john romita jr. Archives - Page 2 of 3 - Robot 6 @ Comic Book Resources
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start with Black Beetle #1 (Dark Horse, $3.99), Francesco Francavilla’s pulp action hero who jumps into his own miniseries after a run in Dark Horse Presents. I’d also grab Threshold #1 (DC Comics, $2.99), which continues the story from last week’s New Guardians annual, featuring a new Green Lantern and a whole bunch of cosmic DC characters. I’d also grab Comeback #3 (Image, $3.50), as I just got around to reading the first issue and really enjoyed it. They’re doing some fun stuff with time travel that should make for a cool series. That leaves room for one more, which is a hard choice … but let’s go with Indestructible Hulk #3 (Marvel, $3.99), because I love the new direction and take on the character and his status quo.
If I had $30, I’d also pick up Saga #9 (Image, $2.99) and Daredevil #22 ($2.99), because, well, Saga and Daredevil. I’m also really digging what Kelly Sue Deconnick is doing with the Avengers, so next I’d get Avengers Assemble #11 (Marvel, $3.99). Lastly, I’d grab Captain America #3 (Marvel, $3.99), as I’m really worried about Cap and the kid, and hope they come out of Zola’s world OK.
Finally, for my spulrge, I’d go with the big Paul Pope book from Image, One Trick Rip-Off ($29.99).
Although I had seen the X-Men on an episode of Spider-Man and His Amazing Friends, my real introduction to Marvel’s mutant heroes was with 1983’s The Uncanny X-Men #173, purchased for me by my mother while I was home sick with one childhood illness or another. That issue also introduced Storm’s ’80s-punk look, meaning that, until I discovered a direct-market store and a back-issue bin a couple of years later, the only Ororo Munroe I knew had a mohawk and studded collar. (As an aside, Paul Smith’s rendition of Rogue, with her skunk stripe, led me to think for the longest time that she was middle-aged rather than a teenager.)
To this day, that version of Storm remains my favorite. It apparently also holds a special place in the heart of Sam Humphries, writer of Sacrifice, Ultimate Comics: The Ultimates and Uncanny X-Force, has launched F Yeah Mohawk Storm, a blog devoted to “comics, covers, fan art, cosplay, and fashion celebrating Mohawk Storm.”
You have to wonder what took so long for this to happen …
Hello and welcome to What Are You Reading? Today our special guests are Gardner Linn and Dave Lentz, the creative team behind the webcomic Registered Weapon — “the internet’s only webcomic starring a robotic cash register who fights crime.” They just kicked off their latest story, Case 006, on Nov. 12, and you can also download the first ten pages from their site if you prefer to read in bigger chunks.
To see what Gardner, Dave and the Robot 6 crew have been reading, click below …
Rick Remender has the unenviable task of following Ed Brubaker on Captain America, a book that Brubaker took to new heights during his seven-year run on the character. Based on the review so far, though, it seems that Remender is not only up to the task, he’s taking Cap in a completely different direction, with a different tone and focus that most folks seem to be responding well to. Along with artists John Romita Jr. and Klaus Janson, Remender has sent Cap off to Dimension Z, for some “high adventure/science fiction” fun.
“It’s a departure from the standard operating procedure of Captain America, definitely,” said Romita. “We are in a different ballgame here. This is as far away from what I expected for Cap as you can get and I’m really enjoying this.”
Here are a few reviews to let you know how different the ballgame is now, and how well the new team’s doing in their first inning:
Ryan K. Lindsay, Comic Book Resources: “Captain America #1 from Rick Remender and John Romita Jr. with Klaus Janson doesn’t so much walk away from Ed Brubaker’s defining run on the character over the past seven years as it does leap frog it. There was obviously no point in trying to ape Brubaker at his A game, so instead Remender swerves Cap back toward his pulpier roots. This issue begins a strange tale that sees the Sentinel of Liberty fight the Green Skull and get embroiled with Arnim Zola in Dimension Z.”
It’s time once again for our monthly trip through Previews looking for cool, new comics — now with 100 percent more JK Parkin! Michael May, Graeme McMillan, Chris Arrant and JK have each picked the five comics they’re most anticipating in order to create a Top 20 (or so; we overlap sometimes) of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
47 Ronin #1 (Dark Horse, $3.99): Mike Richardson, Dark Horse’s head honcho, teams with Usagi Yojimbo creator Stan Sakai to retell the story of the 47 ronin who avenged their master after he was forced to commit ritual suicide for assaulting a court official. It will be both very cool and a little odd to see Sakai drawing samurai that aren’t anthropomorphic animals and aren’t in black and white (the book’s full color), but I’ve always admired his clean style. As an added bonus, Kazuo Koike of Lone Wolf and Cub fame consulted on the project, so this should be a treat.
