NYCC PHOTO PARADE: Comics, Creators & Cosplay Collide on Thursday
Comic Books, Film, TV, Video Games, Digital Comics
Passings | Bermuda-based cartoonist Peter Woolcock died Wednesday after being struck by a car as he was walking to the office of The Royal Gazette to deliver his weekly cartoon. He was 88. Born and raised on a farm in Argentina, Woolcock served on a British tank crew in World War II (during which time he also kept a sketchbook) and worked as a cartoonist and illustrator for almost 60 years, first for children’s magazines in the United Kingdom and then, after moving in 1981 to Bermuda, as an editorial cartoonist. Both his editors and the politicians he depicted have kind things to say in this lengthy obituary, which notes that his final cartoon was about San Diego losing the bid to host the America’s Cup. [The Royal Gazette]
Creators | Candorville cartoonist Darrin Bell talks about the political cartoons he drew in response to the non-indictments of the police officers in the Michael Brown and Eric Garner cases, as well as his own experiences as a black man who got “the talk” when he was 6 or 7 years old and will some day have to give it to his own son. [Comic Riffs]
Legal | Hirofumi Watanabe has withdrawn the appeal of his conviction last month on charges of sending more than 400 threatening letters to venues in Japana connected with the manga Kuroko’s Basketball. The 37-year-old former temporary worker admitted to all charges during his first day in court, but mpoved to have his conviction overturned after he was sentenced to four and a half years in prison. Watanabe, who said he doesn’t feel guilty for what he did and won’t apologize, acknowledged that he sent the letters out of jealousy of the success of Kuroko’s Basketball creator Tadatoshi Fujimaki. [Anime News Network]
Manga | The most promising new market for manga right now? India, where the comics market in general is exploding. Kevin Hamric of Viz Media says manga is already well known there and fans can’t get enough, while Lance Fensterman of ReedPOP, the company behind New York Comic Con, talks about the planned collaboration with Comic Con India. The one obstacle: the same one that afflicted the American manga market, Japanese publishers’ reluctance to license their properties. [The Japan Times]
Conventions | Attendance at the second annual Salt Lake Comic Con was estimated at between 120,000 and 130,000, putting it on a par with the big shows like Comic-Con International in San Diego and New York Comic Con. Even better, Stan Lee proclaimed it “the greatest comic con in the world” (but he probably says that to all the shows). [The Salt Lake Tribune]
Conventions | The scale of the first Las Cruces [New Mexico] Comic Con was considerably smaller, with expected attendance of 3,000 to 5,000, but organizers were pleased with the event, which featured a Yu-Gi-Oh! tournament, a Comic Strip Burlesque show, and appearances by Jim Steranko, Power Rangers stuntman Jason Ybarra, and the 1966 Batmobile. [Las Cruces Sun-News]
Comics | Rupp’s Comics in Fremont, Ohio, will display a rare comic this weekend as part of the store’s 22nd-anniversary celebration: Detective Dan: Secret Operative No. 48, published in 1933, is the first comic book to contain a single original story (as opposed to several strips, or a compilation of reprints from newspapers). The new format was not an immediate success, and the series was canceled after just one issue. [The News-Messenger]
Creators | It’s old but it’s good: The Comics Journal dips into the archives for a 1989 interview with Calvin and Hobbes creator Bill Watterson. [The Comics Journal]
Creators | John Porcellino reflects on 25 years of King-Cat Comics. [du9]
Comics | Could the competition to become the 2017 U.K. City of Culture hinge on … Desperate Dan, the pie-eating Wild West strongman from the long-running children’s comic The Dandy? Hull Daily Mail columnist Angus Young thinks the character could give Dundee the edge over fellow finalists Leicester, Swansea Bay and, yes, Hull. Dundee, Scotland, is home to The Dandy and The Beano publisher DC Thomson, and features statues of Desperate Dan and Beano character Minnie the Minx in its city center. “Having your picture taken next to the barrel-chested grizzly-chinned hero is apparently one of the top-ten things to do when visiting Dundee,” Young writes. “[…] This a bloke who thinks nothing of eating several cow pies in one sitting. A cowboy so tough he shaves his chin with a blowtorch and sleeps in a reinforced bed filled with building rubble.” The winner will be announced in November. [Hull Daily Mail, The Evening Telegraph]
Jim Rugg has a fascinating post on his blog spelling out how he made his latest zine, a collection of old comics ads. It starts with an idea and runs through every part of the creation process, including such nuts-and-bolts matters as getting paper and refurbished printer cartridges to cut down the cost. Rugg and collaborator Jason Lex started by pulling out the old comics and picking the best of the ads, then put them together into a PDF.
