Judge Dredd Archives - Robot 6 @ Comic Book Resources
The inaugural campaign in 2013 helped to drive the film up the Blu-ray and DVD charts, generating publicity in the process, and this year organizers are seeking to do it again: The want fans on Wednesday to buy Dredd again, watch it with friends, talk about it online (using the hagshtag “DayofDredd, of course) — whatever they can to draw attention to the film. That includes signing 2000AD’s official petition.
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Despite the continued optimism of star Karl Urban, a sequel to the 2012 film Dredd would seem like a longshot. Still, in the past couple of years plenty of fans have been a case for a return to Mega-City One, box-office receipts be damned.
However, none of those arguments has been as convincing — or as moving — as “Dredd: The Musical,” the latest video from Legolambs. With its refrain of “It’s time to make Dredd II,” the rousing anthem is performed by Urban and Sylvester Stallone (or close enough), who belt out lyrics like, “We’re well behind the schedule, we should be on Part 3. There are follow-ups for Iron Man and Thor, so why not me?”
If this doesn’t win over studio executives, then nothing will.
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
In my years of reading comics, Judge Dredd has been a pretty big blind spot for me. That is until the 2012 movie. I loved the relatively low-scale stakes that still managed to pack a lot of character in its limited environment. People like to say that Dredd is about a fascist society, but to me it felt more like the Wild West. Dredd (Karl Urban) and Anderson (Olivia Thirlby) were more like sheriffs enforcing the law in a lawless society, and certain scenes — like Dredd walking down an empty hallway with people left and right — definitely recalled Western imagery. I started to dig into the 2000AD comics and the new IDW series.
Book Expo America is the annual trade show where publishers promote their upcoming books to retailers and librarians. BEA is all about books, but comics and graphic novels are a growing presence. Diamond had a dedicated area, as it has in previous years, several comics publishers had their own booths, and several of the big publishers featured graphic novels alongside their other titles, most notably Hachette, which gave quite a bit of space to Yen Press.
I spent Friday at the show looking at which books the publishers were drawing the most attention to. Here’s a very subjective account of what I saw.
Kid stuff! Children’s and YA graphic novels have been hot for a couple of years, and the news that Raina Telgemeier’s Sisters is getting a 200,000 copy initial print run got a lot of buzz. Of course, the BEA crowd has been on board with her work for a while, and they lined up in droves for her book signing. The same was true of Jeff Kinney, who was signing copies of The Wimpy Kid School Planner at the Abrams booth; the crowd just kept on coming. And the staff at the BOOM! Studios table were hustling as attendees grabbed copies of their Adventure Time and Bravest Warrior collections as well as their third original Peanuts graphic novel, Peanuts: The Beagle Has Landed, which takes Snoopy to the moon.
Creators | A memorial service for Morrie Turner, pioneering creator of the Wee Pals comic strip, will be held Sunday at the Grand Ballroom at the Claremont Hotel Club and Spa in Berkeley, California. It’s open to the public. The family plans to hold a private service in February in Sacramento. [Contra Costa Times]
Creators | The Columbus Museum of Art and Thurber House have awarded their third annual artist-in-resident position to Lilli Carre creators of Heads or Tails and The Lagoon, among other graphic novels. She will spend three weeks working in the Columbus, Ohio, house where cartoonist James Thurber grew up, and the museum will also exhibit her work and host a talk. [The Columbus Dispatch]
Editorial cartoons | Palestinian cartoonist Majedah Shaheen has apologized for a cartoon depicting Hamas Prime Minister Ismail Haniyeh telling the Al-Quds Battalions, who are depicted as a dog, to “calm down.” After receiving a barrage of threats and complaints on Facebook, Shaheen apologized but added, “My intention was to relay a message in a clear and firm manner. But there are many who prefer to deal with the issue in an artificial manner instead of making an attempt to understand the idea behind it.” [Jerusalem Post]
The good burghers of 2000AD have sent along a raft of preview images for new thrills they’ll be running in their venerable anthology in 2014:
• Paul Grist’s Demon Nic. Appearing in the creator-owned slot of the Judge Dredd Megazine previously held by critically acclaimed strips as “Numbercruncher” and “Ordinary,” this will be Grist’s first work for the 2000AD stable since 1993.
One of the best new artists to break through at 2000AD in these past few years is Tiernen Trevallion. His style reminds me of all the right people (Kev Walker, Mike Mignola, Simon Bisley, Kevin O’Neill), and his inking is always deliciously thick and glossy.
I don’t often check on the progress of my old blog, but when I do, I tend to notice the entry from November 2009 on Trevallion’s designs for the Doctor Who animation “Dreamland” still racks up a fair few hits every month. And when not engaged in comics or as a conceptual artist, he has a third string to his bow, creating fine art of that low brow, transgressive kind I love so much.
On Facebook, Trevallion has been going on a big pre-Christmas push, selling prints of assorted images he has produced for 2000AD, and some images from the “Samovar of Filth,” an ongoing series of tributes to the art of sleazy 1960s paperbacks. It’s all great stuff, and he encourages everyone to email him for details (firstname.lastname@example.org) of what he has left, quotes for worldwide shipping, etc. Drop him a line.
