Judge Dredd Archives - Page 2 of 5 - Robot 6 @ Comic Book Resources
After a period of screenings at festivals and conventions, the Judge Dredd fan film Judge Minty has finally been released in full online. Packed with Easter eggs for long-term 2000AD fans, it proves that these days it would be entirely feasible to produce an authentic and faithful version of the futuristic lawman on a small-screen budget. As much as I enjoyed last year’s Dredd 3D, it’s hard not to watch this short and list the things that this production did better. For starters, this budget effort manages to properly get the Lawmaster bike, a street judge’s preferred form of transport, something the Stallone and Urban films got wrong in their different ways.
Free Comic Book Day is once again upon us, the day that current and hopefully potential comic fans flock to their local comic shop to sample a buffet of comic choices from publishers large and small. There’s a lot to sink your teeth into this time around, from previews of new or upcoming stuff — like Marble Season and Superman: The Last Son of Krypton #1 to first issues of brand new comics — like The Strangers #1 and Aphrodite IX #1. There are original comics, licensed comics, kids comics, anthologies … basically something for everyone.
Some retailers will offer all-you-can-eat options, while others might have limits on what you can get … so if you have to make a choice, here are six comics we’re particularly looking to sink our teeth into.
I think IDW and Dark Horse are having some sort of competition at C2E2 this weekend to see who can overwhelm my email box with the most press releases, or at least that’s what it seemed like last night when a ton of press releases pop up around the same time from both companies. Here’s a rundown of what we’ve heard from both of them at the show thus far …
• Both companies announced they’ve picked up some new licenses. As I noted yesterday, Dark Horse will publish Wendy and Richard Pini’s Elfquest starting later this year, and they’ve also picked up the license for new Halo comics. IDW, meanwhile, has picked up the license to the Jay Ward characters, with plans for series Mr. Peabody & Sherman and Rocky & Bullwinkle next year. Also, two of IDW’s other licensed titles will meet up in Mars Attacks Judge Dredd by Al Ewing and John McCrea. The first issue arrives in September.
• Both companies are also reaching into comics’ past to bring back some titles we haven’t seen in awhile. IDW announced that they’ll release deluxe hardcovers of Christian Gossett’s The Red Star this fall. They’re also bringing back Zombie War by Kevin Eastman, Tom Skulan and Eric Talbot in October. The original series was published by FantaCo and Tundra back in 1993. Dark Horse is resurrecting Geof Darrow’s Shaolin Cowboy, which was originally published by Burlyman Entertainment.
IDW may be one of the Big Five publishers in the direct market — that is, one of the five publishers whose titles are listed separately from those of the hoi polloi in Diamond Comic Distributors’ Previews catalog. But unlike the Biggest Two, IDW’s line consists mainly of comics based on a variety of licensed concepts*, and therefore do not feature shared settings like the DC Universe or the Marvel Universe.
You’d think that would prohibit the company from doing the sorts of line-wide crossover stories that DC and Marvel have been pumping out with regularity, but IDW has found a pretty clever way to have its licensed comics cake and eat its intra-company crossovers as well, by dreaming up a fairly generic threat, and then having that threat appear in a bunch of unrelated comics whose characters never really meet.
Rather than all the characters teaming up to fight the same threat on the same battlefield at the same time, as in your Crisis on Infinite Earths or Civil War or whatnot, IDW’s crossovers are a bit more like individual battles in large-scale wars taking place in different dimensions.
So, for example, 2011’s Infestation crossover pitted zombies from the publisher’s Zombies Vs. Robots comics against characters from G.I. Joe, Transformers, The Ghostbusters and Star Trek, in two-issue miniseries set in different universes. That was followed by Infestation 2, in which Lovecraftian space-god-monster-things invaded the home universes of G.I. Joe, Transformers, Dungeons & Dragons, Teenage Mutant Ninja Turtles and 30 Days of Night.
More recently, IDW published a much smaller-scale, simpler crossover story of sorts in Mars Attacks …, in which the little green skull-faced men of the 1960s Topps collectible cards (and 1996 Tim Burton movie) “invaded” comics featuring a comically diverse group of licensed characters. For the more patient among us, it arrived in trade format this month, in a collection titled Mars Attacks IDW.
I’ve been writing about the Judge Minty short film since 2010, when after seeing the first teaser trailer I made the observation “these days Judge Dredd would be totally do-able on a BBC budget.” I still haven’t managed to see the bloomin’ thing yet, despite it becoming a U.K. comic convention staple since it premiered at the Leeds Film Festival last November.
Well, the wait is nearly over, as the production team has announced that it’ll soon be free to view on YouTube and Vimeo, without giving us an actual date yet (“in April/May” they vaguely state, the teasing sods). They’ve released a new extended trailer for the project to whet our appetites.
