IMAGE EXPO: New Projects Revealed From Rucka, Simone, Aaron and More
Conventions | Convention producer ReedPOP will add Vienna Comic Con in Austria to a growing roster of shows that already includes the Chicago Comic & Entertainment Expo, New York Comic Con, Emerald City Comicon, PAX, OZ Comic Con, Shanghai Comic Con, Star Wars Celebration and Comic Con Paris. It’s scheduled for Nov. 21-22 at Messe Wien in Vienna. ”We aim to make Vienna Comic Con the leading pop culture event in Central Europe,” Barbara Leithner of Reed Exhibitions said in a statement. “Fans at Vienna Comic Con will experience unique programs and events, and meet pop culture creatives from all over the world.” [press release]
Next week, BOOM! Studios’ KaBOOM! imprint launches Capture Creatures, a new ongoing series by writer Frank Gibson and artist Becky Dreistadt. It’s the latest evolutionary step for a property that began as a website with 151 Dreistadt paintings of cute creatures (inspired by Pokemon) before being Kickstartered as a 300-plus page collected edition with Gibson-written character descriptions.
In anticipation of the series debut, Dreistadt and Gibson shared six exclusive process pages with ROBOT 6 that follow the art from initial pencils (Dreistadt) to the inking stage (by Kelly Bastow), followed by colored pages by Tracy Liang and, finally, letters by Britt Wilson. Along with the process pages, Dreistadt and Gibson also detailed the influences and challenges behind bringing Capture Creatures to KaBOOM!
Debuting in December from the publisher’s KaBOOM! imprint, the all-ages comic centers on a 9-year-old girl with a wild imagination who moves to a small town, where she’s the new kid who struggles to make friends. However, that changes when Abigail meets Claude, a Yeti pursued by the Shadow Men” after he escaped a top-secret government facility.
An Eisner and Harvey award winner, Langridge is no stranger to BOOM!, where he’s worked on The Muppet Show, Popeye, his creator-owned Snark! and the upcoming Jim Henson’s The Musical Monsters of Turkey Hollow.
“I’m doing this book for BOOM! mainly because they asked me, really,” the cartoonist explained in the video released in July. “They asked me if I had some ideas, and they’ve been good to me in the past as far as all-ages material goes — they know how to sell all-ages material, which is what this is.”
Although we already knew Roger Langridge is returning to BOOM! Studios for Jim Henson’s The Musical Monsters of Turkey Hollow, now comes word that the publisher will also debut an original all-ages project from the Eisner-winning cartoonist in December.
“I’m doing this book for BOOM! mainly because they asked me, really,” the Snarked and Muppet Show cartoonist says in the video below. “They asked me if I had some ideas, and they’ve been good to me in the past as far as all-ages material goes — they know how to sell all-ages material, which is what this is.”
BOOM! Studios and its imprints KaBOOM!, BOOM! Box and Archaia are returning to Comic-Con International with a packed roster of creators — from David Petersen and Noelle Stevenson to Eric Powell and James Tynion IV — signing at the publisher’s booth (#2229).
Of course, there’s also a long list of convention-exclusive variants, for the Cartoon Network titles, Lumberjanes, The Woods and more, and limited-edition hardcovers. Plus, don’t forget those Lumberjanes Scout Badges.
KaBOOM! will publish a comic based on Cartoon Network’s hit animated series Uncle Grandpa as part of BOOM! Studios’ first-look deal with the cable channel.
Created by Pete Browngardt, Uncle Grandpa is a surreal adventure comedy the centers on everyone’s magical uncle and grandfather, who travels the world in his mystical RV, helping children with their problems. Did we mention he’s accompanied by a talking fanny pack, an anthropomorphic dinosaur, a photo cutout of a tiger and a talking slice of pizza? Well, he is.
Thursday marks 10 years since the first 24 Hour Comics Day. In recognition of this milestone, Nat Gertler, who organized that first day and orchestrated the event annually through 2007, was more than happy to share his recollections of its formation. One detail that surprised was that the 2005 collection features the first sold story by award-winning artist Fiona Staples.
