Axel-In-Charge: In-Depth with Alonso on Marvel's "All-New, All-Different" Lineup
Following DC Comics’ solicitations over the past few months has been fairly intriguing. The company’s West Coast move in early 2015 looms over all its actions, and makes it hard to gauge whether a new series or new creative team is a long-term commitment or a brief burst of experimentation. Moreover, that makes it tempting to say that anything you don’t like — or, for that matter, anything you do like — might be gone by April.
Oh, well. A little paranoia can’t hurt, but we’re not here to talk about that. Open a window to the November solicits and read along!
November brings new creative teams for Wonder Woman (the Finches and Richard Friend), Superman/Wonder Woman (Peter Tomasi and Doug Mahnke) and Supergirl (Mike Johnson, Kate Perkins and Emanuela Lupacchino). I’m still in wait-and-see mode on the Finches. However, after several years of reading Tomasi and Mahnke’s work, I feel like I know what’s coming from them. S/WW should look great, as Mahnke is no stranger to either Superman or Wonder Woman, having drawn JLA and various issues of the New 52 Justice League. I suppose I’m cautiously optimistic about Tomasi, because this is the sort of book that plays to his strengths. He’s good at reconciling and unifying different perspectives on characters, and that’s pretty much what S/WW has always had to overcome. Ironically, it’ll probably be less of a concern in the absence of Azzarello and Chiang, but I suspect Tomasi will keep those elements around.
What’s this? DC Digital Editor Jim Chadwick doubling down on the delayed debut of television’s Two-Face? An unproduced script from the immortal Harlan Ellison to be adapted for the Batman ’66 digital-first series?
That was the word from the DC Digital panel at this year’s Comic-Con. Not to be outdone by IDW’s adaptation of Ellison’s original “City on the Edge of Forever” script, writer Len Wein, penciller Jose Luis Garcia-Lopez, and inker Joe Prado are bringing Two-Face into the Batman ’66 world.
The biggest comics news Thursday out of Comic-Con International was undoubtedly that, after years of debate, comiXology has introduced DRM-free backups of titles purchased from its storefront, with Image Comics, Dynamite Entertainment, MonkeyBrain Comics, Thrillbent, Top Shelf Productions and Zenescope Entertainment signing on to the program.
An email went out last night notifying customers that books they’ve purchased can be downloaded and stored as PDF or CBZ files, and pointing them to an FAQ on the subject.
“This has been an oft-requested feature,” comiXology CEO David Steinberger said during the company’s Comic-Con panel. “It’s a real backup file — it’s a fairly plain PDF or CBZ. They are high resolution, not a lot of bells and whistles, and my feeling is that people will continue to use the cloud-based reader to do their reading.”
The other big announcement was that Marvel will publish Avengers: Age of Ultron, an in-continuity graphic novel by the Uncanny X-Force team of Rick Remender, Jerome Opeña and Dean White scheduled to arrive in April 2015, ahead of the premiere of Avengers: Age of Ultron.
The biggest news from this round of solicits is probably the cancellations of Blue Beetle, Grifter, Legion Lost, and Frankenstein. I’ve been buying Beetle and Frankenstein, so I’m sorry to see them go.
Naturally, this means we can look forward to four new titles in February. If I had to guess, I’d say a new Shazam! ongoing series will spin out of the current Justice League backup, but according to January’s solicitation, the backup doesn’t seem to have reached a suitable stopping place. It’s possible that February’s Issue 17 could wrap everything up one week and lead into Shazam! #1 the next, but that would depend on Justice League shipping on time (in the third week of the month), and I’d think DC would want more wiggle room in case of a delay. Accordingly, the odds of a Shazam! series in the next batch of solicits seem rather long.
Still, the backup series has been running in Justice League since #7, so (counting the Shazam-centric Issue 0, but subtracting the lack of backup in Issue 13) February’s Issue 17 would mark its eleventh installment. That is subject to change, since the October solicits advertised a Shazam! backup which was not in the actual issue. Still, if my rough math is correct, that’s about 154 total pages of story — more than the New Teen Titans: Games paperback, but less than the Superman/Shazam collection — but the solicit for January’s Issue 16 (part 11, remember) just talks about continuing the origin. With that in mind, even if Issue 17 concludes the backup, the character could still appear in JL as a Leaguer until he does whatever he’s going to do in “Trinity War.” Yadda yadda yadda, now I think probably no new Shazam! series until that event is over.
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Recently, an off-hand tweet by Kurt Busiek brought something interesting to mind. First, the tweet: “There are SUPERMAN BY GARCIA-LOPEZ and BATMAN BY ARCHIE GOODWIN hardcovers coming. Life is good.”