One thing this trailer adds is some great music. I’m no soundtrack expert, so for all I know it might be borrowed from elsewhere, but I do know that it reminds me of Jerry Goldsmith’s avant garde score for the original Planet of the Apes. And I still think that with a little ambition and imagination, Judge Dredd could work better on TV than in films.
I saw this, via the Twitter feed of PJ Holden, and shivered. There’s lots of people cosplaying as Judge Dredd these days — in both flavors, comic and movie — but I’ve never before seen anyone make an attempt at his most iconic enemy, Judge Death.
Well, that’s changed, as DeviantArt member “warrior1944” (presumably called Peter Olsson in real life, but it’s hard to tell from his site) has done a helluva job of capturing the essence of Brian Bolland’s design. Of course, we should all be at least a little bit worried that someone could be so inspired by one of the most chilling mass-murderers in comics, but that’s really between this kid and his psychiatrist.
Updated: 2000AD have been in touch to point out that these costumes are being sold without approval or license. While they’ve no issue with cosplayers dressing up as 2000AD characters, infringing on their copyright with the commercial sale of costumes is another matter altogether. The Rebellion folks are known for their close relationship with the official licensee on these matters, Planet Replicas. Presumably, all parties are taking action on this right now.
In comics, just as in television or film, there are countless unsung production staff tirelessly toiling to keep us entertained. To use a sporting analogy, working in the reprographics department of a comic publisher is the goalkeeper’s job: You rarely get the praise for keeping a clean sheet, but you’re the first one to get the blame if it all goes wrong. Meanwhile, the writers and the artists are at the other end, scoring all the goals, and getting all the glory.
Doing this often-thankless task in the skeleton crew that produces 2000AD is Kathryn “Kat” Symes. One thing the small backroom staff at their Oxford, England, base are known to do very well these days is manage the amazing back-catalog of material the title has accrued during its 35 years of continuous publication. If you’re a seasoned 2000AD spotter, you’ll have noticed how they’ve been reprinting a lot of strips from the early 1990s recently, a time sometimes known as “2000AD‘s brown period.” It was an era when a post-Bisley trend for painted artwork coincided with too-absorbent paper stock, and a steep learning curve for the staff as it settled in to being a full-color magazine after years of primarily black and white, which led to an awful lot of muddy-looking comics.
Symes seems to be on a single-handed quest to redeem an era of neglected comics through her work. In this interview with ROBOT 6, she gives a tremendous insight into what now goes on behind the scenes in bringing a comic to print, and provides some great examples of how her nuts-and-bolts work with scanners and image manipulation software can breath new life into the old, the faded and the damaged material in 2000AD‘s archives.
Awards | A last-minute reminder: Today is the deadline for Eisner Awards submissions. [Eisner Awards]
Creators | Grant Morrison looks back on his run on Action Comics, which ends today with the release of Issue 18, and touches upon Multiversity and his long-discussed Wonder Woman project: “This is some of the most fun I’ve had in a long time, because it’s a completely different type of comic book. Usually I don’t do masses of research, but for Wonder Woman, I’ve actually been working my way through the entire history of feminism. I want this to be fucking serious, you know? I want this to be really, really good, to reflect not only what women think, but what men think of women. I’m trying to do something really different from what’s been done with the character before. That one’s been amazing fun, because it’s nothing like anything I’ve ever done before.” [Entertainment Weekly]
The London Super Con happened over the weekend, complete with a sizable roll call of legends attending (including Neal Adams, George Perez, Bill Sienkiewicz and Brian Bolland). These days, it wouldn’t be a U.K. comic convention without a fresh batch of photographs turning up in the Twitter stream of 2000AD super-fan John Burdis and friends dragged up as Mega City One judges, administering some on-the-spot justice to his fellow convention goers. This time, there were some familiar faces to be spotted amongst his willing victims: There are literally hundreds of shots like these on Burdis’s Facebook gallery. Also seen at Facebook: a very jolly-looking Batman sharing a joke with Judge Court.
Welcome to What Are You Reading?, where the Robot 6 crew shares their picks for who we think should play a young Han Solo. Of course, we unanimously chose Nathan Fillion, so instead we’ll talk about what comics we’ve been reading. Joining us today is special guest Tim Lattie, the creator of Night Stars. Tim is currently running a Kickstarter to raise funds to publish it, so head over there and check it out.
To see what Tim and the Robot 6 crew have been reading, click below.
2012 will be remembered in some quarters as the year of some of the most overrated comic book movies ever. Fancy grabbing yourself a piece of permanent reminder from easily the best and most underrated of last year’s crop? Then eBay is the place for you, as DNA Films and the Prop Store are auctioning off over 200 props and costumes from Dredd over the next fortnight. In time you’ll be able to buy yourself a (hopefully fully working) Lawmaster motorbike, but the first batch includes the only complete Judge Dredd costume that’ll be available in the auction.