Great Pacific #1 (Image Comics, $2.99): Joe Harris and Martin Morazzo have come up with a book that I just love the high concept behind: the heir to one of America’s most successful oil companies moves to the infamous Great Pacific Garbage Patch and declares it a sovereign country. He then fights giant sea monsters, based on the preview art that’s been released, which is an added bonus.
Marvel NOW!: This might be cheating, but Marvel has 10 new comics debuting in November under the Marvel NOW! banner. Mark Waid on Hulk? John Romita on Captain America? Matt Fraction writing Fantastic Four and FF? Jonathan Hickman on Avengers? Yeah, I’ll just lump all these together and hope no one notices I’m gaming the system here …
Walt Disney’s Donald Duck: A Christmas for Shacktown: Fantagraphics continues its series of high-end collections of the best of Carl Barks’ duck stories, with the Christmas-themed third volume arriving just in time to be stuffed in somebody’s stocking.
Retrovirus (Image Comics, $16.99): Jimmy Palmiotti and Justin Gray’s latest graphic novel, drawn by Norberto Fernandez, is about a research scientist who specializes in viruses heading to Antarctica to examine a perfectly preserved caveman. I’m a fan of Palmiotti and Gray’s work together, from Jonah Hex to The Monolith (which gets the collection treatment in November), and this one sounds like it could be a lot of fun.
Steve Cook, U.K comics designer/colorist/renaissance man, has a new iteration of his “Secret Origins” photo exhibition running at the Renoir Cinema. from July 20 to Aug. 17. You can see some more examples of the work below, and many more on his website.
The exhibition is craftily timed to coincide with the release of some movie about Batman, apparently. I remember seeing Bisley in his pomp at UKCAC 1988, when he looked just like the above image — biker boots, leather trousers, leather jacket. He looked pretty much exactly like Joe Pineapples of the ABC Warriors, the strip he’d just recently made his reputation on.
Hit-Girl, apparently, is a hit. The first issue of the miniseries starring the supporting character from Mark Millar and John Romita Jr.’s Kick-Ass has sold out its first printing, which according to Millar was over 70,000 copies.
“Pre-orders for Hit-Girl #1 were over 70,000 copies, and we’ve completely sold out of first printing, the Noto variant and the limited edition white variant in 36 hrs.,” Millar said on his MillarWorld site. “Marvel cleverly had an emergency second printing on stand-by and only 1700 copies of this left. So a third printing has not been ordered.
“… This is outselling even Kick-Ass and reaction has been amazing. Johnny and I very chuffed.”
Millar followed that post up with another saying that the second printing was sold out. “Third printing on the way, people,” he said.
Those numbers are especially impressive since Hit-Girl #1 was apparently left off of Diamond’s initial retailer’s order form.
The Hit-Girl miniseries takes place between Kick-Ass volumes 1 and 2 as the title character, a.k.a. Mindy McCready, tries to settle into life as a regular school-girl. According to the solicitation text, “Her mother and step-father think she’s doing her homework, but in reality she’s taken Kick-Ass on as her sidekick and training him up to punch, shoot and stab” … and apparently sell a bunch of comics.
Creators | How did Darwyn Cooke get involved with the Before Watchmen comics? “I was kind of dragged into it kicking and screaming by [DC Comics Co-Publisher] Dan DiDio. He had been discussing this for what does amount to several years now, and the first time he had approached me about it, I had actually turned it down simply because I couldn’t see doing anything that would live up to the original. And, it was about a year later, the story idea that I’m working on now sort of came to me and I realized that there was a way to do the project, and I had a story that I thought was exciting enough to tell. So I phoned Dan up and said, ‘Hey, if you still got room, I’m in.'” [Rolling Stone]
Creators | Ron Marz discusses Prophecy, his upcoming comic that turns the whole Mayan calendar thing into a crossover event that will bring together an eclectic group of characters, and defends the idea of crossovers in general: “If your objection is “they’re not in the same universe,” or a crossover somehow offends your sense of continuity, I’d suggest you’re missing the point. More than any other medium, comics are about unfettered imagination, about making the impossible possible. If you’re going to let some perceived “rules” prevent you from telling an exciting story, you’re just not trying very hard. Having a sense of wonder, of discovery, is much more important than following some set of perceived rules and regulations.” [MTV Geek]
Ed Brubaker, John Romita Jr. and The Walking Dead were among the winners of the sixth annual Scream Awards, presented last night in Los Angeles. The ceremony will air Tuesday at 9 p.m. ET/PT on Spike TV.
