Who Is "The Walking Dead's" Ezekiel - And Why Does He Have a Pet Tiger?
Comic Books, TV
Viz Media will collect Tomie, first published work of Japanese horror master Junji Ito, in a deluxe hardcover edition. While his later series Uzumaki and Gyo are well known in North America, Tomie has been out of print for years.
Debuting in 1987, the horror manga centers on Tomie Kawakami, a femme fatale who can seduce virtually any man, frequently driving them into murderous rage. Often the victim is Tomie herself, who regenerates again and again, and spreads her curse to other victims.
Creators | Fairy Tail creator Hiro Mashima explains what sets his series apart from other shonen manga: “It actually goes back to the series I worked on before, Rave Master. In one episode, there was a scene where a group of guys are hanging out at a bar. That was fun to draw. So I wanted to draw a manga with the feel of guys hanging out at a bar. I thought it’d be interesting to enter a world where characters have established relationships, like friendship. Usually a shonen manga starts with just a main character, who then slowly accumulates his or her allies as the story progresses. But in the world of Fairy Tail, everybody pretty much knows each other at the beginning. [Kodansha Comics]
If you’re still upset about Konami’s cancellation of Silent Hills, the video-game franchise reboot by Metal Gear Solid creator Hideo Kojima and director Guillermo del Toro, you’ll probably want to brace yourselves for this news: Junji Ito, whom del Toro accurately described as “the undisputed master of horror in Japan,” was also part of the project.
The filmmaker revealed the information Sunday on Twitter, adding, “Kojima and myself are fans.”
Viz Media has acquired the rights to Fragments of Horror, the collection that marks horror master Junji Ito’s return to the genre after eight years.
The creator of such macabre manga as Tomie, Uzumaki and Gyo, Ito debuted Fragments of Horror last year in the inaugural issue of the relaunched Nemuki magazine. The collection was released in July in Japan.
Arriving next summer as part of the Viz Signature imprint, Fragments of Horror features tales “ranging from the terrifying to the comedic, from the erotic to the loathsome”: “An old wooden mansion that turns on its inhabitants. A dissection class with a most unusual subject. A funeral where the dead are definitely not laid to rest.”
Every once in a while, a Pokémon emerges that makes you reconsider the notion of catching them all. After all, not every one of them is as cuddly as Pikachu, and some of them are just plain disturbing.
Consider the Banette, a grudge-holding doll-like Pokémon possessed by “pure hatred.” That’s troubling enough, but now consider the Banette as drawn by Junji Ito, the wonderfully twisted mind behind such horror manga Tomie, Uzumaki and Gyo.
For Halloween, the Pokémon Company is teaming with the horror master for “Kowapoke,” or “Scarypoke,” a seasonal promotion on the company’s website trumpeted with Ito’s Banette illustration, which can be downloaded as a free wallpaper or purchased as a T-shirt. More content is on the way.
Horror comics fans have plenty of material to choose from when looking for a good, scary read this Halloween. Even if we just confine ourselves to manga (since, as we all know, the Japanese cartoonists excel at scaring the pants off their readers), there are plenty of options, from grand guginol pieces like MDP-Psycho or Ultra Gash Inferno, to more traditional, semi-bloody, spooky fare like Presents or Mail. Still, there are plenty of great, terrifying, mind-blowing manga that would delight the hardcore American horrorist if only some enterprising publisher would make an attempt at publishing them. Here are just six titles that I’d like to see translated and released in book form some time in the near future:
(Note: A potentially NSFW image lurks beneath the jump)
A great comic review can make you feel like you’ve read the book without showing you so much as a panel…but, y’know, showing a panel really can’t hurt. And three recent reviews — Tucker Stone on Taiyo Matsumoto’s Blue Spring, Charles Hatfield on Blaise Larmee’s Young Lions, and Noah Berlatsky on Junji Ito’s Uzumaki — really struck me with their well-selected spot art. A glance at each review’s illustrations — dynamic, sexy, and horrific respectively — can probably tell you whether these books are the kind of thing you wanna check out, which is great, because each review is a solid examination of what makes them worth checking out in the first place. Click the links, feast your eyes, and see what you think.