justice league Archives - Page 2 of 13 - Robot 6 @ Comic Book Resources
Honestly, the post title is a little misleading. Overall, I liked “Trinity War.” It was paced well, the creative teams did a good job wrangling all the characters and (for the most part) keeping them in character, and both story and art were top-notch. Basically, it felt like an old-school Justice League/Justice Society team-up, and for this grizzled veteran of the crossover wars, that’s high praise.
Nevertheless, its conclusion frustrates me, and I can’t talk about it without a massive spoiler warning. About the only thing I can say without reservation is that this week’s Justice League #23 featured the conclusion of “Trinity War.” To reveal much more about it would spoil the last page of the issue.
This is a terribly ironic situation, because DC Comics has made no secret about the setup for the sequel miniseries, the seven-issue Forever Evil. However, in the interests of preserving at least a nominal sense of fair play, I can’t really talk about that either. It all makes me feel very cynical, just when I was feeling good.
Anyway, if you’ve read the issue — or if you don’t mind knowing absolutely everything that happens, including the usual history lessons and ill-informed speculation — let’s talk.
The first part of “Trinity War” (in last week’s Justice League #22) relied rather significantly on the changes the New 52 relaunch facilitated: Superman, Wonder Woman, and Billy Batson/Shazam (hereinafter “Billy/Shazam,” or maybe just “Captain Marvel”) each acted in ways incompatible with long relationships.
In the old days, Superman and Wonder Woman would have been close friends, Superman and Captain Marvel would have had a unique (almost mentor-protegé) relationship, and Wonder Woman and Captain Marvel would at least have had some Greek mythology in common. However, the main conflicts of “TW” Part 1 depended on Wonder Woman being more of a warrior than an ambassador, Superman trusting her hostility, and Billy/Shazam not knowing either of them that well. As such, it appeared to exemplify the freedom a relaunch confers, specifically to ignore the restrictions of previous developments to put these characters quickly on opposing sides.
In other words, one might reasonably have seen Part 1 as a) realizing the New 52 allowed for a particular Shocking Event and b) working backward to create the conditions that would lead to said Event. “Because we can do this, how do we do it?”
As the finishing touches are put on Comic-Con International ahead of Preview Night, The Hollywood Reporter releases an interview with DC Entertainment President Diane Nelson that’s a blend of polite sidestepping of delicate or unannounced subjects — the departure from Warner Bros. of her boss Jeff Robinov, Man of Steel 2, the long-developing Justice League movie — and insight into how the media giant views the DC properties.
Naturally, given the outlet, much of the discussion involves film and television, with Nelson addressing why she thinks Man of Steel succeeded while Green Lantern didn’t, and why DC’s movie plans have been developing so slowly, the conversation veers a little closer to comic books when she’s asked what five characters she’d like to seen on the screen.
“Sandman is right on top,” Nelson responds. “I think it could be as rich as the Harry Potter universe. Fables. Metal Men. Justice League. And yes, I’m going to say it: Aquaman.”
If you can’t make heads or tails “Trinity War,” DC Comics’ universe-spanning crossover that begins Wednesday with Justice League #22, who better than Chief Creative Officer Geoff Johns to explain it? And how better to lay out the premise of the six-part storyline than with a slickly produced video? (Bonus question: Just how many cups of coffee can one person go through?)
Seriously, “The Truth Behind Trinity War” is incredibly well done, and may even change the minds of a few people who previously had no interest in the publisher’s latest summer event.
“Trinity War” kicks off with Justice League #22, and then continues in Justice League of America #6, Justice League Dark #22, Justice League of America #7 and Justice League Dark #23 before concluding in Justice League #23 (there are also a handful of tie-ins; you can find the checklist here). Well, “concluding,” as the events of “Trinity War” lead into Forever Evil and Villains Month …
Oh, DC, you came so close to a slam dunk. If you had told me Keith Giffen, J. Marc DeMatteis and Kevin Maguire would be working on Legion of Super-Heroes, I’d have been beyond excited. After all, Justice League International was nothing if not a superb ensemble comedy, and what richer source of super-ensemble action does DC have than the Legion?