The agreement kicks off in August with Steven Universe, based on the new animated comedy by Rebecca Sugar (Adventure Time) about a boy named Steven and a team of magical Guardians of the Universe. BOOM! teased the comic in October, ahead of the show’s November premiere, with a sneak peek in the Adventure Time 2013 Spoooktacular.
BOOM! began its partnership in February 2012 with the debut, under the KaBOOM! imprint, of Adventure Time, which has transformed into a hit franchise with spinoff limited series and original graphic novels.
“Our partners at Cartoon Network have a stellar lineup of new shows that we are looking forward to publish as equally stellar all-ages comics, following the tremendous success of Adventure Time and Regular Show,” BOOM! Studios CEO Ross Richie said in a statement. “Steven Universe has that same edginess that will resonate with readers — and that’s just the beginning.”
BOOM! Studios and its imprints KaBOOM! and Archaia Entertainment have announced their exclusive comics and prints for New York Comic Con, held Oct. 10-13 at the Jacob Javits Center in New York City. All of the convention exclusives will be available for sale at the BOOM! booth (#1344), where a number of creators also will be signing.
Censorship | At least one comic, alas unnamed, was among the thousands of books removed this week from a Turkish government restricted list. Most of the bans were widely ignored anyway, but Metin Celal Zeynioglu, the head of Turkey’s publishers’ union, pointed out one important effect of lifting them: “Many of the students arrested in demonstrations are kept in prison because they’re carrying banned books. From now on, we won’t be able to use that as an excuse.” [The Australian]
Publishing | Tom Spurgeon’s latest holiday interview is with Shannon Watters, the editor of BOOM! Studios’ children’s comics line, which includes Adventure Time, Bravest Warriors and Peanuts. [The Comics Reporter]
Although I’ve known him for a few years from frequent drop-ins at the BOOM! Studios booth on the convention circuit, I haven’t ever had the opportunity to interview Matt Gagnon, the company’s editor-in-chief. So I jumped at the chance to talk to him for ROBOT 6’s anniversary.
Matt Gagnon joined BOOM! in 2008 to edit its Farscape comics after working as buyer and purchasing manager for Hollywood’s Meltdown Comics. He moved up fairly quickly, becoming managing editor, then editor-in-chief when Mark Waid was named chief creative officer in 2010. This past year saw the launch of BOOM!’s ultra-popular Adventure Time comic book, as well as several other kids’ series as a part of the KaBOOM! line. The publisher also announced a new Hellraiser series and put out several original series, like Higher Earth, Freelancers (which Gagnon co-created) and last week’s Deathmatch, just to name a few.
My thanks to Matt for his time, as well to BOOM!’s Filip Sablik, who helped set it all up.
Roger Langridge has posted some updates to his blog, including the news that, at least for now, Issue 12 will be the last for his Eisner Award-winning kids’ series Snarked! — although if the collected editions sell well, he may bring it back.
That means Popeye is his main occupation at the moment; Langridge is writing the new Popeye comic from IDW Publishing, and he will be drawing some of the stories as well, starting with Issue 7.
And then comes the tease: “I’m also writing something else for IDW. I hope I can talk about that soon. Right now, let’s just say that it’s something more in the action-adventure line.”
He also has some art projects in the works — illustrating a single-issue comic for IDW and a “proper book, with words and everything” for an unnamed publisher. And he will be testing the waters for a creator-owned project in David Lloyd’s yet-to-be-launched digital anthology Aces Weekly.
Langridge closes the post with some of his Baltimore Comic-Con sketches, so it’s worth the click just for that.
Thursday may have started a bit slow in the news department, but it sure ended with a huge bang. Here’s a roundup of announcements that hit today from Comic-Con International in San Diego:
• Neil Gaiman announced via video that he will write a new Sandman miniseries that will detail what happened to Morpheus to allow him to be so easily captured in The Sandman #1. J.H. Williams III will provide the art. “It was a story that we discussed telling for Sandman‘s 20th anniversary,” Gaiman said, “but the time got away from us. And now, with Sandman‘s 25th anniversary year coming up, I’m delighted, and nervous, that that story is finally going to be told.” The series will be published by Vertigo sometime next year.
