Judge Dredd Archives - Page 3 of 5 - Robot 6 @ Comic Book Resources

Talking to Kathryn Symes, ‘2000AD’s’ ‘Reprographics Droid’

Prog 44, now with pin-sharp Kev O'Neill art

Prog 44, now with pin-sharp Kev O’Neill art

In comics, just as in television or film, there are countless unsung production staff tirelessly toiling to keep us entertained. To use a sporting analogy, working in the reprographics department of a comic publisher is the goalkeeper’s job: You rarely get the praise for keeping a clean sheet, but you’re the first one to get the blame if it all goes wrong. Meanwhile, the writers and the artists are at the other end, scoring all the goals, and getting all the glory.

Doing this often-thankless task in the skeleton crew that produces 2000AD is Kathryn “Kat” Symes. One thing the small backroom staff at their Oxford, England, base are known to do very well these days is manage the amazing back-catalog of material the title has accrued during its 35 years of continuous publication. If you’re a seasoned 2000AD spotter, you’ll have noticed how they’ve been reprinting a lot of strips from the early 1990s recently, a time sometimes known as “2000AD‘s brown period.” It was an era when a post-Bisley trend for painted artwork coincided with too-absorbent paper stock, and a steep learning curve for the staff as it settled in to being a full-color magazine after years of primarily black and white, which led to an awful lot of muddy-looking comics.

Symes seems to be on a single-handed quest to redeem an era of neglected comics through her work. In this interview with ROBOT 6, she gives a tremendous insight into what now goes on behind the scenes in bringing a comic to print, and provides some great examples of how her nuts-and-bolts work with scanners and image manipulation software can breath new life into the old, the faded and the damaged material in 2000AD‘s archives.

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Comics A.M. | Eisner entries due; Morrison talks Wonder Woman

Eisner Awards

Eisner Awards

Awards | A last-minute reminder: Today is the deadline for Eisner Awards submissions. [Eisner Awards]

Creators | Grant Morrison looks back on his run on Action Comics, which ends today with the release of Issue 18, and touches upon Multiversity and his long-discussed Wonder Woman project: “This is some of the most fun I’ve had in a long time, because it’s a completely different type of comic book. Usually I don’t do masses of research, but for Wonder Woman, I’ve actually been working my way through the entire history of feminism. I want this to be fucking serious, you know? I want this to be really, really good, to reflect not only what women think, but what men think of women. I’m trying to do something really different from what’s been done with the character before. That one’s been amazing fun, because it’s nothing like anything I’ve ever done before.” [Entertainment Weekly]

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Cosplayer-on-creator violence at London Super Con


The London Super Con happened over the weekend, complete with a sizable roll call of legends attending (including Neal Adams, George Perez, Bill Sienkiewicz and Brian Bolland). These days, it wouldn’t be a U.K. comic convention without a fresh batch of photographs turning up in the Twitter stream of 2000AD super-fan John Burdis and friends dragged up as  Mega City One judges, administering some on-the-spot justice to his fellow convention goers. This time, there were some familiar faces to be spotted amongst his willing victims: There are literally hundreds of shots like these on Burdis’s Facebook gallery. Also seen at Facebook: a very jolly-looking Batman sharing a joke with Judge Court.

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What Are You Reading? with Tim Lattie

from Phonogram: The Singles Club

Welcome to What Are You Reading?, where the Robot 6 crew shares their picks for who we think should play a young Han Solo. Of course, we unanimously chose Nathan Fillion, so instead we’ll talk about what comics we’ve been reading. Joining us today is special guest Tim Lattie, the creator of Night Stars. Tim is currently running a Kickstarter to raise funds to publish it, so head over there and check it out.

To see what Tim and the Robot 6 crew have been reading, click below.

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The Dredd prop auction has begun

2012 will be remembered in some quarters as the year of some of the most overrated comic book movies ever. Fancy grabbing yourself a piece of permanent reminder from easily the best and most underrated of last year’s crop? Then eBay is the place for you, as DNA Films and the Prop Store are auctioning off over 200 props and costumes from Dredd over the next fortnight. In time you’ll be able to buy yourself a (hopefully fully working) Lawmaster motorbike, but the first batch includes the only complete Judge Dredd costume that’ll be available in the auction.

No word from anyone involved yet, but this sale may well be tacit confirmation that DNA has no intention of developing a sequel to the film, despite its recent success both as a download and in DVD and Blu-Ray sales, a second bite of the cherry that will probably result in putting the movie in profit after its initially disappointing international box office takings.

Exclusive Preview | Judge Dredd #2

The second issue of IDW Publishing’s Judge Dredd doesn’t just feature the continuation of Duane Swierczynski and Nelson Daniel’s look at the early days of Mega-City One’s toughest lawman, it also contains a treat for longtime fans of the character (and British comics in general): a back-up story illustrated by none other than Brendan McCarthy!