There were lots of things to consider, including matching the type of paper in the zine to the originals the ads were printed on, and I like it that Rugg came up with the idea for some nice finishing touches during a long-distance run. The post ends with a little something extra — a vintage ad followed by John Porcellino’s comic based on it. It’s a really nice how-I-did-it post with some useful information for would-be self-publishers, and plenty of visual goodies for the rest of us.
This month marks the re-release of Kevin Huizenga‘s Gloriana (originally self-published in 2001, then first collected by Drawn & Quarterly in 2004). The writer/artist recently accepted my invite for an email interview about the new 96-page hardback edition, which includes four stories (The Groceries, The Sunset, The Moon Rose and Basketball). I was particularly pleased to talk to Huizenga about Basketball, given how he notes in the interview working on that story proved “surprisingly emotional for me at the time”. My thanks to Huizenga for taking my questions (and correcting me when I was misinformed with some aspects of my queries).
Tim O’Shea: Back in 2004 Tom Spurgeon interviewed you. At that time you were increasingly using computers with your work, also you discussed with Tom experimenting with the size of your original art (trying to work on larger pages). How large are the pages now that you work with and have you incorporated computers more into your work?
Kevin Huizenga: Readers of your website will be fascinated to hear that I draw at about 150%. As far as computers, doesn’t everyone use them for everything now? I fix and edit in Photoshop and have done so for many years now. I’m pretty sure everyone else does too, but I don’t use tablets or anything like that—it’s still pen and paper. I’ve been using the same scanner since 2000! An Epson. Now that I’ve said that I’m sure it will break tomorrow.
To see what Ao and the Robot 6 crew have been reading, click below …
Creators | Writer Peter David shares a “Fan/Pro Bill of Rights” related to proper behavior at conventions, starting with a “Prime Directive”: “Fans and Pros have the right to be treated by each other with the same courtesy that they themselves would expect to be treated. Fans and Pros who act like jerks abrogate the right to complain when they themselves are treated like jerks.” [Peter David]
Crime | A Denver judge sentenced Aaron Castro to 45 years in prison after Castro pleaded guilty to drug and extortion charges. Prosecutors say he ran a major methamphetamine distribution ring and laundered the profits by buying and selling valuable comics in the collector’s market. [KMGH Denver]
Digital | Robot 6 contributor Graeme McMillan catches an error in Marvel’s press release from last week: Marvel was not the first comics publisher to release an entire line of comics simultaneously in print and digital—Archie Comics was. [Blog@Newsarama]
The featured guests for the third annual Brooklyn Comics and Graphics Festival have been announced, and whoo boy, it’s quite a line-up. And it runs the gamut, too: MAD Magazine legend Jack Davis, book-design kingpin Chip Kidd, The Diary of a Teenage Girl author Phoebe Gloeckner, Asterios Polyp/Batman Year One artist David Mazzucchelli, Providence artcomix vets CF and Brian Ralph, grossout-humor queen Lisa Hanawalt, and minicomics patriarch John Porcellino. An opportunity to encounter Gloeckner live and in person is not to be squandered, folks, and that’s just for starters.
Organized by publisher PictureBox Inc., retailer Desert Island, and scholar Bill Kartalopoulos, this year’s BCGF will take place on Saturday, December 3 from noon to nine at Our Lady of Mt. Carmel Church in Williamsburg, Brooklyn, with programming hosted at the nearby Union Pool. If the last two years are any indication, it’s the alternative comics show to beat.
