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“Comics have a problem, and that is continuity — the obsession with placing the characters in an existing world, where every event is marked in canon. You’re supposed to believe that these weepy star boys of now are the same gung ho super teens fighting space monsters in the sixties, and they’ve only aged perhaps five years. It eventually strains credulity, and can shackle a writer who wants to try a something new. Very few narrative forms have to deal with this principle, and a fan base that gets mad when it’s violated, except for maybe soap operas (which is what comics are). So there are these periodic memory wipes and start-overs. But to me, it never felt right with the Legion. There are just too many of these kids, none of them is iconic, the whole pleasure is the continuity– the evolution of comic styles and sensibility encoded in their being.”
– author, humorist and Legion of Super-Heroes fan John Hodgman, on why the DC Comics property has been rebooted so many times over the past 55 years
Talk about your harmonic nerd convergences: John Hodgman spoke with George R.R. Martin about Marvel Comics in yesterday’s episode of public radio’s The Sound of Young America. In one corner: George R.R. Martin, author of the epic fantasy series A Song of Ice and Fire and its #1 New York Times–bestselling latest installment A Dance with Dragons, executive producer of the HBO television adaptation Game of Thrones, and inspiration for Dynamite Entertainment’s own comics adaptation A Game of Thrones, whose first issue debuts tomorrow. In the other corner: John Hodgman, nerd-friendly writer, comedic cultural commentator for The Daily Show, and “I’m a PC” guy, filling in as the radio program’s guest host. The topic: One of Martin’s first pieces of published writing, a piece of fanmail published in Avengers #12 in 1964 when Martin was 16 years old.
Hodgman used the letter, which entered wide Internet circulation a few weeks back, to kick off the interview. And he was probably kidding around when he asked Martin to explain why his 16-year-old self believed Avengers #9 to be superior to Fantastic Four #32, as his letter had argued. But once Hodgman jogged Martin’s memory by reminding him that Avengers #9 marked the debut of Wonder Man, Martin knew exactly why he liked the issue so much. His explanation to Hodgman is a solid exploration of why the early Marvel superhero comics were so groundbreaking for the genre — and in offering it, Martin seems to come to the realization that that issue had an impact on his own writing that resonates with him to this day. (For readers of the book or viewers of the show, the influence will be obvious.)
Read a transcript of the relevant section below, then listen to the entire interview.