Strong Talks Merging "Super-Cute" with "Super-Psycho" for "Arkham Knight's" Harley Quinn
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Dark Horse has debuted the trailer for Prometheus: Fire and Stone, the first chapter in a crossover that spans Fox’s Aliens, Predator and Alien Vs. Predator franchises.
It’s only fitting the event starts with a tie-in to filmmaker Ridley Scott’s 2012 Alien prequel. In the four-issue Prometheus, written by Paul Tobin and illustrated by Juan Ferreyra, a new team of explorers is sent to LV-223 “to uncover the dark mystery that holds not only the fate of the original mission, but possibly their own damnation.”
Once in a while, when I go into the comics shop to snag my weekly pile, there will be something on the shelf that catches totally unaware. On Oct. 2, I was delighted to discover the Comic Book Legal Defense Fund’s Liberty Annual 2013 (published by Image Comics). Given that all the proceeds from the book (previewed here at CBR) benefit the CBLDF, I wanted to interview Dark Horse Editor-in-Chief Scott Allie, who directed the project. While I had his attention, I couldn’t pass up the chance to discuss some of the Dark Horse line as well.
Tim O’Shea: While seemingly an obvious question, I still think it worth asking: Why is it so important to you to volunteer your time for a project like the CBLDF Liberty Annual?
Scott Allie: Free speech is a near and dear cause, for me and for Dark Horse, and it’s still an uphill battle for comics. There are preconceptions about this art form that invite attacks, and we need to work to defend against that. I want creators and publishers to be free to put out what they want to put out, and for retailers to sell it without fear of prosecution, for readers to travel with their books without fear of incarceration. The CBLDF isn’t just about raising money in court cases. They’re about educating the population about the art form we love, and I want to be a part of that.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. It’s only Monday, but our contributors have their eyes on Wednesday releases, ranging from John Wagner and Arthur Ranson’s Button Man: Get Harry Ex to a new jumping-on point for 2000AD to … well, it’s not exactly a comic book but it does involve two comics creators.
To see what we’re looking forward to this week, just keep reading.
Graphic novels | The top-selling graphic novel in bookstores in February was the 60th volume of Naruto, according to Nielsen BookScan; four other manga made the chart as well. Actually, it’s an interestingly eclectic mix, with eight volumes of The Walking Dead, the first volume of Saga, Alison Bechdel’s Fun Home, and Chris Ware’s Building Stories making the list, as well as The Book of Revelation from religious publisher Zondervan. Marvel was entirely absent, but two of DC’s New 52 collections appearing. [ICv2]
Comics | Former DC Comics President Paul Levitz talks about the new edition of 75 Years of DC Comics: The Art of Modern Myth-Making, which has been broken out into five volumes and expanded to include more art and an additional creator interview in every volume; the first volume, The Golden Age of DC Comics, is out now. Levitz also touches on the history of the company, the importance of characters, and the impact of young readers on the early comics: “It wasn’t adults tending to what they wanted their child to read or libraries selecting. It was the kids of America who said I love Uncle Scrooge as its done by Carl Barks, I love the Superman comics that are coming from Mort Weisinger’s team at DC, I love the Marvel comics that Stan Lee, Jack Kirby and Steve Ditko are creating. And they really got to choose those things that became trendsetters in the culture and ultimately leading to the massive success of the superhero movies in more recent years.” [Complex Art + Design]