Justin Ponsor Archives - Robot 6 @ Comic Book Resources

Hickman plots a new course for Marvel event series in ‘Infinity’

infinity_1_cover-tease

Hot on the heels of Age of Ultron, Marvel’s last event comic and the exclamation point to Brian Michael Bendis’ run on the Avengers books, comes the first issue of Infinity, which once again puts the Avengers at the forefront of a Marvel event. This time, the course is being set by current Avengers writer Jonathan Hickman, along with artists Jim Cheung, Mark Morales, John Livesay, David Meikis and Justin Ponsor.

So how did the first issue measure up? Here are a few thoughts from around the web:

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‘Guardians of the Galaxy’ makes a landing — is it worth a look?

guardians

This week saw the arrival of Guardians of the Galaxy #1 by Brian Michael Bendis, Steve McNiven, John Dell and Justin Ponsor. The series spins out of the events of Bendis’ Avengers Assemble arc, but at the same time sets up a new story and mission for Starlord, Rocket Raccoon and the rest of the team.

So does the comic soar or make a crash landing? Here are a few opinions from around the web to tell you just that ….

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Marvel’s secret weapon: color

Justin Ponsor's work with textures

So claims former Marvel Talent Coordinator Bon Alimagno in his latest portfolio review at iFanboy. And I believe him.

Alimagno was at Marvel from 2009 to 2011, and during that time he helped to establish a system of colorists pinch hitting on deadline crunches. But perhaps more significantly, he helped foster a house style based not on a specific penciler’s style but on a color palette he nicknamed “the perfect sunset” palette.

“From my time at Marvel, the editors valued colorists with warmer palettes rooted in playing off reds and oranges and lighter yellows and blues. Led by Richard Isanove, Laura Martin and Justin Ponsor, this style set the tone for the entire line and gave Marvel’s comics a much more inviting look and feel than most of the DC Comics line.”

This kind of consistent color tone could also help other books stand out when they broke the pattern. As he explains, Dean White’s work on Uncanny X-Force, which went against this palette by using whites, helped turn a lot of heads to Jerome Opeña’s art. The next time you’re at the comic shop, take a look at Marvel’s new releases and see if you can identify what palette is being used.

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Chain Reactions | Spider-Men #1

Spider-Men #1

This past Wednesday saw the release of a comic we were told would never happen — a crossover between Marvel’s original universe and the newer, shinier Ultimate universe. Spider-Men #1, by Brian Michael Bendis, Sara Pichelli, Justin Ponsor and Cory Petit, features a team-up between the original Peter Parker and his namesake, Miles Morales, who took the mantle in the Ultimate universe last fall.

So what was the reaction to the first issue? Here are a few opinions from around the web.

James Hunt, Comic Book Resources: “For all his work on the Ultimate version of Peter Parker, it’s surprisingly rare to see Bendis writing the Marvel Universe Spider-Man in anything approaching a starring role. Spider-Man may be a constant presence in Bendis’ Marvel Universe titles, but only ever as a supporting character. It probably isn’t intentional, except as a measure to avoid diluting Peter Parker’s voice between the two comic lines, but it’s worked out for the best. To have Brian Bendis inside the head of the ‘real’ Peter Parker in Spider-Men #1 gives the issue an immediate air of significance. Even before anything’s happened, we know it’s something special.”

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