Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
Fans of John Layman and Rob Guillory’s Eisner and Harvey Award-winning Image Comics series “Chew” have successfully backed a Kickstarter campaign for a Tony Chu mini-bust — and there’s still time for more.
Designed by Guillory and Israel Skelton and sculpted by Derek Hallett, the mini-bust stands over seven inches tall and features Tony emerging from a can of beets with his gun drawn, ready for FDA action.
Announced only in broad strokes last spring, the fast-paced card game is designed by Kevin Wilson (Descent, X-Files, Arkham Horror), with art by Guillory and text by Layman. Players compete to close cased taken from the page of the comic series, enlisting help from Chew characters like John Colby, Amelia Minz and Buttercup the lion while using villains to sabotage their rivals.
As added incentive, preordered copies of the game will include an exclusive variant edition of Chew #1, featuring Guillory’s homage to Dogs Playing Poker used for the packaging, as well as 20 pink CHOG plastic minis that will change color in future printings.
IDW Games was launched in October 2013 through a partnership between IDW Publishing and tabletop games publisher Pandasaurus Games, with 30 Days of Night and Kill Shakespeare announced as the first projects.
Amazing X-Men, Vol. 1: The Quest For Nightcrawler (Marvel): Writer Jason Aaron transitions quite seamlessly from his 42-issue (or eight-trade paperback) run on Wolverine & The X-Men to this new series, which maintained the same setting and much of the same cast, only a switch of focus. Rather than the student body of the Jean Grey School For Higher Learning, the stars of this series are the superhero teaching staff, with a few additions not seen in Wolverine & The X-Men (Firestar coming in to replace Kitty Pryde, who was spirited away from the cast by Brian Michael Bendis to appear in his X-Men books, plus Northstar and the guy whose name is in the subtitle and is front and center on the cover).
Aaron’s main partner for this first volume is penciler Ed McGuinness (inked by Dexter Vines and colored by Marte Gracia), an artist whose big, muscular, cartoony style fits perfectly with the slightly zany tone of the story, and Aaron’s X-Men comics in general. Cameron Stewart draws the sixth issue in this collection, a sort of epilogue in which most of the other characters you would want to see reunite with Nightcrawler do so.
Conventions | Organizers of the growing Asbury Park Comicon have announced that, after three years, they’re relocating the New Jersey convention to the Meadowlands Exhibition Center in Secaucus and renaming it East Coast Comicon. Founders Cliff Galbraith and Robert Bruce say the nearly 40-mile move was triggered by a sharp increase in rates at the Berkeley Oceanfront Hotel in Asbury Park, but the hotel’s manager thinks it’s because the venue couldn’t accommodate the dates requested by organizers. The inaugural East Coast Comicon will be held April 11-12, 2015. [Asbury Park Press]
Passings | Amadee Wohlschlaeger, who drew the comic strip Weatherbird for the St. Louis Post-Dispatch for 70 years, has died at age 102. Weatherbird, which debuted in 1901, is the oldest continuously published comic in the United States, and Wohlschlaeger (who went by just his first name) is one of just four cartoonists to draw it. He was named one of the top 10 sports cartoonists in the country, and his drawing of Stan Musial inspired the statue at Busch Stadium. [KSDK]
Adding to a roster that already includes Kill Shakespeare, 30 Days of Night and The X-Files, IDW Games unveiled plans Sunday at the Diamond Retailer Summit in Las Vegas for a line of tabletop games based on Chew.
According to ICv2.com, creators John Layman and Rob Guillory will be involved in the development of board, dice and card games, set to debut in early 2015.
Published by Image Comics, Chew tells the story of special agent Tony Chu, a cibopath — he can see the life and eventual death of anything he eats — who lives in a world where poultry is outlawed in the wake of a sweeping bird flu pandemic. An animated adaptation, starring Steve Yeun and Felicia Day, was announced last month.
IDW Games was launched in October through a partnership between IDW Publishing and tabletop games publisher Pandasaurus Games, with 30 Days of Night and Kill Shakespeare announced as the first projects. The agreement was expanded in February to include the re-release of of Pandasaurus games like Tammany Hall, Rattus Cartus and Yedo.
Two years after the release of Secret Agent Poyo, a one-shot starring the cybernetic kung-fu rooster from Chew, Image Comics promises another spinoff that will put that one to shame: Warrior Chicken Poyo, again by the Chew team of John Layman and Rob Guillory.
