Like many, I first encountered the art of Edmund Bagwell in 2005, in the first issue of Liam Sharp’s extremely short-lived but influential anthology Event Horizon. Sharp introduced lots of new talent in those two issues, but it seemed that Bagwell was to be the book’s breakout star. Here was an artist with many strings to his bow, producing lushly rendered digital paintings and linework to accompany prose short stories in the first volume, and also illustrating Rich Johnson’s role-playing satire “Chase Variant” in the second.
U.K. comics history is full of instances of well-intentioned anthologies eventually failing, leaving that great survivor 2000AD to cherry-pick their best talent. This was again the case, with Bagwell soon working on some memorable short stories with writers Al Ewing and Arthur Wyatt. Short one-offs such as “Future Shocks” and “Terror Tales” are usually seen as dues-paying exercises by the editorial staff at 2000AD, and Bagwell was rewarded by being commissioned to draw the series “Cradlegrave,” written by John Smith.
Free Comic Book Day is once again upon us, the day that current and hopefully potential comic fans flock to their local comic shop to sample a buffet of comic choices from publishers large and small. There’s a lot to sink your teeth into this time around, from previews of new or upcoming stuff — like Marble Season and Superman: The Last Son of Krypton #1 to first issues of brand new comics — like The Strangers #1 and Aphrodite IX #1. There are original comics, licensed comics, kids comics, anthologies … basically something for everyone.
Some retailers will offer all-you-can-eat options, while others might have limits on what you can get … so if you have to make a choice, here are six comics we’re particularly looking to sink our teeth into.
It’s been a big couple of weeks for U.K. comics publishing, and a lot of that might have to do with this weekend’s Comica Festival (a.k.a. “the 10th London International Comics Festival”). There has been a rush of titles from British graphic novel publishers of late, no doubt timed for a big push at this most art-centric of U.K. comics conventions (it’s hosted this year at Central Saint Martins College of Arts and Design, and I dare anyone of a certain vintage to think of that place and not start humming this).
There’s a lot of great stuff out there at the minute that’s maybe not getting enough coverage internationally, so let’s do a round-up, shall we? There’s a myth that the American comics audience is insular, so let’s disprove it: These books are even already available in English, although their spelling is a bit suspect at times. Yeah, you heard me, buy a dictionary, limeys!
• The Man Who Laughs, the oddest of Victor Hugo’s novels, adapted by David Hine and Mark Stafford, published by SelfMadeHero: Hine has posted a host of panels from the book at his blog. I was previously ignorant of Stafford’s work, but these are some handsome-looking samples; they reminded me a little of the great Dave Cooper. Hine is always good value, and has a track record of making some genuinely unsettling comics (Strange Embrace, The Bulletproof Coffin), so this sounds like the perfect alignment of talent to source material.
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Crater XV HC (Top Shelf, $19.95): I’ve been following (and loving) the serialization of Kevin Cannon’s follow-up to Far Arden in the digital pages of Double Barrel, but I know that I’ll be picking up this hardcover collection of the further adventures of sea dog Rusty Shanks nonetheless. The Canadian space program deserves no less.
In The Days of the Mob HC (DC Comics, $39.99): To say that Kirby’s 1970s take on the organized-crime world of the 1930s is something I’ve been longing to read since I first discovered its existence would be an understatement, so I’m definitely looking forward to this deluxe reprint, complete with material that wasn’t in the original edition.
Indigo Prime: Anthropocalypse TP (Rebellion/2000AD, $24.99): John Smith’s cosmic authorities are one of comics’ most secret treasures, I think, especially when he’s paired with an artist like Edmund Bagwell, who brings a wonderful Euro-Kirby influence to the stories in this collection. Really looking forward to this one.
Relish: My Life in the Kitchen GN (First Second, $17.99): As a sucker for good autobiographical comics and also good food writing, the idea of Lucy Knisley creating a food-centric memoir — complete with recipes! — is far too good to ignore. I love that publishers like First Second are publishing work like this.
Solo Deluxe Edition HC (DC Comics, $49.99): Even though I own most of these issues from their original appearance, the oversized hardcover format is waaaay too tempting when you consider some of the material this book has up its 500+ page sleeve: Paul Pope covering Kirby! Brendan McCarthy channeling Ditko as only he could! The amazing Darwyn Cooke issue! The only thing that could make this better would be if it included work completed on follow-up issues before the plug had been pulled … But maybe that can appear in a second volume, one day…
Being an Eisner Awards judge has to be one of the coolest gigs in comics—I know this because I was one last year. Comic-Con International has just announced the names of the 2013 judges, and as always, they represent a mix of the different sectors of the business — creation, criticism, retailing, journalism, and of course, Comic-Con itself. Here’s the lineup:
Michael Cavna, a writer, editor and artist for The Washington Post and the man behind the newspaper’s Comic Riffs blog, which is an important part of my daily reading.
Charles Hatfield, professor of English at California State University, Northridge and the author of Hand of Fire: The Comics Art of Jack Kirby, which won an Eisner Award last year, and Alternative Comics: An Emerging Literature, as well as a contributor to The Comics Journal and a member of the Modern Language Association’s Discussion Group on Comics and Graphic Narratives.
Adam Healy, co-owner of Cosmic Monkey Comics in Portland, Oregon.