The two books he’s talking about are Adventures of Superman: Jose Luis Garcia-Lopez and Tales of the Batman: Archie Goodwin, both hardcovers and both scheduled for release in April. It’s interesting because, by and large, DC Comics hasn’t released a lot of books focusing on a creator. Sure, the publisher has made exceptions for Alan Moore (DC Universe: The Stories of Alan Moore), Jack Kirby (Jack Kirby Omnibus) and Geoff Johns (The Flash by Geoff Johns Omnibus), but seeing it done for creators like Goodwin and Garcia-Lopez feels different somehow. While Goodwin was a positively epic force during his time in comics, he’s not exactly a household name in the modern parlance of comics fans (unfortunately), and Garcia-Lopez was an artist, not a writer like all of those listed above. DC, and comics in general, has shown itself to be very writer-centric in terms of the attribution of works, so for me this is a breakthrough — or at least a crack in the wall.
Spurred on by these ideas, I’m beginning to think of what else, and who else, DC could capitalize on with its massive library of work created in the past 78 years. Here are some ideas:
Todd Klein has posted a fascinating set of photos of the DC Comics production department circa 1979, taken by artist José Luis Garcia-López. Klein supplements the grainy, black-and-white photos with his own memories of working for DC in the late ’70s and throws in some anecdotes about the staff as well. Klein also plays history detective, puzzling out the date of the photos from the tiniest visual clues, and he also notes the staff who are not in the photos because they were laid off during the DC “Implosion.” The photos will evoke a certain nostalgia from those of us who remember how things were done in the days of paper (rubber cement, blue pencils, and photostat machines), and they should be interesting to anyone who wonders how they made comics in the pre-computer era. Todd has posted more photos, including a vintage shot of actor Christopher Reeve visiting the offices.
DC Comics has unveiled Jim Lee’s T-shirt design for Free Comic Book Day 2012 featuring the current lineup of the Justice League. The image is an homage to a classic Justice League of America illustration by José Luis García-López, which you can see below.
The T-shirts will be available for order in January’s Previews catalog, with proceeds benefiting promotional efforts for FCBD.
There’s a weird little sequence in the middle of DC Universe: Legacies #3 when the narration’s timeline goes all hazy and oblique, in order to move the story from sometime in the Eisenhower/Kennedy years right into the “X years ago” of modern continuity. Because Legacies tracks some sixty-five years of costumed crimefighting, this sequence bridges the gap between the Justice Society’s retirement and Superman’s debut.
“Hazy and oblique” are also good words for describing DC’s approach to long-term continuity. The history of the DC Universe is well-settled up to the early 1950s, but past then it becomes elastic. This is something we’ve come to expect: fudging the calendar keeps our heroes both as experienced and as youthful as they need to be. However, each passing year also widens the gap between the end of the Golden Age (early ‘50s) and the beginning of the Silver (thought to be 12-15 years ago). Through reader-identification character Paul Lincoln,* DCUL’s writer (and longtime DC favorite) Len Wein aims to put a human face on all those four-color adventures.
That sounds like the premise of 1994’s Marvels and its spiritual descendant Astro City. Really, though, any halfway-entertaining super-survey needs a narrator with a recognizable point of view. Even 1986’s History of the DC Universe, which was basically a series of George Pérez pinups arranged in chronological order, took its florid prose ostensibly from Harbinger’s meditations on the nature of heroism.
Legal | A Swedish court last week upheld the copyright convictions of three founders of The Pirate Bay, billed as “the world’s most resilient bittorrent site.” Peter Sunde, Fredrik Neij, Carl Lundstrom and Gottfrid Svartholm Warg were convicted in April 2009 of copyright infringement, fined and sentenced to one year in prison. On Thursday the appeals court reduced the sentence to between four months and 10 months each for Sunde, Nij and Lundstrom while increasing the fine by about $2 million to $6.4 million. A decision regarding Warg’s appeal was postponed because of the defendant’s poor health. [CNET]
Legal | The Japan P.E.N. Club writers group and the Tokyo Bar Association last week announced their opposition to the Tokyo Metropolitan Government’s latest effort to tighten regulations on the sexual depictions of minors in manga, anime and video games. [Anime News Network]
Leading up to today’s DC editorial panel at WonderCon, Alex Segura shares some news that editor Ian Sattler will talk about — that J.H. Williams III, Dave Gibbons, Jose Luis Garcia-Lopez, Rags Morales and Dan Jurgens will all contribute to the DCU: Legacies title.
Announced back in December, Legacies is a ten-issue miniseries written by Len Wein that, according to DC’s co-publisher Dan DiDio, ” breaks down, over its chapters, the five generations of the DCU. They’re very concise generations, each with a beginning and end, and what you see is the various incarnations of our characters evolve, change and grow as the generations pass on.” Each issue is being drawn by a different artist.
Andy Kubert and Joe Kubert were announced as the art team for the first issue, and we’d heard before that Williams would be working on the title as well — his issue will feature the Silver Age Seven Soldiers. That’s Gibbons’ cover to issue #3 above.