“Secret Agent Poyo was the most important comic ever published by Image, in addition to being the best comic book ever published in the entire history of humanity,” Layman, never one for hyperbole, said in a statement. “And Warrior Chicken Poyo is SO good, it will make Secret Agent Poyo look like rancid, smelly garbage! THAT’S how good it’s going to be! Warrior Chicken Poyo will change comics forever, as well as the life of anybody who reads it.”
While Secret Agent Poyo put a James Bond slant on the world of Chew, Warrior Chicken Poyo is described as high fantasy — “The Lord of the Rings, Conan, and with a dash of The Wizard of Oz thrown in.”
Priced at $3.50, the 36-page comic includes a pinup gallery by a host of artists. Chew: Warrior Chicken Poyo #1 arrives July 9.
Retailing | Hastings Entertainment, which operates a chain of 149 stores that sells books, comics, video games and more, has announced a $21.4 million agreement to merge with two companies owned by Joel Weinshanker, president and sole shareholder of Wizkids parent National Entertainment Collectibles Association; Weinshanker already holds 12 percent of Hastings’ outstanding shares.
“NECA is a significant supplier of movie, book and video game merchandise and collectibles to the Hastings superstores, and we’ve had a close and growing business relationship with Mr. Weinshanker over the last decade,” John H. Marmaduke, Hastings’ chairman and CEO, said in a statement. “Mr. Weinshanker, through his affiliation with the estates of Marilyn Monroe, Elvis Presley and Muhammad Ali, and his company’s management of Graceland, is one of the leading drivers of the lifestyle industry, and we believe Hastings’ business will continue to benefit from our relationship with him and NECA.” Marmaduke will retire with a $1.5 million cash payout once the merger is approved. The announcement was followed by press releases from two New York City law firms that say they’re investigating the plan on behalf of Hastings shareholders. [press release]
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out.
I should add that this post contains SPOILERS for Batman #28 and All-New X-Men #23, so read at your own risk. Now let’s get to it …
Conventions | As comics conventions continue to become an international phenomenon, ReedPOP bags a big one: The company behind New York Comic Con, C2E2, Star Wars Celebration and Penny Arcade Expo has announced a partnership with Oz Comic-Con, which runs several conventions in different locations in Australia. [press release]
Passings | Paul Burgarino reports on Sunday’s memorial service for Wee Pals cartoonist Morrie Turner, who died last month at the age of 90. Wee Pals was the first comic strip by a black creator to get a national syndication deal, and speakers remembered him as both a pioneer and an inspiration. “Through your unique artistry and personal kindness, you’ve helped show the world what we can be, should be and must be,” said David Shaffer, the son of one of Turner’s close friends. [Contra Costa Times]
Controversy | Zainab Akhtar has a good roundup of the SodaStream controversy: A number of internationally known creators have protested SodaStream’s sponsorship of the Angoulême International Comics Festival because the soft-drink manufacturer has a factory in the Israeli-occupied West Bank. “All of Israel’s settlements in the Occupied West Bank are illegal under international law, and SodaStream’s factory in specific was build on land seized from several Palestinian villages in what is regarded as the largest single act of expropriation by the Israeli government in its 47-year long military occupation of the West Bank,” the organizers of the protest said in a statement. A number of artists, including Jacques Tardi (whose work was celebrated in a special exhibit at the show) have signed an open letter to festival organizer Frank Bondoux, asking him to end the relationship with SodaStream. Tardi also issued a statement saying he felt that he had been “taken hostage,” as he did not know about the sponsorship until the festival began. [Comics and Cola]
While DC Comics sacrificed some bragging rights in 2011 when it rebooted its superhero line, even the never-before-renumbered Action Comics and Detective Comics, one consequence of relaunching TEC was that it was only a matter of time — 26 months, to be exact — before the company got around to publishing a new Detective Comics #27. And that the second Detective Comics #27 would see release during the 75th year of Batman’s career, well, all the better.
The first Detective Comics #27, published in 1939, was, of course, the first appearance of Batman. The anthology’s cover was surrendered to an arresting image of a spooky man in tights, wearing a bat-mask and sporting huge bat-like wings, scooping up a gangster in a headlock while swinging in front of the yellow field above a city skyline. “Starting this issue,” the cover trumpted, “The Amazing and Unique Adventures of The Batman.” Inside, Bob Kane and Bill Finger’s pulp- and film-inspired detective hero cracked the “The Case of the Chemical Syndicate,” and the amazing and unique adventures begun therein have yet to cease.
