AfterShock Comics Enlists Garth Ennis, Neil Gaiman And More
To find out what Mark and the Robot 6 crew have been reading, click below …
It’s funny because it’s true: Julia Wertz provides a peek into the effects of reviews on a creator’s psyche at The Fart Party. Then to prove she’s not that thin-skinned, she posts some excerpts from bad reviews at her blog:
Only in America could an alcoholic, whiney, self-sabotaging person with limited artistic skill write and illustrate a comic, oops, “graphic novel” about her pathetic and boring life in San Francisco and New York City/Brooklyn and become successful. Reading it almost drove me to drink.
Ouch! Actually, Drinking at the Movies is anything but boring—it’s funny and perceptive and unsparing, and it’s well worth a read. I’m with the
New York LA Times on this one.
Publishing | John Jackson Miller delves into September’s grim direct-market sales figures and discovers a (relative) bright spot: Sales of lower-tier titles — those that don’t crack Diamond’s Top 300 — appear to be increasing, to record levels. “How do we know?” Miller writes. “Believe it or not, a record for high sales was actually set in September. The 300th place comic book, Boom’s Farscape #11, sold more copies to retailers in September than in any month since November 1996: 4,702 copies. That’s a record for the period following Marvel’s return to Diamond. This bellwether tells us about the shape of the market, and how prolific the major and middle-tier publishers are; when many of their titles are being released and reordered, higher-volume titles tend to push farther into the list.”
However, the higher you go on the list, the worse things look: “The average comic book in the Top 25 is selling more poorly in 2010 than in 2003. At the very top of the chart, 2010’s average top-sellers are about 25% off what the best-sellers of 2003 were doing.” [The Comichron]
In a story that is becoming depressingly familiar in the comics world, Rachel Dukes and Mike Lopez, the creative force behind Poseur Ink, are having a family emergency and need to sell off all their copies of their music-themed comics anthologies Side A and Side B.
Right now Side A, which includes work by Sean Azzopardi and Julia Wertz, is just five bucks, while Side B, with a cover by Lucy Knisley and comics by Knisley, Box Brown, Jeffrey Brown, Brandon Graham and Mitch Clem, among others, is $11.99. (Here’s a review, and Johanna Draper Carlson, who picked it up at MoCCA, said “So far, the best anthology I’ve seen all year.”)
Dukes says the books won’t be reprinted. Details on the liquidation sale are here.
As the final days of summer start to waste away and you’re looking for something to enjoy before hitting the books for school, there’s no better place to find some good stuff to read than right here in our weekly What Are You Reading? column.This week our guest is journalist/blogger Heidi MacDonald, of The Beat and Publishers Weekly fame.
To see what Heidi and the rest of the Robot 6 crew have been reading, click below …