REVIEW: Violent, Profane "Deadpool" Shouldn't Work, But Really F---ing Does
Whether or not you realize it, you’ve likely enjoyed the work of comics historian John Wells for several years, given his long-term relationship with DC Comics. More recently, his wealth of comics knowledge has come to the forefront through his involvement in TwoMorrows Publishing‘s American Comic Book Chronicles. The series tackles comic book history dating back to the 1940s, typically dedicating a decade to each full-color hardback installment. When it came to the 1960s, Wells and series editor Keith Dallas opted to split the decade into two volumes, given the amount of history that occurred in that era.
The first 1960s volume, which covers from 1960-1964, was released early last year. Wells’ second 1960s installment, American Comic Book Chronicles: 1965-69, was released in late May. After discussing Wells latest foray in the latter part of the 1960s, the interview shifts to Dallas. In my conversation with Dallas, we focused on American Comic Book Chronicles: 1970s, which he edited with Jason Sacks; it’s scheduled for release in late August.
To get a taste of the books, be sure to check out ACBC’s Facebook page, where snippets of the series are previewed — and discussions of comic book history are a regular educational occurrence. Kudos to TwoMorrows and the ACBC Crew, whose 1950s volume of American Comic Book Chronicles (written by Bill Schelly) was recently nominated for a Harvey Award.
Hello and welcome to What Are You Reading?, our weekly look at the books, comics and what have you that the Robot 6 crew have been perusing of late. Today we welcome our special guest Steven Sanders, artist of such comics as Wolverine and the X-Men, Wolverine, S.W.O.R.D, Our Love is Real, The Five Fists of Science and more. He’s currently using Kickstarter to raise funds for a “Creative Commons art book” called Symbiosis.
“Symbiosis is a world-building art book that tells the story of a woman’s travels through a world where the symbiotic relationship that we have with technology is made much more visceral,” the Kickstarter page reads. “All sources of power are generated by bio-etheric engines, with which the operators share a direct mental link. The story-telling is loose and mostly visual. It will be told with art that uses a variety of media and formats: fully painted, colored line art, black-and-white line art, and comic art. What you do with this story is up to you. Enjoy it on its own merits, or take it and spin it off into any of a million different directions.”
To see what Steven and the Robot 6 crew have been reading, click below:
Legal | Forbes profiles Michael Wolk, a lawyer who’s organized the financial backing for Stan Lee Media’s prolonged, and so far unsuccessful, multibillion-dollar lawsuits against Marvel and Disney over the rights to the characters co-created by Stan Lee. Wolk’s primary investor is Elliott Management, one the nation’s largest hedge funds. SLM, which is no longer affiliated with its co-founder and namesake, asserts Lee didn’t properly assign ownership of the works to Marvel, and that Disney didn’t file its Marvel agreement with the U.S. Copyright Office. “We are in the right here,” says Wolk, who’s not actually a Stan Lee Media shareholder. “No court has ever addressed or ever decided who is the owner of the characters — all of the prior litigation got dismissed for reasons that have nothing to do with who owns the characters.” [Forbes.com, via The Beat]