Marvel Studios, Feige No Longer Under Perlmutter's Purview
Comic Books, Film
While the announcement of a Constantine series on NBC may be good news for Warner Bros.’ DC Comics-based television plans — the project joins Gotham and the Arrow spinoff The Flash on the agenda — it won’t mean immediate financial benefit for the creators of the fan-favorite character. It seems those media rights are part of an earlier deal.
“As of this morning, it appears there will be NO payment to the Constantine creators for this series,” Stephen R. Bissette, who created John Constantine with Alan Moore and John Totleben, wrote Monday on his Facebook page. “This option apparently rolled out of the already-paid-for option for the Constantine movie in the 1990s. Thus, we’ll only see $$ waaaay down the road, it appears, IF this series makes it to being a series. If it makes money. If it trickles down.”
The movie Bissette references is actually the 2005 supernatural action-thriller that starred Keanu Reeves as the cynical occult detective. Although the adaptation was lambasted by many fans for its casting of the American Reeves as the English Constantine and the liberties taken with the source material, it managed to gross more than $230 million worldwide on a reported $100 million budget. Its option apparently included sequel and television rights.
With Comic-Con International nearly upon us, Stephen Bissette posts a reminder that 27 years after they were stolen from the offices of DC Comics, pieces of original artwork from Saga of the Swamp Thing by he and John Totleben are still missing.
“This is stolen property,” he writes on his blog. “It is not legally for sale, nor legally the property of anyone else to trade, exhibit, or sell. Please contact me if you know anything about where it is or who has it. If you are knowingly selling, buying, or trading this original art, you are engaged in a criminal act involving stolen original art.”
The pieces include the original painting for the cover of Saga of the Swamp Thing #34 (above), the final page of that issue (below), and pinups by Totleben for issues 32 and 33.
“At this point, it would be the property of our children, some of whom are now adults,” Bissette continues. “They know. And we will be reminding the world of this regularly.”