Hello and welcome to What Are You Reading? Today our special guest is Kelson Vibber, Flash fan and proprietor of the Speed Force blog. To see what Kelson and the Robot 6 crew have been reading, click below.
One of the best things about comics conventions is getting creators and marketers to talk about the things that aren’t quite ready for prime time yet, projects that are coming up but haven’t been the subject of a torrent of press releases. I heard about a number of interesting comics at C2E2 this past weekend; here are a few that piqued my interest.
The one that really grabbed me is Dark Horse’s nonfiction graphic novel about the Green River killer, which was first announced in 2009. The Dark Horse folks like to take their time with their books, and marketing director Jeremy Atkins tells me that it is now slated for a September release. The book is written by Jeff Jensen, whose father was a member of the investigative team on the murders. “It’s stories that have never been told before,” said Atkins. “It’s not sensationalized at all. It’s more for a true crime audience than a crime fiction audience.”
If that’s too dark for you, here’s a bit of sweetness and light: Amy Mebberson, whose super-cute art graced the global manga Divalicious (you can read the whole first volume online at the link) and many of Boom! Studios The Muppet Show comics, is not letting any grass grow under her feet: She is one of the artists on Ape Entertainment’s Strawberry Shortcake comics, doing the coloring and some of the pencilling. This increased my interest in Strawberry Shortcake 100%.
Welcome to a long holiday weekend (at least here in the United States) edition of What Are You Reading? Today our special guest is Doug Zawisza, who writes reviews and the occasional article for Comic Book Resources.
To see what Doug and the Robot 6 gang are reading, click below.
John Porcellino, creator of the long-running self-published minicomics series King-Cat Comics and Stories, is arguably one of the most influential comics creators of the past quarter century. That and $2.25 will get you on the subway, apparently. Today Porcellino blogged a series of photos of the seemingly economically depressed Illinois town to which he recently moved “in desperation” after losing his previous place of residence. “It’s times like these that make a man wonder ‘How?’, ‘Why?’,” Porcellino writes. And that is your soul-crushing quote of the day. Oh well, I suppose you could cheer yourself up by reading several complete King-Cat issues on What Things Do while waiting to hear how many Social Security cuts will be required to offset additional tax cuts for our billionaire overlords.
Something tells me that sunny Gainesville, Florida, is about to see an influx of aspiring comics creators: Cartoonists Tom Hart (Hutch Owen), Leela Corman (Subway Series), and John Porcellino (King-Cat) have announced the opening of The Sequential Artists Workshop [UPDATED: link added], a new non-profit educational institution “dedicated to the prosperity and promotion of comic art and artists.” The school will offer a two-year program with its inaugural class to begin in 2012, while a “Spring Break Intensive” will be offered from March 6-12, 2011. The SAW will also feature a residency program for practicing cartoonists, online classes, gallery and performance spaces, a house anthology called The Seen in which cartoonists will do “cover versions” of pages from other artists’ creator-owned works, and the proverbial “much more.”
If you’re thinking the SAW sounds a bit like James Sturm’s Center for Cartoon Studies in Vermont, you’re not alone. According to the new school’s FAQ:
Isn’t this just like CCS?
Yes, a little, and maybe no. James Sturm, who founded Center for Cartoon Studies (CCS) has done a great thing in White River Junction, VT and we are in constant awe of his gumption and smarts. James has been friendly with us and he has helped us enormously by offering advice in the forming of this school. We too offer a two-year program in comic art, and will require students to publish their own work at the end of the program. Our school is new and we don’t know how it will evolve. Right now, our goals may be similar, but the places and personalities are different enough that soon the differences between the schools will become evident.
The more the merrier if you ask me.
In addition to the announced faculty of Corman, Porcellino, and founder/executive director Hart — himself a longtime School of the Visual Arts instructor — SAW’s boards of directors and advisors feature an all-star line-up that includes Lauren Weinstein, Brendan Burford, Vanessa Davis, Shaenon Garrity, Bill Kartalopoulos, Donald Ault, Matt Madden, Joey Manley, Chris Staros, Phil Yeh, and William Ayers. School’s in!