John Byrne

The Fifth Color | The first anniversary of your 29th birthday

and she'll do it too!

and she'll do it too!

There are several ways to get to know your audience, some more literal than others.  Isaac Asimov had his Dear Readers, The Man himself has his True Believers; both are ways to draw you personally into what they’re talking about and soften the edges of what might be a sales pitch or a book introduction.  She-Hulk, on the other hand, would threaten your X-Men comics.

The Jade Giantess celebrates her “excuse for publishing anniversary issues” this month and I’ve been waiting for this one since I realized the date.  A fantastic fixture of the Marvel Universe, her pedigree is is kind of surprising when you stop to remember it.  Not only is she a snap to draw in for a Marvel Heroes group shot, a recognizable face and figure, but she’s had the distinct honor of being a member of the Fantastic Four, a roster a fraction of the size of the Avengers (and she’s been one of them too!).  She’s had an ongoing title in every decade since her inception, but it’s a heck of a thing to get her to stay around.  I’d almost say that she’s the Marvel version of Charo, this great vivacious character that guest stars on multiple shows and everybody knows but doesn’t have her own regular gig on TV.

So what’s so sensational about her?  Why do people continue to use a character who’s basic being (a female analog of a male hero) isn’t very Marvel at all?   Venture forth!  Continue and read more!
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Comics A.M. | The comics Internet in two minutes

PlayStation Digital Comics

PlayStation Digital Comics

Digital comics | Sony launched its much-anticipated PlayStation Digital Comics service on Wednesday with hundreds of titles from such publishers 2000 AD, Archie, Disney, IDW Publishing and Marvel. Several titles, including Atomic Robo #1, G.I. Joe #0 and Young Salem #1, are being offered for free download to PlayStation Portables. [PlayStation Blog, Kotaku]

Crime | More details emerged Wednesday in the family feud that led to the arrest last week of Alfonso Frank Frazetta Jr. on charges of stealing 90 of his father’s paintings from the Frank Frazetta Museum near East Stroudsburg, Pennsylvania. A notary supported Frank Jr.’s claim that his 81-year-old father had authorized him, in a signed document, to secure the paintings “by any means possible.” The notary also said she revoked the power of attorney held by Frazetta Sr.’s other three children Bill Frazetta, Holly Taylor and Heidi Gravin. A judge reduced Frank. Jr.’s bail from $500,000 to $50,000. Meanwhile, Frazetta Sr.’s art collection, valued at $20 million, has been removed from the museum by Bill Frazetta, who says, “They’re not going to be displayed back here in the Poconos after this.” [Pocono Record]

Crime | Closing arguments are expected to be delivered today in the trial of Jevon Sawyer, the 19-year-old accused of shooting retailer David Pirkola during the April 2008 robbery of Apparitions Comics and Books in Kentwood, Michigan. Pirkola, 58, spent weeks in a hospital and still hasn’t fully recovered from his injuries. [The Grand Rapids Press]

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John Byrne and the art of change ‘without breaking anything permanently’

Fantastic Four vs. Fantastic Four, by John Byrne

Fantastic Four vs. Fantastic Four, by John Byrne

At Again With the Comics, Brian Hughes fondly remembers John Byrne’s landmark 1981-1986 run on Marvel’s Fantastic Four:

Under John Byrne, the matronly Sue became adorable, the Thing became craggy and frightening, the Torch was a fun hothead again, and Reed looked more brainy than brawny. The cumulative effect was a complete redesign of the team, without really redesigning anything. [...] As his tenure continued, Byrne mastered the art of keeping things changing and moving, without “breaking” anything permanently. The Thing devolved for a time, Frankie Raye gained Human Torch powers and briefly joined the team before becoming the next herald of Galactus, Reed and the FF first fought Galactus, then saved his life, an act that would haunt him later. The Inhumans, long hidden in the Himalayas, left Earth, a move that could be said to have led to their current space-bound status, and Doctor Doom regained his throne with the FF’s help, in an especially twisted, excellent storyline.”

Six by 6 | Six comics that made us cry

Tom Strong #36

Tom Strong #36

This week Chris Mautner suggested we share our softer sides and each talk about three comics that broke down our tough-guy exteriors and made us openly weep as we turned the pages. It’s a risky venture, to be sure; to some members of our audience, this will destroy the “manly man” image we’ve worked so hard to build up on the blog, but for others, it will show there’s more to who we are than just bad jokes and Shelf Porn.

So here they are — six comics that made us cry. After reading our selections, be sure to grab a tissue and tell us what comics made you cry as well.

1. “We’re brothers, Tom”

I always thought Tom Strong was the weakest of Alan Moore’s ABC line (in fact I said so rather openly in issue #231 of The Comics Journal). Oh sure, there were lots of colorful dialogue and zany plots, but I felt the series was sorely lacking in gravitas. The characters seemed too thinly sketched to me and I couldn’t find myself forming enough of an emotional commitment to them to care about what happened to them. It kept hinting that there was a lot more going on under the surface, but that’s all it would do, hint.

That was until the final issue, no. 36, where, during the “end of the world as we know it” created by Promethea, Tom is confronted by the ghost of his arch-enemy Paul Saveen, who reveals that he is, in fact, Tom’s half-brother. What follows is one of the most tender scenes I’ve ever read in a superhero book (“Jesus Paul” Tom says, breaking down “We tried to kill each other.”) When, two pages later, Tom introduces Saveen to a passerby with a simple “This is my brother. This is my brother Paul” well, I just lose it. –Chris Mautner

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