San Diego, Los Angeles and Anaheim for Comic-Con International, and the tough decision facing event organizers. “This has been by far the most challenging thing we’ve ever done,” said David Glanzer, the convention’s director of marketing and public relations. “Nobody thought we wouldn’t have a decision by June.” The board hopes to make a decision before this year’s event kicks off in two weeks. “If we don’t [make an announcement],” Glanzer said, “a lot of the focus is going to be on that.” [Publishers Weekly]

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What’s John Byrne’s next project for IDW?

01-01_lo

Chris Ryall, IDW Publishing’s editor-in-chief, teases on his blog a new project by John Byrne. “It’s not STAR TREK- or ANGEL-related, but it is something you’ll recognize when it’s announced (and no, not NEXT MEN… yet…!),” he says. So what do you think?







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