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We’ve known for a while that DC’s superhero line will go through some changes in the wake of Forever Evil, and as the March solicitations bring the end of that Big Event, not surprisingly the month looks rather transitory. In fact, Forever Evil #7 is scheduled to appear on March 26, just as the final issue of Blackest Night — also written by Geoff Johns as a spinoff of his highest-profile series, in case you’d forgotten — dropped on the last week of March 2010. (It must be pure coincidence that these solicits feature a $200 White Power Battery tchotcke.) Back then, BN #8 was supposed to “set the stage” for the “next epic era of DC Comics,” which turned out to be about 18 months long and featured the biweekly sort-of-sequel miniseries Brightest Day. This time, Forever Evil #7 teases the importance of the “Hooded Man” and promises to “leave the DC universe reeling and reveal the secrets to the future.”
So, yeah, sounds like another cliffhanger ending, perhaps even leading into another big-deal miniseries — specifically, the May-debuting weekly Futures End. Considering that the three tie-in miniseries (ARGUS, Arkham War and Rogues Rebellion) all seem to feed into FE #7, the actual content of that final issue may well be a giant scrum, not unlike the final issue of Flashpoint, in which some cosmic button is pushed, defeating the Crime Syndicate but at a significant cost to DC-Earth. As it happens, there’s no mention of the “Blight” sub-crossover (bringing together Phantom Stranger, Pandora, Constantine and JL Dark) feeding back into Forever Evil, but I’m not sure how much it’s supposed to relate, beyond being about the JLD trying to pick up the post-invasion pieces.
According to recent convention scuttlebutt, DC Comics is apparently canceling its latest Hawkman series, the New 52-launched Savage Hawkman, perhaps as early as May’s Issue 20.
That is not the least bit surprising, really, given the publisher’s historical difficulty in keeping readers interested in Hawkman, and given the way in which the title and the character were served by the line-wide reboot and the accompanying creative-team chaos. It’s too bad, though, given how easily DC could have simply published the sort of Hawkman title the 21st-century super-comic audience would support, rather than The Savage Hawkman.
The series launched in September 2011 along with the other 51 new series comprising DC’s New 52 initiative, featuring a rebooted continuity for the then 71-year-old hero and a redesigned costume featuring more armor and pointed edges (most notably a set of Wolverine-like claws frequently waved in the direction of the reader on the covers). The creative team consisted of artist-turned-writer/artist Tony S. Daniel, who was just handling the writing, and Philip Tan, who was providing the art.
One of the many questions surrounding DC Comics’ line-wide renumbering centered on the absence of Justice Society of America, a title that in recent years had undergone its own high-profile reboot and spawned two spinoff series. The Justice Society, with a sprawling membership that includes Golden Age characters (or their namesakes) like The Flash, Hawkman, Green Lantern and Hourman, reached deep into DC, and comic-book, history, forming the very first team of superheroes.
But Justice Society wasn’t among the 52 books rolled out by the publisher last week. Neither, for that matter, was Power Girl, whose title character has been closely associated with the JSA since her debut in 1976. And the solicitation for Mister Terrific #1, featuring a new take on “the world’s third-smartest man” — and two-time chairman of the team — makes no mention of the group. Then came the unveiling on Friday of Action Comics #1 which, as Robot 6’s J.K. Parkin pointed out, refers to “a world that doesn’t trust their first Super Hero.”
If all of that isn’t enough to signal the end, or non-existence, of the world’s first team of superheroes, official word came over the weekend from Co-Publisher Dan DiDio, who wrote on his Facebook page, “As for JSA, we have decided to rest this concept while we devote our attention on the launch of the three new Justice League series. As for other characters and series not part of the initial 52, there are plenty of stories to be told, and we’re just getting started.”
As with any demise in superhero comics, this one is probably only temporary (heck, the JSA itself has been put to “rest,” only to be resurrected, a handful of times over the past 60 years). However, when the publisher is pushing a “modern” and “contemporary” take on its superhero universe, grappling with graying characters so firmly rooted in World War II will undoubtedly prove problematic.