INTERVIEW: Spencer Declassifies "Captain America: Steve Rogers'" Hydra Secrets, Cosmic Connections
Creators | Alan Moore will make a rare convention appearance in September — his first in 25 years, according to this article — at the inaugural Northants International Comics Expo in Northamptonshire, England. To attend Moore’s hour-long talk on writing comics or the hour-long question-and-answer session, convention-goers are required to donate graphic novels to the Northamptonshire Libraries, which will have a table at the event. [Stumptown Trade Review]
Creators | Mark Waid gets the NPR treatment, as Noah J. Nelson interviews him about his digital comics initiatives. “I got news for you: I’ve been doing this for 25 years, and this is the hardest writing I’ve ever had to do,” Waid says of creating digital comics. [NPR]
Publishing | Abrams ComicArts editorial director Charles Kochman discusses the publisher’s spring lineup, which will include William Stout’s Legends of the Blues, Darryl Cunningham’s What the Frack, a history of Bazooka Joe comics, and a Will Eisner artbook written by Paul Levitz. [ICv2]
It’s 2012, I’m 35 years old and I’m reading two new comic book series, both based on decades-old intellectual properties for which I had a great interest in, and rather intense feelings about, at different points in my childhood. This is in no way unusual: Every line of toys, every cartoon series or TV show, every movie I was into at some point in my childhood now exists as a comic book and, in most cases, rebooted toys, cartoons, TV shows and movies. For children of the 1970s and 1980s, our entertainment franchises have grown up with us.
What’s slightly unusual about Battle Beasts and The Crow is how relatively obscure they are, compared to the Godzillas, Star Wars and G.I. Joes.
It’s 1987, I’m 10 years old and I don’t know it yet, but I’m reaching the end of the period in my life in which I can play with toys, in which I can easily slip into a time-stopped world of pure imagination and see characters appear and dramas unfold based on nothing more than some small piece of plastic, molded into He-Man or Boba Fett.
A friend comes over to play with me, and we divide our mixed lines of action figures — Transformers, Ghostbusters, Masters of the Universe, etc. — into teams that will build bases and battle one another. He has something new with him called “Battle Beasts.”
Somehow I missed the news that Fishtown creator Kevin Colden is drawing The Crow for IDW, whcih is good news indeed. Colden is working with writer John Shirley, who wrote the first draft of the screenplay for the first Crow movie back in the 1990s. If you’re interested in seeing what it will look like, IDW posted a whole bunch of pages over on their Tumblr, including both covers by Kyle Hotz and Ashley Wood.