IMAGE EXPO: New Projects Revealed From Rucka, Simone, Aaron and More
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d first snap up a book I’ve been trying to track down for years: Amazing Spider-Man: Hooky (Marvel, $4.99). This 1986 lost classic features Bernie Wrightson drawing a webhead story featuring monsters and alternate worlds – looks like a real gem. Now to convince Marvel to republish John Paul Leon’s Logan: Path of the Warlord… Next up would be Secret Service #1 (Marvel/Icon, $2.99). I’ll buy pretty much anything Dave Gibbons puts out these days, and seeing him with Mark Millar is bound to be a unique experience. Next up is Saga #2 (Image, $2.99); Brian K. Vaughn is really setting up a world – like a sci-fi sitcom here, with loads of direction to go in. Lastly I’d get Conan the Barbarian #3 (Dark Horse, $3.50). Can I admit I might like this more than Northlanders? Brian Wood’s definitely expanding how people think of him with this story, and Becky Cloonan is making a lot of editors look foolish for not putting her on these kinds of books sooner.
If I had $30, I’d start out with Secret #1 (Image, $3.50). Manhattan Projects seems more up my alley than this story, but Jonathan Hickman’s built up some credit in me to try anything new he puts out even if I’m not too interested. Next up would be Northlanders #50 (DC/Vertigo, $2.99), which I’m sad to see go. I think this will be one of those series that achieves more popularity after it’s over, and it’s a shame DC can’t find a way to continue it. After that it would be Glory #25 (Image, $2.99). I was a bit shaky on the story after Joe Keatinge’s first issue, but everything after has really put the pieces into place and Ross Campbell seems to be finding his footing to really land the superheroics of this story. Last up would be Secret Avengers #25 (Marvel, $3.99); Rick Remender’s clearly put his own spin to this series, so much I’m surprised Marvel didn’t use this as a chance to renumber the series… but I’m glad they didn’t.
If I could splurge, I’d throw money at my comic retailer for Pete and Miriam (Boom!, $14.99). Big fan of Rich Tommaso, and he seems to be honing his craft like a knife, creating more pointed and poignant stories here. And Miriam, she’s a real gem.
Legal | A Belgian court has rejected a five-year-old bid by a Congolese student to have the 1946 edition of Herge’s Tintin in the Congo banned because of its racist depictions. “It is clear that neither the story, nor the fact that it has been put on sale, has a goal to … create an intimidating, hostile, degrading or humiliating environment,” the court said in its judgment. Bienvenu Mbutu Mondondo, who launched the campaign in 2007 to ban the book, plans to appeal. [The Guardian]
Publishing| John Rood, DC’s executive vice president of sales, marketing and business development, discusses the results of the New 52 readership survey, noting right of the bat that it’s “not indicative of the actual system wide performance,” which makes you wonder what it’s good for. He has some interesting things to say about bringing back lapsed readers and the demographics of DC readers in general, though. [Publishers Weekly]
John Arcudi has been working in the comic book industry since the mid-1980s. Most recently he has bolstered his fanbase as one of the writers (along with Hellboy creator Mike Mignola) of the various B.P.R.D. miniseries for Dark Horse. I recently caught up with him for a succinct, yet informative and entertaining email interview.
Tim O’Shea: How do you and Mignola break down the writing chores on B.P.R.D.?
John Arcudi: It changes from series to series. Sometimes Mike hands me a loose plot and I flesh it out, sometimes Mike writes some of the series and I write some (that’s how we did our first, “The Dead“) and sometimes I do most of the writing with some contributions from Mike. There is no standard procedure.
O’Shea: What attracted you to delving into the dark and complicated, while at the same witty, Hellboy universe?
Arcudi: Actually, a chance to work with Mike and Guy Davis was all the motivation I needed. But it is nice that I get to have a little fun with the characters. Most comics are so serious, so it’s nice to have a laugh now and again.