• Legendary will also publish the Majestic Files by J. Michael Straczynski, which will feature art by Geoff Shaw and Matt Banning.
• Terry Moore will write a Strangers in Paradise prose novel to coincide with the comic’s 20th anniversary next year. He also plans to do an all-ages comic after Rachel Rising finishes in 30-40 issues.
In an ideal world, all comic book editor-in-chiefs should experience working at a comic book store. Such is the case with current BOOM! Studios EIC Matt Gagnon, who spent a spell as buyer and purchasing manager for Hollywood’s Meltdown Comics. Gagnon recently took some time to discuss BOOM!’s transition away from the Disney properties and toward KaBOOM! books like Peanuts and Adventure Time, as well as creator-owned works such as Roger Langridge’s Snarked. The bulk of this interview took place well before Newsarama’s report that Mark Waid’s Irredeemable and Incorruptible were both drawing to a close this May, but Gagnon and I spoke of it briefly after the news broke. I will be curious to see what big news BOOM! will have in a couple of weeks. In the meantime, enjoy this interview. Me? I wish I was a young writer, so that I could get Gagnon to send me a Mark Waid script.
Tim O’Shea: What were your priorities when you took over the EIC role, and how successfully did you achieve what you set out to accomplish with the BOOM! line?
Matt Gagnon: I was—and continue to be—focused on maintaining the level of execution that the fans expect of us and we expect of ourselves. Before I became EIC I had already spent two years as Managing Editor, building a style and a system of how we make comics and fulfill the promises of what we solicit. Not to oversimplify our principals, but at its core we’re all about publishing great comics and shipping them on time. This July will be my 2 year anniversary as EIC and I feel like we’ve only been getting better and better.
Back in 2008 when I came to the company, one of my first goals was to make sure the trains were running on time. We’ve been very consistent since then and I’m extremely proud of the reputation we’ve garnered. It’s a testament to the insanely talented team we have here at BOOM! and the dedicated network of talent we have involved in our comics. We’ve been recognized by Diamond and our retail partners for two years in a row with the Best Publisher Award (under 4%).
Anybody who knows me knows that I have high expectations of myself and my team. I want to maximize every opportunity that we have. I don’t just want to do Planet of the Apes comics; I want to do the best Planet of the Apes comics, you know? The same goes for Hellraiser, 28 Days Later, Adventure Time, or anything else that we publish.
Creatively, I’ve always had a vision for our line and I’m proud of all that we’re accomplishing. We continue to achieve our goals every day, every time we send another issue to print that we’re proud of. But there’s always more to be done and bigger goals that we’re working toward. You can never rest on your laurels.
No one needs to hear me speak of the virtues of Charles Schulz’ s Peanuts, one of the greatest comic strips and one of the greatest long-form narrative works of art of any medium. Plenty of much smarter people who can communicate much more clearly and cleverly than I have already done that in plenty of different places.
And the fact that so many newspapers continue to re-run old strips of Schulz’s so long after his death instead of filling that valuable (to cartoonists) space with something—anything—else is about as eloquent expression of the regard Schulz is held in as anything I could pound out in a few sentences here.
Do note that, when Schulz passed away, no descendant of his or hand-picked assistant/apprentice took over the strip for him—Peanuts not produced by Schulz was apparently judged so wrong it wouldn’t even be attempted, better to just have folks re-read older strips than attempt new ones by someone else.
That was a big part of the reason I was so shocked when Boom Studios announced a new ongoing Peanuts comic book series on their Kaboom kids imprint. They had previously produced an original graphic novel based on a new animated special which itself was pieced together from Schulz strips—last spring’s Happiness is a Warm Blanket, Charlie Brown—but this seemed like something pretty different. It wasn’t a media tie-in or a one-off lark project, it was going to be something rather sustained.