DC has honored that milestone in various ways over the years, with notable celebrations including Michael Uslan and Peter Snejbjerg’s 2003 Elseworlds one-shot Batman: Detective No. 27, and 1991’s Detective Comics #627, in which the Alan Grant/Norm Breyfogle and Marv Wolfman/Jim Aparo creative teams did their own takes on “The Case of the Chemical Syndicate,” and both the original story and a 30th-anniversary version by Mike Friedrich and Bob Brown were reprinted.
This week brings Detective Comics (Vol. 2) #27, and another opportunity to celebrate that original issue, and Batman’s 75th anniversary, which DC does in a 90-page, prestige-format special issue — essentially a trade paperback with some ads in it — featuring contributions from the writers of all four of the main Batman books of the moment and about as strong a list of contributing artists as a reader could hope for.
A Centaur’s Life, Vol. 1 (Seven Seas): Easily the weirdest comic I read this month, Kei Murayama’s manga is about an alternate world where everything is the exact same as it is in ours, save for the fact that there are multiple races like centaurs, angel folk, goat folk, cat folk, dragon people and so on. Oh, and while human beings apparently still exist, the only one glimpsed is a medieval knight seen in flashback, having enslaved a centaur is some bizarre armor/restraining device in order to ride him.
What makes the manga so weird, however, is that there doesn’t seem to be any reason, at least not in this first volume, for why our heroine Himeno is a centaur, and why her classmates are all various fantasy races living out an otherwise completely mundane existence.
Himeno is a sweet, shy, pretty and popular Japanese schoolgirl (who is also a centaur). She’s afraid of boys, likes hanging out with her friends, and love sweets, although she worries about getting fat. The stories are mostly of the frivolous high-school comedy sort that could easily have been told with human characters.
In the first story, Himeno is self-conscious about her genitals, which she’s never looked at, as she’s afraid they might resemble those of a cow the kids once saw on a field trip (unlike some centaurs, the ones in this comic keep their horse parts covered in elaborate pants that appear difficult to put on and take off). In another, her class puts on a play, and she’s cast as the female lead, while her best friend — a girl with bat wings, a spade-shaped tail and pointy ears — is the male lead. In another, she’s suspected of doing some modeling work, in violation of school policy regarding part-time jobs.
Retailing | Fans of the Fall River, Massachusetts, retailer StillPoint Comics, Cards & Games kicked in $5,000 in a GoFundMe campaign to keep the store in business. The shop, which opened in 1997, had to close for 10 days last month after its power was shut off. [The Herald News]
Publishing | Following confirmation last month of a Space Mountain graphic novel series, Heidi MacDonald talks with executives from Disney Publishing Worldwide about the expansion of the new Disney Comics imprint. [Publishers Weekly]
Events | Sean Kleefeld reports on Day 1 of the Billy Ireland Cartoon Library & Museum Grand Opening Festival of Cartoon Art in Columbus, Ohio. [Kleefeld on Comics]
I read all 13 of the Villains Month issues released this week by DC Comics, and in so doing I saw 89 people killed (Kryptonians and Thanagarians included) in all manner of ways. I saw people shot to death with laser guns, with regular old bullet guns, with eye-beams, with an arrow and even with an umbrella. I saw people stabbed, bludgeoned, impaled, decapitated, blown up, pushed off buildings, flash-frozen and shattered. I saw someone’s neck snapped, someone’s life-force magically drained, people sliced in half with psionic energy, and others torn to pieces by claws.
I saw a bestial woman eat the still-beating hearts of her victims.
But man, the rabbit that Arcane tore in half? That’s the image that sticks with me from this week’s Villains Week offerings. Thank God they didn’t put that on the cover; imagine that arc of rabbit innards being flung your way in lenticular 3D!
The comic book annual has, in recent years, become an endangered species. Once an oversized, extra-length dose of the characters and concepts a reader could count on appearing once a year (or, you know, annually), the changing funny-book landscape has made them a less appealing proposition.
The rise of the graphic novel and trade paperback collections made “novel-length” adventures appearing in actual, off-the-rack comic books somewhat obsolete. The rising price of comics helped make annuals seem less practical; if a 20- or 22-page comic costs $2.99 or $3.99, a 48- or 56- or 64-page one would be prohibitively expensive. And with the shrunken market, it doesn’t make sense for a publisher to release an additional, extra-long issue of almost every title in its line.