Merc With A Movie: The 16-Year Odyssey of the "Deadpool" Film
I’ve heard it said more times than I can count, “Image is the new Vertigo.”
In 1993, when DC Comics founded Vertigo around a handful of more adult-oriented titles, mostly featuring faded properties reimagined by British creators as horror, sci-fi and fantasy comics, the imprint was one the relatively few games in town for high-production-value genre comics for adults
That same year Image celebrated its first birthday, and although it was a sales juggernaut, the publisher was at that point little more than a vanity press for a handful of creators doing pastiches of their favorite DC and Marvel superheroes.
IDW Publishing announced today it will turn its lasers on the literary masterpieces this summer in Mars Attacks: Classics Obliterated!, a 48-page one-shot in which the alien invaders target the likes of Moby Dick, The Strange Case of Dr. Jekyll & Mr. Hyde and Robinson Crusoe.
The publisher asks, “What would it be like if frothing invaders had been holding Melville, Stevenson, and Defoe at gunpoint, forcing them to reimagine their renowned works through the bloodshot eyes of a crazed, skull-faced Martian?” We’ll find out with the help of Phil Hester, Beau Smith and Neil Kleid, and artists John McCrea, Kelley Jones and Carlos Valenzuela.
Mars Attacks: Classics Obliterated!, which sports a variant cover by Earl Norem, arrives in stores June 5.
Happy Labor Day, Americans, and welcome, everybody, to What Are You Reading? Today our special guest is Paul Allor, writer of IDW’s Teenage Mutant Ninja Turtles spinoff, Fugitoid, as well as his own anthology Clockwork.
To see what Paul and the Robot 6 crew have been reading, click below:
David Lloyd and U.K. comics mainstay Bambos Georgiou are launching a digital anthology comic called Aces Weekly, and have released a large and impressive list of future contributors to the U.K. comics blog Down The Tubes. The press release continues:
This week IDW Publishing released the first issue of its Mars Attacks series, and, like so many comics these days, the book was being promoted with variant covers. Unlike many comics these days, however, the number of variant covers accompanying this particular issue was mind-bogglingly large: 55.
That’s not a typo, and you’re not suffering from double vision. There are actually 55 variant covers for Mars Attacks #1.
Which makes this as good a time as any to take a few moments to consider the variant cover in general. So, variant covers — threat, menace, the work of the devil or the absolute worst things ever? (I’m sorry, “none of the above” is not an option. Please select one of the four options.)
When it comes to moving comic books in the direct market, variant covers must work or publishers wouldn’t employ the strategy with such frequency. But the way variants seem to work — enticing comic shops to order more issues of a particular book than they might otherwise do so that they can get the variant covers, many of which are only attainable to shops that meet a certain buying threshold — does overall damage to the industry, in my own generally ill-informed opinion. And, I think, does some small amount of damage to the medium. (Go ahead and click “Continue Reading”; I’ll get to a review of Mars Attacks #1 eventually, I swear)
The Martians are returning to Earth in IDW Publishing’s new Mars Attacks series, based on the 1950s trading cards and the 1996 Tim Burton movie, and the publisher has put together a solid creative team for the project: Eisner-winning writer John Layman (co-creator of Chew) and Hitman artist John McCrea.
The Topps trading card company this year is celebrating the 50th anniversary of Mars Attacks; it started as a set of trading cards that were directly inspired by comics and illustrated by Golden Age artists Wally Wood and Bob Powell. Pulp artist Norman Saunders painted the cards, and you can see the complete set at his website (now maintained by his son). They feature flying saucers destroying the Golden Gate Bridge, entire cities being incinerated, a pilot set aflame in his cockpit, space-suited aliens menacing screaming women, giant insects, even a dog being zapped before the eyes of a little boy. The cards were marketed to children, and apparently they did quite well, but once the grownups saw them the fun was over, and Topps was compelled to revise some of the cards and then stop production entirely.
Most people are probably more familiar with the Tim Burton film based on the cards. IDW’s comics will feature new stories based in the Mars Attacks universe, but it sounds like the tone may stay close to the original. In the press release, Topps executive Ira Friedman said, “[John McCrea’s] experience drawing over-the-top violence on comics like Hitman, Judge Dredd and The Boys, coupled with John Layman’s penchant for twisted, offbeat humor makes them the perfect team to relaunch Mars Attacks.”
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes and first issues so that I don’t have to come up with a new way to say, “ Wonder Woman is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Judge Bao and the Jade Phoenix - A detective story set in ancient China. Plus: cool name.
Dicks #1 – Garth Ennis and John McCrea’s humor makes my top hat explode and my monocle fly off my face, but I remember this being pretty popular back in the day and I imagine that it’s new presentation in color and leading into a new storyline could make it popular again.
Ralph Wiggum Comics #1 – This, on the other hand, is exactly my kind of funny. Kind of like 30 Days of Night, I’m astonished no one’s thought of it before. Too bad it’s just a one-shot, but hearing that Sergio Aragones is one of the contributors makes me want to poke myself with my Viking helmet to see if I’m dreaming.