Axel-In-Charge: Facing the 'Divided' Marvel NOW! Future
Passings | Irving Fine, cousin of Superman co-creator Jerry Siegel and founder of the Siegel and Shuster Society, passed away March 11 at his home in suburban Cleveland. He was 87. Fine, whose late brother introduced Siegel to Joe Shuster in the 1930s, made preserving and promoting Superman’s ties to Cleveland a priority: During his tenure as co-chairman of the Siegel and Shuster Society, Ohio introduced a Superman-themed license plate, Cleveland Hopkins International Airport installed a Superman Welcome Center, and Siegel’s childhood home was restored. Michael Sangiacomo notes that Fine also played a key role in the plans for a monument to Superman and his creators, set to be unveiled in 2018 near the Rock and Roll Hall of Fame. [Cleveland Plain Dealer]
Conventions | The Rhode Island Convention Center exceeded capacity Saturday for what may be the first time in its history, leading the state fire marshal to temporarily bar entry to Rhode Island Comic Con. At one point, about 1,500 attendees were left out in the rain, including some people who stepped out for a minute and couldn’t get back in. Organizers sold a reported 23,000 tickets for a venue that holds just 17,000, and the way the show was configured reduced the capacity to about 15,000. They apologized Saturday afternoon for the “hiccup.” [Providence Journal]
Comics | Joshua Rivera picks the best comics and graphic novels of October. [Entertainment Weekly]
Hitting shelves today, Captain Midnight #16 is a special Halloween-themed issue by writer Joshua Williamson, artist Fernando Dagnino and colorist Javier Mena. To mark its release, editor Jim Gibbons provided ROBOT 6 with a glimpse into Dustin Nguyen‘s cover process, as well as the evolution of some of the interior pages.
In Birthright, the upcoming fantasy adventure by writer Joshua Williamson, artist Andrei Bressan and colorist Adriano Lucas, young Mikey Rhodes goes missing, leaving his father a suspect in his murder, and the rest of his family in shambles. But just mysteriously as he disappeared, Mikey reappears, but he’s changed.
Debuting in October from Skybound/Image Comics, the series centers on a boy who’s kidnapped by fairies and told he’s destined to to defeat a great evil. But once he accomplishes that and returns home, what’s next?
To tell that epic tale, Williamson, Bressan and Lucas not only had to create a war-ravaged otherworld populated by fantasy creatures and untold horrors, they also had to establish a realistic, familiar setting in which the Rhodes family drama unfolds.
The creative team provided ROBOT 6 with an exclusive glimpse into the process, sharing their thoughts on world-building, their approach to the designs of the central characters and the fantasy realm of Terrenos, and the mammoth undertaking of the impressive poster for Birthright.
In 2000, Brian Michael Bendis and Michael Avon Oeming’s Powers #7 featured a familiar guest star, although not one readers were used to seeing in their comics: Writer Warren Ellis joined series protagonist Christian Walker on a ride-along to conduct research for an upcoming book.
But while the series later moved from Image Comics to Marvel’s Icon imprint, Bendis will make a return, of sorts, in November’s Nailbiter #7 as he pays a visit to Buckaroo, Oregon, to research a book about serial killers.
Created by Joshua Williamson and Mike Henderson, Nailbiter revolves around Buckaroo, a small town notable for being the birthplace of 16 serial killers. After beating a murder rap, the latest and most notorious of the “Buckaroo Butchers,” Edward “The Nailbiter” Warren, has returned home — and he’s a big fan of Bendis, as is Williamson.
“[The Nailbiter] is a very big Brian Michael Bendis fan,” Williamson said during Saturday’s Image Comics panel at Comic-Con International in San Diego. “But he’s a little mad he killed Peter Parker.”
Williamson, who, like Bendis, lives in Portland, Oregon, said the idea of putting words in the fictionalized writer’s mouth “is terrifying.” However, he’s working closely with Bendis to ensure everything feels authentic.
Conventions | Marking San Francisco’s third year without WonderCon, pop-culture critic Peter Hartlaub relates the feelings of “confusion, withdrawal and anger” experienced by local fans, and explains why city leaders should care whether the convention ever returns from Anaheim. [SFGate]
Creators | Gary ODD Edmund combined two things he loved, comics and “marijuana culture,” to come up with the comic The Bud. While weed may be the news hook in this story, the numbers are interesting as well, as Edmund claims to have made $10,000 last year selling The Bud at comics conventions, where he typically moves 200 to 300 copies per event. He is now at the point where it’s worth his while to drop other projects to make more time for The Bud, and he figures his Bud-related income will at least triple this year. Can’t make it to a comic con? There’s a digital version as well, available via indie publisher CCP Comics. The digital release of The Bud (on 4/20, of course) drew so much traffic it crashed CCP’s website. [AOL Jobs]
Our annual “Looking Forward, Looking Back” feature continues, as we ask various comics folks what they liked in 2013, what they’re looking forward to in 2014 and what projects they have planned for the coming year. In, this final round, we hear from Vito Delsante, Jacq Cohen, Mark Sable, Dean Haspiel, Joshua Williamson, Jordie Bellaire, Paul Allor, Adam P. Knave, Tim Gibson, Bryan Q. Miller, Nathan Edmondson, Ann Nocenti, Jason Latour, Paul Tobin, Ming Doyle, Jeff Parker, Francesco Francavilla and Gabriel Hardman.