The awards, which honor the best in science fiction, fantasy and horror films, television shows and comic books, were voted on by fans from a list of nominees selected by an advisory committee that included Neil Gaiman, Tim Burton, Damon Lindelof, George A. Romero and Wes Craven.
The Walking Dead, by Robert Kirkman and Charlie Adlard, was named Best Comic Book or Graphic Novel, Ed Brubaker as Best Comic Book Writer and John Romita Jr. as Best Comic book Artist.
In addition to the comics-specific categories, awards went to adaptations X-Men: First Class for Best Fantasy Movie, Scott Pilgrim vs. The World for Best Comic Book Movie and Best Fight Scene, and The Dark Knight Rises for Most Anticipated Scream. Chris Evans also won Best Superhero for his turn as Captain America, and Hugh Jackman for Best Cameo in X-Men: First Class.
Here’s the complete list of winners:
Hello and welcome once again to What Are You Reading? This week our special guest is Von Allan, creator of the self-published graphic novel series Stargazer. The first volume is still available, while the second one is due in shops in October.
To see what Von and the Robot 6 crew have been reading, click below.
Hello and welcome to What Are You Reading? This week our special guest is Ross Campbell, creator of Shadoweyes and its recent sequel, Shadoweyes in Love, as well as Wet Moon, Water Baby, The Abandoned and “Refuse,” a short story in the recent Strange Adventures anthology from Vertigo.
To see what Ross and the Robot 6 crew have been reading lately, click below.
“Fun fact! NINE of the TOP TEN graphic novels in 2010 were creator-owned books! Walking Dead, Kick-Ass and Scott Pilgrim among them.”
–Savage Dragon cartoonist Erik Larsen, speaking the truth. Of course, the flip side of this is that NINE of the TOP TEN graphic novels in 2010 had major Hollywood properties to thank for much of their notoriety, Walking Dead, Kick-Ass, and Scott Pilgrim among them. (The tenth was a Superman book that got over with mass audiences largely on the strength of a fortuitous press comparison to Twilight.) I don’t mean to short-change the success of Robert Kirkman, Tony Moore, Charlie Adlard, Mark Millar, John Romita Jr., and Bryan Lee O’Malley, but proponents of creator ownership and creators’ rights probably ought not break out the MISSION ACCOMPLISHED banner just yet.
Hello and welcome once again to What Are You Reading?, where the Robot 6 crew talk about the comics and graphic novels that they’ve been enjoying lately. Today our special guest is Chad Nevett, who talks about comics in several different places around the web — at his personal blog GraphiContent, at our sister blog Comics Should Be Good!, as a reviewer for Comic Book Resources and on the Splash Page podcast. He also writes about wrestling for 411mania.
To see what Chad and the Robot 6 crew have been reading, click the link below.
Digital comics | Following more than two years of complaints, Apple has given developers the guidelines it uses to determine which programs can be sold through its App Store, and relaxed some restrictions on content and tools. The company recently was criticized for forcing the creators of a comic adaptation of James Joyce’s Ulysses to remove nonsexual nudity from some panels — Apple later changed its stance — and for initially rejecting an app from Pulitzer Prize-winning cartoonist Mark Fiore because his animated political satire contained “content that ridicules public figures.” Alan Gardner notes that the revised guidelines specifically exempt “professional political satirists and humorists” from a clause prohibiting defamatory or offensive material. [The Associated Press]
Comic strips | After 60 years with United Feature Syndicate, Peanuts will move in February to Universal Uclick. The news isn’t totally unexpected, as Iconix Brand Group partnered with the heirs of Charles M. Schulz in April to buy the rights to the comic strip from United’s parent company E.W. Scripps. The $175 million deal was for the entire United Media Licensing division, which includes Dilbert. [Comic Riffs]
I remember as a kid going all the way to Washington, D.C. to visit the Smithsonian Museum on a two-week family road trip (shudder), and the only thing I walked out of the gift shop/bookstore with was a copy of the newest Overstreet Comic Book Price Guide. Not that I really cared about how much any of my comics were supposedly worth — I never planned on selling them anyway — but the draw for me was the tons of advertisements for various comic shops around the country. I spent part of the trip back to Dallas circling all the ones I needed to order comics or catalogs from.
Nowadays I’m really out of touch with the segment of fandom that does care about how much their comics are worth, and I haven’t seen one of the guides in ages. But I do like the 1970’s Conan #1 cover recreation that John Romita Jr. provided for the Hero Initiative’s limited edition version of the guide. They’ll have 500 copies of them in San Diego this year for $35, with the full cover price going to the Hero Initiative.