Shirts based on comics characters isn’t anything new, but Judge Dredd and 2000AD publisher Rebellion recently partnered with the U.K. T-shirt boutique Last Exit to Nowhere to produce this amazing-looking design. Although it’s based on the film iteration of Dredd rather than the comic itself, it’s still a shirt well worth owning — even with the additional expense of shipping outside the United Kingdom.
Today 2000AD debuted all 20 volumes of the Judge Dredd: The Complete Case Files series on its iOS app, making three decades’ worth of stories available for download on iPad, iPhone and iPod Touch. A 21st volume will be published next month, with subsequent tomes to follow.
Retailing for $13.99 (£9.99), The Complete Case Files feature work from the likes of John Wagner, Grant Morrison, Garth Ennis, Dave Gibbons, Mark Millar, Brian Bolland, Carlos Ezquerra, Mick McMahon, Alan Grant, John Smith, Brendan McCarthy and Garry Leach.
You can see a selection of pages below.
I came across my new favorite Tumblr via Richard McAuliffe’s Everything Comes Back To 2000AD blog: Dreddheads, wherein Owen Watts (of such UK small press anthologies as Dr WTF and The Psychedelic Journal of Time Travel) regularly posts caricatures dressed in uniform as Mega City One judges, taking his design cues from the 2012 movie version. Sure, your affection for the site will vary based on your knowledge of British comedy, with assorted satirists and sitcom characters prominently featured, but there’s plenty of examples familiar to an international audience. Clint Eastwood, whose Dirty Harry Callahan is often cited as a key influence upon Dredd, finds himself included; as does Carlos Ezquerra, the Spanish co-creator of the futuristic lawman.
There’s no solicitation for Justice League 3000 in November, and it’s not hard to imagine why. Reworking a first issue from scratch, with a new artist and what sounds like a new tone, undoubtedly isn’t something even one of the Big Two can do on short notice. Instead, DC Comics goes back to the Bat-well both for November’s only new series, and to goose the sales of various superhero titles.
As always, though, there’s enough in the new batch of solicitations to keep us busy this week — so without further ado …
ALWAYS BET ON BLACK
Apparently “Zero Year” will include a “Blackout In Gotham” plot point that can stretch into a dozen other DC titles, including non-Bat-books like Action Comics, Green Arrow, Green Lantern Corps and The Flash. This makes a certain degree of sense, as it takes place back in the “before-time” of the George W. Bush administration, before the various superhero jurisdictions were established, so you’d expect someone like Superman to take a road trip if he thought Gotham needed him. However, thanks largely to this being Scott Snyder and Greg Capullo’s Batman, the blackout — which, as far as I can tell, would otherwise be just one part of one title’s flashback storyline — ends up involving more books than DC’s actual line-wide Big Event, Forever Evil. The latter includes the eponymous miniseries, three ancillary miniseries and the three Justice League books, but only two other ongoing series (Teen Titans and Suicide Squad, each of which has been tied into 4EVEv since it started). The total is “Zero Year” 13, Forever Evil 9, and almost half of the latter’s score is miniseries. Personally, I don’t mind a discrete Big Event, and I’m not surprised that DC would exploit “Zero Year.” I’m just a little surprised at how heavily it seems to be relying on “Zero Year” in November.
There’s always a steady flow of new art to be seen at Chris Ryall’s Tumblr. The editor-in-chief of IDW Publishing recently saw a Jack Kirby tribute by Brendan McCarthy accompanying a ROBOT 6 story about soaring sales of the Dredd DVD, and contacted the legednary 2000AD artist to secure the use of that image, and to commission a series of covers in the style of other Silver Age greats. These will run as cover images — variants, I’d guess — for issues 13 to 16 of IDW’s ongoing Judge Dredd series:
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. And just like that, Comic-Con International is upon us. But while tens of thousands of people are dashing to airports, exiting planes and checking into hotels on Wednesday, many of the rest of us will be making our weekly pilgrimage to the comic book store for this week’s releases.
So before the announcements start rolling out of San Diego, join us to see what comics caught the eyes of the ROBOT 6 contributors.
Here at ROBOT 6, we’re hardened hacks who generally don’t get too excited about any old rumor that’s doing the rounds, or report it as a news story, but seeing how I really want this one to be true, I’ll make an exception. Also, some great art vaguely relating to the story turned up recently, and its too good not to share.
The Facebook group Make a DREDD Sequel posted this over the weekend:
From an UNCONFIRMED SOURCE, it has come to this page’s attention that DNA Films will be reviewing the blu-ray/DVD sales of DREDD in the coming weeks and will be deciding whether or not to make a sequel. If this is true, let’s show them how much we want that sequel! If you haven’t already, please buy the DVD or blu-ray! More news soon!
Of course, this is one anonymous source claiming to have another shadowy even-more-anonymous source, and as such should be taken with a double-sized pinch of salt. Who knows what vested interests are at work here, seeking to further their own agendas. Or then again, this could be completely true. Anyway, this has been enough to spark something of a spike in sales of the Dredd DVD. This was posted the next day: