Jonathan Maberry Archives - Robot 6 @ Comic Book Resources
Dark Horse revealed today at New York Comic Con that it will publish Bad Blood, a five-issue vampire story by Bram Stoker Award-winning author Jonathan Maberry and Eisner Award-winning artist Tyler Crook (B.P.R.D., Petrograd).
“Bad Blood tells the story of Trick, a teenage slacker on the losing side of a fight with cancer,” Maberry, author of Ghost Road Blues, said in a statement. “When he’s attacked by a vampire, he figures it’s game over. Except that the chemo drugs in Trick’s blood poison the vampire. As punishment, the vampires begin slaughtering everyone Trick loves. So he goes hunting for the vamps to try to destroy them. His only superpower? The chemo drugs in his system are deadly to the undead. His only ally? A heroin-addicted Goth chick. Bad Blood brings the pain in a downbeat tale of heartbreak, loss, and courage.”
Bad Blood debuts Jan. 1.
Happy Labor Day, Americans, and welcome, everybody, to What Are You Reading? Today our special guest is Paul Allor, writer of IDW’s Teenage Mutant Ninja Turtles spinoff, Fugitoid, as well as his own anthology Clockwork.
To see what Paul and the Robot 6 crew have been reading, click below:
Here’s an even more eclectic list than the Los Angeles Times Book Prize nominees: The graphic novel contenders for the Horror Writers Association’s Bram Stoker Award:
Anya’s Ghost, by Vera Brosgol (First Second)
Locke & Key, Volume 4, by Joe Hill (artist: Gabriel Rodriguez) (IDW)
Green River Killer, by Jeff Jensen (artist: Jonathan Case) (Dark Horse)
Marvel Universe vs. Wolverine, by Jonathan Maberry (penciler: Laurence Campbell) (Marvel)
Baltimore: The Plague Ships, by Mike Mignola and Christopher Golden (artist: Ben Stenbeck; colorist: Dave Stewart) (Dark Horse)
Neonomicon, by Alan Moore (artist: Jacen Burrows) (Avatar Press)
I added in the artists because apparently the Stoker folks were only thinking about writers. I’m impressed with how broad the selection of books is, given that they all qualify as “horror” to someone: Anya’s Ghost, while genuinely scary, is a teenage ghost story, Green River Killer is true crime, Marvel Universe vs. Wolverine is a superhero story, admittedly with something that sounds a lot like a zombie twist. The other three are closer to what I think of when I think of “horror,” but they are all still quite different from one another.
Hello and welcome to What Are You Reading? Our special guest today is Andy Burns, editor-in-chief of the pop culture site Biff Bam Pop!, which is doing a holiday gift guide with giveaways through Dec. 24. You can follow them on Twitter for more information.
To see what Andy and the Robot 6 crew have been reading, click below …
Event books are made up of a variety of different ideas, marketing ploys and world-building plots, the semantics of which we could go on about for hours, but for right now, let’s look at three rather basic needs:
- A Major Villain: Sorry, Stilt-Man is not event book main operator. I’d say even Norman Osborn isn’t really Event Book Material either; in the Siege, this is really just Loki’s show with a lot of targets and threats under his puppet strings. The Red Skull, Doctor Doom, Magneto, people who only want the world, people who drink domination like fine wine on big gaudy thrones and are just clever enough to pose an incalculable threat.
- An Incalculable Threat: something on a scale so massive it should hurt our ears. Planets should be in danger, if not just our favorite one, Earth. All the dead that have ever died, rising up out of Hell to scourge the land, going back in time to ensure Hilter’s victory in World War II, alien invasion, this should effect everyone and their mother.
- Crossover Appeal: Teams and heroes from different titles banding together to fight a common enemy. It doesn’t matter how much the Hulk and Thing don’t get along, it’s the problem at hand that matters first and their solution should be a point of contention (or camaraderie) by the time this all is through.
See? Pretty simple stuff. Sure, there’s a lot more that goes into it but if you ensure these three basics of storytelling, fans will be more likely to stand up, take notice and, most important, check their wallets for the right amount of cash. You can tell us it’s going to be the Second Coming, but until the threat is unleashed by a class act villain that every mutant and their mother has to go handle, then we know who means business.
It’s this kind of blockbuster storytelling that makes me wonder where Doomwar #1 has been all my life. Don’t tell my husband, but I think it’s love at first issue.
SPOILERS: Yeah, we’re going to talk about Doomwar #1 here so please, give yourself the delicious joy that is Doctor Doom and go pick up the issue. For those of you who have, let’s read along!