No word from anyone involved yet, but this sale may well be tacit confirmation that DNA has no intention of developing a sequel to the film, despite its recent success both as a download and in DVD and Blu-Ray sales, a second bite of the cherry that will probably result in putting the movie in profit after its initially disappointing international box office takings.
The second issue of IDW Publishing’s Judge Dredd doesn’t just feature the continuation of Duane Swierczynski and Nelson Daniel’s look at the early days of Mega-City One’s toughest lawman, it also contains a treat for longtime fans of the character (and British comics in general): a back-up story illustrated by none other than Brendan McCarthy!
IDW has provided ROBOT 6 with a preview of the main story, as well as an exclusive look at two pages from the Swierczynski/McCarthy strip. Judge Dredd #2 arrives later this month.
It’s beginning to look a lot like the final Wednesday before Christmas (and the final full one of the year), so with my $15, I’d get some gifts for myself that I know I’ll enjoy: the second issue of Chris Roberson (and now, Dennis Calero)’s Masks (Dynamite, $3.99), the third issue of Brandon Graham’s Multiple Warheads: Alphabet to Infinity (Image, $2.99) and Francesco Francavilla’s The Black Beetle: Night Shift #0 (Dark Horse, $2.99). Also, I suspect that I’ll be unable to resist the first part of Vertigo’s adaptation of Django Unchained (DC/Vertigo, $3.99), too.
If I had $30, I’d add another pile of favorites to that list: Judge Dredd #2 (IDW, $3.99), the by-now-amazingly-late-but-still-enjoyable Bionic Woman #6 (Dynamite, $3.99), Hawkeye #6 (Marvel Comics, $2.99), and the latest issue of the always-wonderful Saga (Image, $2.99).
When it comes to splurging, however, then I’m going to be playing it relatively cheaply: That Star Trek 100-Page Winter Spectacular (IDW, $7.99) feels like it might offer just the kind of space-age cheer I’ll be grateful for by mid-week … Happy Warpspeed Holidays, all.
The oddest piece of news I’ve seen today is that Dave Sim has drawn an alternate cover for the first issue of IDW Publishing’s Judge Dredd: Year One. The comic’s creative team will please 2000AD fans, as it features current wearer of Tharg’s rubber-mask-and-boiler-suit-combo Matt Smith as writer, underrated “Simping Detective” artist Simon Coleby on interiors, and the great Greg Staples painting the regular covers. Staples is no stranger to the young Joe Dredd, essaying the character as an actor in the Judge Minty fan film, a recent hit at U.K. comic conventions.
This is, I presume, another welcome side effect of Sim’s recent deal to bring assorted Cerebus projects to IDW. Sim’s detente with modern comics continues apace. See both covers, Sims’ and Staples’ almost-ludicrously detailed version, below.
If I had $15, my Wednesday haul would start with Glory #30 (Image, $3.99). This series has been great, and since Kris Anka began doing covers, it’s gone to very great. Now, seeing New Yorker cartoonist Roman Muradov coming in to do a story makes it potentially even more, well, great. I’m psyched to see Glory face off against her sister, and Campbell’s depiction of both has been mesmerizing. Next I’d pick up Comeback #1 (Image, $3.50), featuring letterer Ed Brisson making his major writing debut. The cover design by Michael Walsh is impeccable, and the concept of time traveling for grieving loved ones is a fascinating concept. Next up, I’d get a Marvel double – Wolverine and the X-Men #21 (Marvel, $3.99) and Hawkeye #4 (Marvel, $2.99). This carnie issue of Wolverine and the X-Men is intriguing; it’s going out on a limb, but after what Jason Aaron and Nick Bradshaw have done so far, I trust them. With Hawkeye, I’m slightly hesitant to pick up an issue knowing David Aja isn’t drawing it, but Javier Pulido has the potential to be an ideal temporary substitute.
If I had $30, I’d look back on my $15 and reluctantly put Hawkeye #4 back on the shelf to free up money for Derek Kirk Kim’s Tune, Book 1: Vanishing Point (First Second, $16.99). Man oh man, do I love Kim’s work, and seeing the previews for this online makes me see a honing of the artist’s style akin to the way Bryan O’Malley did between Lost At Sea and Scott Pilgrim. Count me in.
If I could splurge, I’d take a chance on the anthology Digestate (Birdcage Bottom Books, $19.95). I’m no foodie like C.B. Cebulski, but I like food and I like anthologies so this is right up my alley; especially when the chefs include Jeffrey Brown and Liz Prince. Where’s my order?