Merc With A Movie: The 16-Year Odyssey of the "Deadpool" Film
Since 1992, the Xeric Foundation, founded by Teenage Mutant Ninja Turtles co-creator Peter Laird, has awarded grants to comic creators that allowed them bring their comics to the world. Late last week Laird announced that the foundation would stop providing grants to amateur creators, noting that “the advent of essentially free web publishing has forever altered the way aspiring comic book creators can get their work out into the public eye.” The foundation will instead devote its grant funds to charitable organizations.
The barriers to entry for getting your comic work out in front of people may have changed, but as Sean Kleefeld points out, the Xeric Foundation provided another benefit to comic fans. “…here’s why I’ll miss the Xerics: they have been an incredibly powerful shorthand for identifying great comics,” he wrote on his blog. “Oh, there’s other comic awards out there, of course, but those always come across as hit or miss for me. Just because a comic won a Harvey or an Eisner or whatever doesn’t mean I’ll really enjoy or appreciate it. But the Xerics, I’ve found, are consistently high quality and enjoyable. I have yet to read a Xeric-winning book that I didn’t enjoy, a claim I can’t make regarding the Eisners.”
So when I threw out the idea to do a Six by 6 list highlighting some of our favorite Xeric Foundation recipients over the years, I didn’t realize what I was asking; it didn’t register just how many completely awesome creators out there have benefited from the grant. So, when I say “Six Xeric Foundation grant recipients we love,” that’s not to say that they are the only ones we love. Hell, just throw all the names in a hat and pick out six, and you’ll have a list just as legitimate as this one.
Also, it was interesting to see how my fellow bloggers interpreted my request for entries for this list; while some, like Chris Mautner, did what I was expecting and talked about what one of their favorites went on to do after receiving the grant, others reached out to some of them to get their thoughts on the discontinuation of the grants. So the content of the list is … varied.
As always feel free to share thoughts on some of your favorites in the comments section. You can find a list of all the recipients here.
I somehow missed this in Tucker Stone’s report from MoCCA last week, but luckily Heidi over at the Beat caught it — Stone spoke with John Kerschbaum about his future projects, and the creator revealed that he’s working on this year’s Bart Simpson’s Treehouse of Horror book for Bongo Comics.
Kerschbaum isn’t the only one working on the book, though; as you can see below in the solicitation copy that Bongo was kind enough to send us, they’ve recruited a Murderer’s Row of creators, including Jeffrey Brown, Kevin Huizenga, Matthew Thurber and many more, and it’s edited by Sammy Harkham of Kramers Ergot fame:
Bart Simpson’s Treehouse of Horror #15
Edited by Sammy Harkham
48 pages/standard format/color/humor
UPC: 01511 (7-98342-02851-5)
Guest edited by Sammy Harkham, the award-winning creator of the popular Kramers Ergot anthology, this year’s issue is a jam-packed with some of the most idiosyncratic (and weirdest) takes on “The Simpsons” universe ever. Among Halloween-inspired short strips by such visionary cartoonists as Jordan Crane (Uptight), C.F. (Powr Mastrs), Will Sweeney (Tales from Greenfuzz), Tim Hensley (MOME), and John Kerschbaum (Petey & Pussy), are four featured tales of inspired Simpsons lunacy: heralded artists Kevin Huizenga (Ganges, Or Else) and Matthew Thurber (1-800 Mice, Kramers Ergot) collaborate on a weird and wild story equal parts Lovecraftian eco-horror and Philip K. Dick identity comedy. Jeffrey Brown (Incredible Change-Bots, Clumsy) does a creepy and suitably pathetic story featuring Milhouse in a “Bad Ronald”-inspired tale of murder and crawl space living. Harkham and Ted May (INJURY) pull out all the stops for a tragic monster tale of unrequited love, bad karaoke, and body snatching at Moe’s Bar. Ben Jones (Paper Rad) does the comic of his life with an epic tale of how bootleg candy being sold at the Kwik-E-Mart rapidly spirals out of control into an Invasion of The Body Snatchers-like nightmare of a Springfield filled with cheap bootleg versions of familiar characters. And nobody does squishy, sweaty, and gross like up and coming cartoonist Jon Vermilyea (MOME), who outdoes himself with “C.H.U.M.M.,” a C.H.U.D.-inspired parody featuring everybody’s favorite senior citizen, Hans Moleman!
With a cover by Dan Zettwoch, Bart Simpson’s Treehouse of Horror #15 is like nothing you’ve ever seen, and is sure to be one of the most talked about comics of the year by alternative comic readers and Simpsons fans of all ages!
This goes on my “must buy” list.
John Arcudi has been working in the comic book industry since the mid-1980s. Most recently he has bolstered his fanbase as one of the writers (along with Hellboy creator Mike Mignola) of the various B.P.R.D. miniseries for Dark Horse. I recently caught up with him for a succinct, yet informative and entertaining email interview.
Tim O’Shea: How do you and Mignola break down the writing chores on B.P.R.D.?
John Arcudi: It changes from series to series. Sometimes Mike hands me a loose plot and I flesh it out, sometimes Mike writes some of the series and I write some (that’s how we did our first, “The Dead“) and sometimes I do most of the writing with some contributions from Mike. There is no standard procedure.
O’Shea: What attracted you to delving into the dark and complicated, while at the same witty, Hellboy universe?
Arcudi: Actually, a chance to work with Mike and Guy Davis was all the motivation I needed. But it is nice that I get to have a little fun with the characters. Most comics are so serious, so it’s nice to have a laugh now and again.