And if you missed them, be sure to check out Part 1, Part 2, Part 3, Part 4, Part 5 and Part 6 where we heard from Jimmy Palmiotti, Tim Seeley, Chris Roberson, Kurt Busiek, Faith Erin Hicks, Tyler Kirkham, G. Willow Wilson and many more.
The comic book annual has, in recent years, become an endangered species. Once an oversized, extra-length dose of the characters and concepts a reader could count on appearing once a year (or, you know, annually), the changing funny-book landscape has made them a less appealing proposition.
The rise of the graphic novel and trade paperback collections made “novel-length” adventures appearing in actual, off-the-rack comic books somewhat obsolete. The rising price of comics helped make annuals seem less practical; if a 20- or 22-page comic costs $2.99 or $3.99, a 48- or 56- or 64-page one would be prohibitively expensive. And with the shrunken market, it doesn’t make sense for a publisher to release an additional, extra-long issue of almost every title in its line.
Dark Horse has been making a concerted effort over the past year to develop its superhero line, with titles like Ghost, X and The Victories. On Wednesday, the lineup expands further with the launch of the Captain Midnight ongoing series, written by Joshua Williamson and illustrated by Fernando Dagnino.
I can’t help but be excited by the potential appeal for this new series, which throws the World War II scientist-hero into the present day — particularly after Williamson praised James Robinson’s Starman: “It’s one of the few books that — it made me cry.” My cautious optimism for the series was cemented in the midst of my interview with the writer, when he said of the Dark Horse superhero approach: “There is a subtle way to handle the superhero universe, and that’s what Dark Horse is doing.”
Once you’ve read the interview, be sure to enjoy the preview the publisher offered for Captain Midnight #1, on sale Wednesday.
Tim O’Shea: You leap right into the action with Issue 0, in which Captain Midnight lands in the present day, after just having been in the midst of World War II. What does it say about the character that he wasn’t thrown by being flung into the future?
Joshua Williamson: We knew that we wanted to separate Captain Midnight from other time-lost characters and set up two aspects: 1) He was disappointed by the future; 2) He was not surprised by time travel. Midnight was a genius first and a superhero second.
Midnight is a very interesting character in that he is no-nonsense and has such a black-and-white outlook on the world — very matter-of-fact. We wanted to get that across to our readers quickly in the zero issue and found that was the best way to do it.
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Now let’s get to it …
If you want to capture a ghost, call the Ghostbusters, but if you want to steal a ghost, apparently you need Jackson T. Winter.
Winter is the main character in Ghosted, a new series from Skybound by Joshua Williamson (Masks & Mobsters) and Goran Sudzuka (Y: The Last Man). Announced at the “Skybound On The Rise” panel at the Emerald City Comicon, the five-issue miniseries is about a thief, Winter, who is broken out of jail by a collector putting together an Oceans 11-esque team of experts with the intent to “steal” a ghost.
“Winters is not a good guy. He’s cold, but you can see fire in his eyes — a genius criminal who takes planning capers to another level,” Williamson told USA Today, who have several preview pages from the first issue. “It’s about money and he uses people to get what he wants. He’s seen some really screwed up things that have left him feeling cursed and haunted. The man has seen death in many forms and understands its power.”
Fatale artist Sean Phillips will provide covers for the comic, which starts in July.
Monkeybrain Comics will bring its digital titles to print beginning in June in collected editions released through IDW Publishing and Shadowline/Image. Launched in July 2012 by Monkeybrain founders Chris Roberson and Allison Barker, the digital imprint has so far distributed its creator-owned comics exclusively through comiXology.
The print editions will kick off with the IDW collection of Edison Rex, Roberson and Dennis Culver’s story about the world’s greatest villain who must figure out what to do with his life after he defeats his arch-nemesis. That will be followed in July by the Shadowline/Image collection of Joshua Williamson and Mike Henderson’s superhero-noir anthology Masks & Mobsters. The initial wave of collections will conclude in August with the IDW release of Amelia Cole and the Unknown World, the fantasy from Adam P. Knave, D.J. Kirkbride and Nick Brokeshire. More collections announcements are promised in coming months.
“Print collections have been a main goal from the beginning and it’s really exciting to see such a major piece of the plan fall into place,” Baker said in a statement, “especially since it means even more people get to discover the amazing work of our creators!”
Even the mob can get into the spirit of the season.
Today sees the release on on comiXology of Masks and Mobsters #5 , the latest issue of the digital series by Joshua Williamson and Mike Henderson. Not only does it feature a special holiday story, but the creators are also being awesome and donating everything they make off the issue to charity. Henderson and Williamson (who shared with us on Sunday what he’s been reading) were kind enough to answer some of my questions about the series and their plans for this special issue, as well as reveal a whole bunch of art.
Hello and welcome to another edition of What Are You Reading?, where each week we talk about comics and other stuff we’ve been checking out lately. Today we welcome special guest Joshua Williamson, writer of Masks and Mobsters, Captain Midnight (which has been running in Dark Horse Presents), Uncharted, Voodoo and much more.
To see what Joshua and the Robot 6 crew have been reading, click below …
DC Comics announced The Dark Knight Rises prequel comic on Friday:
Can’t get enough of the epic conclusion to Christopher Nolan’s Batman trilogy? Then download THE DARK KNIGHT RISES: PROLOGUE app from DC Comics, sponsored by Nokia and available on Nokia Windows Phone devices. The app features an exclusive motion-comic from writer Joshua Williamson and artist Jorge Jimenez that serves as a prologue to THE DARK KNIGHT RISES film. The app also include social media share options and links to other apps tied to the film.