Instead, though, we’re getting Justice League 3000, set in the Legion’s 31st century and apparently following the events of August’s final Legion issue, but not explicitly tied to the 55-year-old super-team. This raises two questions. First, whither the Legion itself? DC has previously put the Legion on hiatus, although never for too long, so one wonders how long it’ll lie dormant this time. Second, why does it have to be such a familiar Justice League? The initial roster includes Batman, Superman, Wonder Woman, the Flash and Green Lantern, with redesigns (courtesy of Howard Porter) that retain some fairly familiar elements. Is the League being “Avengers-ized,” so that every major super-team must have some “JL” in its name?
And those two questions combine for a third: How sustainable is JL3K, really?
Target’s new partnership with Warner Bros. Consumer Products and DC Entertainment received a promotional boost this week with the debut of an animated TV commercial for the retail chain featuring the Justice League. In their New 52 costumes, no less.
Announced last month, the agreement includes an exclusive summer collection of Justice League merchandise — there are more than 50 products, ranging from a Wonder Woman kids’ camp chair to Batman snack cups to inflatable pool toys — as well as other items, such as temporary tattoos and even rocking chairs. Target has a shop on its website devoted to the Justice League products.
In the 30-second TV spot, a woman suddenly realizes she’d forgotten her child’s birthday party, and calls in the Justice League for help with a last-minute shopping spree at Target. Hey, they didn’t have anything more pressing to do. Unfortunately, Batman’s utility belt aside, those costumes don’t leave much room for cash or credit cards …
Butcher Billy, Brazilian king of the pop culture/comic book mash-up, is at it again. This time, it’s reimagining some of the key figures of post-punk and New Wave as the Justice League. Billy defines the dichotomy behind these images as “real people or imaginary characters, the incorruptible ideals of perfect superheroes or the human flaws and desires sometimes so desperately depicted in song lyrics.”
There’s some good likenesses there, but my favorite bit is when he Photoshops his designs onto T-shirts worn by his original models. I really can’t see the famously curmudgeonly Morrissey approving of being compared to a corporate flagship alpha male like Superman. That said, didn’t Mark Waid rewrite DC Comic continuity to make Clark Kent a vegetarian? Dunno if that still stands, though. There have been at least two reboots since Birthright, haven’t there?
If you were just thinking your summer wouldn’t be complete without some New 52-inspired beach and camping accessories or garden tools, well, you’re in luck: Target has partnered with Warner Bros. Consumer Products and DC Entertainment to introduce an exclusive summer collection of Justice League merchandise.
Debuting Sunday, the line features more than 50 products, sand toys designed to form cities like Gotham and Metropolis, Wonder Woman melamime dinnerware, a Batman snack cup and apron, a Wonder Woman kids’ camp chair, and Batman, Wonder Woman and The Flash beach towels that double as capes.
In addition to the the summer collection, the partnership will see the introduction of a wide range of Justice League merchandise, ranging from $1 Justice League temporary tattoos to the $59.99 Justice League rocking chair. There will also be a line of Justice League Halloween costumes later in the year.
“DC Comics’ Justice League characters are a powerful assemblage of the most recognizable Super Heroes in the history of comic books,” Brad Globe, president of Warner Bros. Consumer Products, said in a statement. “We are incredibly excited to offer fans of all ages a unique collection and collaboration that pairs the heroics of the Justice League characters with the product design and marketing super powers of Target.”
Hello and welcome to What Are You Reading?, our look at what comics and other things we’ve been perusing lately. Today our special guests are Caleb Goellner, Buster Moody and Ryan Hill, the creative team of Task Force Rad Squad, the hot new comic find of 2013. Especially if you were ever a Power Rangers fan. Or even if you weren’t, as Moody and Hill’s art is just kind of wonderful on its own. Our old friend and former colleague Graeme says it “pretty much does for Power Rangers what Jeffrey Brown’s Incredible Change-Bots does for Transformers,” and that’s a very apt description. You can download it yourself here, and pay whatever you think is fair.
And to see what Task Force Rad Squad + the Robot 6 Irregulars are reading, click below …
To see what James and the Robot 6 crew are reading, click below …
Don’t ask why — because the answer is too boring and has nothing to do with Steven Spielberg — but the other day I was thinking about the original 13 American colonies, and from there the general course of American history across the 18th and 19th centuries. Naturally, from there I imagined how DC Comics would solicit the story of a young nation. It ended up being something like a team book: Meet the states that will form a great democracy — and discover the shocking secret which threatens to tear them apart–!
