INTERVIEW: Duggan's "Deadpool" Deals with the Pressures of High Profile Heroics
Although not a name most would associate with the digital age, Alan Moore is nevertheless spearheading the development of an open-source app that will enable anyone to produce digital comics.
Called Electricomics, the app is described as both a comic and a free, “easy-to-use open source toolkit,” published by Moore and longtime collaborator Mitch Jenkins’ Orphans of the Storm, and funded by the Digital R&D Fund for the Arts, which supports “projects that use digital technology to enhance audience reach and/or develop new business models for the arts sector.”
Dark Horse will adapt one of Robert E. Howard’s last published Conan stories beginning in May with the debut of King Conan: Hour of the Dragon.
MTV Geek reports the new ongoing series, by Timothy Truman, Tomás Giorello and José Villarrubia, will be based on the 1935-36 serial The Hour of the Dragon, also known as Conan the Conqueror. It centers on a middle-aged Conan, now king of Aquilonia, as his throne is threatened by conspirators who hope to depose him in favor of the kingdom’s rightful heir by resurrecting Xaltotun, an ancient sorcerer from the empire of Acheron.
King Conan: Hour of the Dragon, which features covers by Gerald Parel and Sanjulian, debuts May 29.
Art | Jerry Robinson’s cover artwork from Detective Comics #67 is expected to bring in more than $300,000 when it goes up for auction Nov. 15. “Robinson penciled and inked this cover and the detail of his art is amazing close-up,” said Todd Hignite, consignment director for Comic Art at Heritage Auctions, “particularly his shading lines on Batman and Robin, and on the feathery details of the ostrich being straddled by that bird-of-prey, the Penguin.” [Art Daily]
Business | Stan Lee’s POW! Entertainment Inc. and Vuguru, former Disney CEO Michael Eisner’s independent studio, are partnering to produce “original digital content.” [press release]
Comics | Darryl Ayo has a small manifesto about comics that makes a lot of sense: “Things that don’t make sense in North American comics: 1) comics that exist after their creators have ceased to. 2) these comics’ existence continues despite minimal effort to applicable to contemporary culture. Things that make perfect sense in North American comics: people’s general lack of interest in comics.” He points out a number of reasons why the comics audience is small and challenges creators and publishers to “Do better.” One point he makes that is rarely mentioned: The critical importance of editors. [Comix Cube]
Hello and welcome to What Are You Reading? This week’s guest is Alex Segura, executive director of publicity and marketing at Archie Comics. But we’ll always know him as the guy who founded The Great Curve, the blog that would one day morph into Robot 6.
To see what Alex and the Robot 6 crew have been reading lately, click below …
Welcome once again to our weekly round of “What would you buy if your budget was limited?” — or, as we call it, Food or Comics? Every week we set certain hypothetical spending limits on ourselves and go through the agony of trying to determine what comes home and what stays on the shelves. So join Brigid Alverson, Chris Mautner, Kevin Melrose and me as we run down what comics we’d buy if we only had $15 and $30 to spend, as well as what we’d get if we had some “mad” money to splurge with.
This week we’re coming to you a day late, as comics won’t arrive in shops in the United States until tomorrow due to this past Monday’s big holiday. And check out Diamond’s full release list if you’d like to play along in our comments section.
If I had $15 …
Batman and Robin #14 ($2.99)
Glamourpuss #15 ($3)
Starstruck #13 ($3.99)
My three main purchases for the week. The one of note is the final issue of Elaine May and Michael Kaluta’s Starstruck. I have no idea if IDW plans on collecting the series or not, or if there are other Starstruck mini-series in the works (I’m guessing not; my Spidey-sense tells me that the series wasn’t a solid seller for the company), but if this is the end (at least for now), I’m grateful to IDW for taking a chance and introducing me to what can only be described as an utterly dense and utterly unique comics-reading experience.