IDW has provided ROBOT 6 with a preview of the main story, as well as an exclusive look at two pages from the Swierczynski/McCarthy strip. Judge Dredd #2 arrives later this month.

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Food or Comics? | Black beans or Black Beetle

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Black Beetle: Night Shift

Graeme McMillan

It’s beginning to look a lot like the final Wednesday before Christmas (and the final full one of the year), so with my $15, I’d get some gifts for myself that I know I’ll enjoy: the second issue of Chris Roberson (and now, Dennis Calero)’s Masks (Dynamite, $3.99), the third issue of Brandon Graham’s Multiple Warheads: Alphabet to Infinity (Image, $2.99) and Francesco Francavilla’s The Black Beetle: Night Shift #0 (Dark Horse, $2.99). Also, I suspect that I’ll be unable to resist the first part of Vertigo’s adaptation of Django Unchained (DC/Vertigo, $3.99), too.

If I had $30, I’d add another pile of favorites to that list: Judge Dredd #2 (IDW, $3.99), the by-now-amazingly-late-but-still-enjoyable Bionic Woman #6 (Dynamite, $3.99), Hawkeye #6 (Marvel Comics, $2.99), and the latest issue of the always-wonderful Saga (Image, $2.99).

When it comes to splurging, however, then I’m going to be playing it relatively cheaply: That Star Trek 100-Page Winter Spectacular (IDW, $7.99) feels like it might offer just the kind of space-age cheer I’ll be grateful for by mid-week … Happy Warpspeed Holidays, all.

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Dave Sim covers Judge Dredd: Year One

The oddest piece of news I’ve seen today is that Dave Sim has drawn an alternate cover for the first issue of IDW Publishing’s Judge Dredd: Year One. The comic’s creative team will please 2000AD fans, as it features current wearer of Tharg’s rubber-mask-and-boiler-suit-combo Matt Smith as writer, underrated “Simping Detective” artist Simon Coleby on interiors, and the great Greg Staples painting the regular covers. Staples is no stranger to the young Joe Dredd, essaying the character as an actor in the Judge Minty fan film, a recent hit at U.K. comic conventions.

This is, I presume, another welcome side effect of Sim’s recent deal to bring assorted Cerebus projects to IDW. Sim’s detente with modern comics continues apace. See both covers, Sims’ and Staples’ almost-ludicrously detailed version, below.

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Food or Comics? | Gluten or Glory

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Glory #30

Chris Arrant

If I had $15, my Wednesday haul would start with Glory #30 (Image, $3.99). This series has been great, and since Kris Anka began doing covers, it’s gone to very great. Now, seeing New Yorker cartoonist Roman Muradov coming in to do a story makes it potentially even more, well, great. I’m psyched to see Glory face off against her sister, and Campbell’s depiction of both has been mesmerizing. Next I’d pick up Comeback #1 (Image, $3.50), featuring letterer Ed Brisson making his major writing debut. The cover design by Michael Walsh is impeccable, and the concept of time traveling for grieving loved ones is a fascinating concept. Next up, I’d get a Marvel double – Wolverine and the X-Men #21 (Marvel, $3.99) and Hawkeye #4 (Marvel, $2.99). This carnie issue of Wolverine and the X-Men is intriguing; it’s going out on a limb, but after what Jason Aaron and Nick Bradshaw have done so far, I trust them. With Hawkeye, I’m slightly hesitant to pick up an issue knowing David Aja isn’t drawing it, but Javier Pulido has the potential to be an ideal temporary substitute.

If I had $30, I’d look back on my $15 and reluctantly put Hawkeye #4 back on the shelf to free up money for Derek Kirk Kim’s Tune, Book 1: Vanishing Point (First Second, $16.99). Man oh man, do I love Kim’s work, and seeing the previews for this online makes me see a honing of the artist’s style akin to the way Bryan O’Malley did between Lost At Sea and Scott Pilgrim. Count me in.

If I could splurge, I’d take a chance on the anthology Digestate (Birdcage Bottom Books, $19.95). I’m no foodie like C.B. Cebulski, but I like food and I like anthologies so this is right up my alley; especially when the chefs include Jeffrey Brown and Liz Prince. Where’s my order?

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What Are You Reading? with Salgood Sam

Tale of Sand

Hello and welcome to What Are You Reading? Today our guest is Salgood Sam, who has just relaunched his independent personal anthology series Revolver. He is also completing the last chapter of a graphic novel called Dream Life after a successful Indiegogo funding drive to finance it. He also publishes the Canadian-centric comics blog Sequential. As he told me, he “usually has too many projects going on and does not get enough sleep.”