And then, as fate would have it, DC released its July solicitations, and my stab at patriotic humor was somewhat justified. So there you go.
In any event, on to “Trinity War” –!
WORLD WAR T
Say, remember when “World War III” was an actual part of DC history? I’m not talking about the Great Disaster, or something that happened in the hazy interregnum between the present and the Legion of Super-Heroes, or even the final Grant Morrison/Howard Porter JLA arc. No, as part of 52 (2006-07), “World War III” was the name given to a week-long global Black Adam rampage. I bring it up because it’s no longer in continuity, and we still don’t know (beyond another “Villain Month”) what’s coming in September for the New 52′s second anniversary.
Gather ‘round, kiddos, because we begin with another tale of Gen-X adolescence!
From 1977 through 1986, I grew from a snot-nosed third-grade punk into a snot-nosed (I had allergies) high-school senior, accompanied along the way by at least one big-budget sci-fi/fantasy movie milestone.* Specifically, right in the middle of the run were three sequels by which every self-respecting fan swears: The Empire Strikes Back (1980), Superman II (released in the United States in 1981) and Star Trek II: The Wrath of Khan (1982). Each built on its predecessor using darker elements and/or more “mature” themes, because each had the sequel’s luxury of an established setting.
For Young Tom, though, the cumulative effect of these three movies was mind-expanding, if not mind-blowing. I’m not talking about Empire’s Big Reveal (echoed coincidentally in Khan) or the unsettling sight of a powerless Clark Kent. Instead, each catapulted the fevered suppositions of a junior-high imagination to higher levels of awareness. I went into the theater each time wondering will this be as good? and came out giddy at how much better each one was.
So what’s this have to do with comics? Read on …
Zatanna is making the move from Justice League Dark to Justice League with July’s Issue 22, and she’ll bring with her a new costume.
Writer Geoff Johns made the announcement last night on Twitter with “the worldwide debut” of the character’s new look, which combines elements of her Satellite Era/Detroit Era costume — the cape, thigh-high boots and the design on the unitard — with the fishnet of her better-known stage-magician ensemble. Yes, gone are the bustier and leather pants of Justice League Dark.
With Zatanna joining Aquaman in Justice League, Vibe and Martian Manhunter in Justice League of America, and Gypsy and Dale Gunn reintroduced in Justice League of America’s Vibe, can a new Justice League Detroit series be far behind? The answer’s likely a firm “no,” but if Elongated Man makes a surprise appearance somewhere in the New 52, all bets are off!
Apparently we misunderstood: The New 52 doesn’t refer to the number of titles DC Comics publishes each month but rather the number of times each title changes creative hands. That’s what it seems like sometimes, what with firings by email, quitting on Twitter, rehirings and more. The general impression from behind-the-scenes tales is that the New 52 is in chaos. However, the end product might suggest DC is actually somewhat holding it together.
Creative changes are nothing new; turnover is inevitable. The key is how that turnover is managed. The ideal is to have a long and satisfying run by a cohesive team smoothly transitioning to a new team. Lord knows that doesn’t always happen, and we’ve certainly been hearing about it not happening recently.
With all of the news of creators coming and going, or going before they even get there, it’s easy to get distracted from the results of the finished product. So, I decided to take a look at a sampling of DC’s New 52, from its launch in late summer 2011 to today, and see how the stability of various titles was affected by creative changes. For my survey, I looked at the Justice League family of books, which includes the flagship Justice League, as well as Wonder Woman, Aquaman, Green Arrow and others generally associated with the JLA that haven’t had a big Hollywood movie.
Joshua Hale Fialkov’s resignation from Green Lantern Corps and Red Lanterns was certainly unexpected, but it wasn’t nearly as surprising as the primary reason for the writer’s departure: an editorial edict to kill off John Stewart.
To a generation of fans who came of age watching Cartoon Network’s Justice League and Justice League Unlimited, the character is Green Lantern — forget Hal Jordan, Alan Scott, Kyle Rayner and the rest. In addition, he’s perhaps DC Comics’ most recognizable African-American character, facing competition only from Static and Cyborg, each of whom also appeared on television.
ROBOT 6 reached out to the voice of Stewart himself, veteran actor and comedian Phil LaMarr, for his reaction to DC’s editorial decree.