IMAGE EXPO: New Projects Revealed From Rucka, Simone, Aaron and More
The Comics Journal, a venerable, influential and controversial mainstay of comics journalism that had developed an air of the walking wounded in recent years, has radically revamped and relaunched its online presence. Its new editors are Dan Nadel and Tim Hodler, best known as the minds behind Comics Comics magazine and, in Nadel’s case, the art-comics publisher PictureBox Inc.
The print version of the Journal will continue to be helmed by founding editor and Fantagraphics co-publisher Gary Groth, acting in a more hands-on capacity as of the forthcoming Issue #301 than he has in years, by the sound of it. Kristy Valenti serves as editorial coordinator. Contributors to the new TCJ.com include Frank Santoro, Jeet Heer, Joe “Jog” McCulloch, Ken Parille, Ryan Holmberg, Rob Clough, Richard Gehr, R.C. Harvey, R. Fiore, Vanessa Davis, Bob Levin, Patrick Rosenkranz, Nicole Rudick, Dash Shaw, Jason T. Miles, Andrew Leland, Naomi Fry, Jesse Pearson, Tom De Haven, Shaenon Garrity, Matt Seneca, Tucker Stone and Hillary Chute. On a Robot 6-related note, my colleague Chris Mautner and I will also be contributing.
A look at the new site reveals a multifaceted approach, with reviews, columns, interviews, lengthy features and essays (the current lead feature is a look at the legacy of, and turmoil surrounding, Frank Frazetta by writer Bob Levin), an events calendar, selected highlights from the magazine’s archives, and more. The biggest news, perhaps, is that Hodler and Nadel plan to have literally the entire 300-issue Comics Journal archive scanned and posted online by the end of this year and made available in its entirety to the print magazine’s subscribers. Click here for Hodler and Nadel’s welcome letter, in which they explain some of the changes and reveal a bit of what’s ahead. (And click here for their farewell letter to Comics Comics.)
Broadway | The fall that seriously injured an actor Monday night in the musical Spider-Man: Turn Off the Dark was the result of human error, the Actors’ Equity Association said. Christopher Tierney, the 31-year-old aerialist who doubles for Spider-Man and two villains, remains in serious but stable condition after the cable to his safety harnesses snapped, sending him tumbling as far as 30 feet into the orchestra pit. As we reported on Tuesday, today’s matinee has been canceled while the show enacts additional safety measures. However, tonight’s performance will go on as scheduled.
Amid criticism from Broadway actors and calls for the plug to be pulled on the $65-million production — Tierney is the fourth Spider-Man performer to be injured — director Julie Taymor issued a statement, calling the accident “heartbreaking”: “I am so thankful that Chris is going to be alright and is in great spirits. Nothing is more important than the safety of our Spider-Man family and we’ll continue to do everything in our power to protect the cast and crew.” Meanwhile, the New York Post — home to theater columnist Michael Riedel, who’s gleefully chronicled the musical’s many setbacks — quotes one unnamed investor as saying, “We should cut our losses and just get out,” while another worries about potential lawsuits. The Daily Beast provides a timeline of the delay-plagued production, while Mark Evanier offers commentary. [Spider-Man: Turn Off the Dark]