To see what Salgood Sam and the Robot 6 crew have been reading, click below …

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Big week for Brendan McCarthy fans

Good news for fans of the lesser-spotted psychedelic comics legend Brendan McCarthy. This Wednesday will see the release of IDW Publishing’s The Zaucer of Zilk #1 in the United States, and in the United Kingdom, the new issue of The Judge Dredd Megazine (#329) comes festooned in a wraparound image of Judge Anderson. This cover is something of a warm-up for McCarthy, as he has an Anderson back-up strip in Issue 2 of IDW’s upcoming Judge Dredd comic, written by Duane Swierczynski. Images from both below.

Anyone who missed the U.K. publication of The Zaucer of Zilk is in for a real treat. McCarthy says the work has “been described as Harry Potter meets Yellow Submarine. .. Mix a bit of David Lynch in there and I’ll go along with that.”  I’d throw in a recommendation for fans of Dr. Strange (it’s a massive Ditko fan doing a story about a dimension’s Sorcerer Supreme, after all), and McCarthy’s previous cynical hipster superheroes, like Paradax, Zenith and Rogan Gosh.

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Kickstart My Art | Judge Dredd miniatures game Block Wars

There’s been a long history of games adaptations of Judge Dredd, going back to the first board game released by Games Workshop in 1982, and their role-playing game of 1985. Back then, Games Workshop’s miniature-making division Citadel released many waves of Judge Dredd figures. I bought many of those as a lad, with plenty of them still in my parents’ attic, in various states of assembly.

There have been a few iterations between then and now, but one thing is for sure, the coming-to-an-end-soon Kickstarter campaign for the latest generation of Judge Dredd miniatures from Mongoose is a rousing success, with nearly $80,000 pledged now from an initial goal of $2,000. Their rulebook for the game is a free download, so have a look, and if you’re hooked, throw them a few dollars. At the rate they’re going, they’ll be able to make miniatures of every character ever to grace the strip.

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Dredd fan film Judge Minty to premiere at Leeds Film Festival

Judge Dredd fans have another cinematic version of their favorite antihero to look forward to (no, there hasn’t been a last-minute, sequel-saving, boost to the box-office haul of Dredd 3D). The short fan film Judge Minty, which has had a production period running almost parallel to the official movie, has announced it is to premiere at the Leeds Film Festival on Nov. 12, with a second showing at the Leeds Thought Bubble comics festival Nov. 18.

The movie has plenty of close links to the comic and its fandom: Dredd is played in the film by artist Greg Staples, and the script was written by regular 2000AD contributor Michael Carroll, adapting a classic John Wagner and Mick McMahon story. The teaser trailer, which has been doing the rounds for more two years now, shows that it is tantalizingly possible to do an incredibly faithful live-action Judge Dredd on a television budget. Make it so, BBC/HBO commissioning bods!

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Seeing Dredd 3D this weekend? Here’s some history of the character

A fairly definitive history of 2000AD was published a few years ago, in the form of Thrill Power Overload, but that volume was written by David Bishop, the man original 2000AD-creator and UK comics prime mover Pat Mills came to view as his nemesis (no pun intended).  As such, I’m unsurprised that Mills has at various times planned to write his own version of the events of 2000AD‘s launch, and apparently, in the current post-Dredd 3D climate, publishers are again showing interest in the book. Mills has posted an extract from the chapter on the hard-fought gestation of Judge Dredd at his recently-started blog. It’s a very personal version of events – Mills is prone to skip about tangentially wherever his memory takes him, and why not? He’s earned the privilege.

Over at io9, author David J Williams has a short essay pitched at introducing 2000AD to a wider science fiction-appreciating audience.  There’s nothing there that should be new to any comics-literate passer-by, but its good to see the movie being put in a wider context for any curious newcomers thrown in that direction.

Art Barrage | U.K. cartoonists feeling frisky

Art Barrage favorite Rob Davis has debuted the cover for his adaptation of Don Quixote Part Two. Davis’ work on the first book of Cervantes’ masterpiece was that rare treat, an adaptation that crossed from one media to another and still seemed fresh rather than redundant. This is because Davis is a creator of rare intellect and taste, with his blog being the place to see the amount of thought he puts into every project he embarks upon.

When I mention here that the U.K. is going through a Golden Age for graphic novel publishing, Davis has proven to be a key figure in its renaissance. Two of the publishers now regularly producing a steady stream of great books have worked with him, with Self Made Hero releasing these Don Quixote volumes (there’s a collected edition hitting the American market in the not-too-distant future); the ground-breaking anthology he co-edited with Woodrow Phoenix for Blank Slate Books, Nelson, would surely have won a multitude of awards this year if it had been published by one of the big U.S. indies (no, really; if you haven’t read it, click the link, look at that list of contributors, and ask yourself if it isn’t worth a punt, you won’t regret it).

More below, including another Don Quixote cover by Davis, and work by Jonathan Edwards, Rian Hughes, Etherington Brothers and more.

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