Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
“Batman did pretty well, so I sat down with the head of DC Comics. I really wanted to do Kamandi [The Last Boy on Earth], this Jack Kirby character. I had this great pitch … and he said, ‘You think this is gonna be for kids? Stop, stop. We don’t publish comics for kids. We publish comics for 45-year-olds. If you want to do comics for kids, you can do Scooby-Doo. And I thought, ‘I guess we just broke up.'”
— Paul Pope, relating his attempt to pitch an all-ages (or perhaps young-adult) title to DC Comics, during his Comic-Con International conversation with Gene Luen Yang.
Pope has previously mentioned his idea for Kamandi, a collaboration with writer Brian Azzarello that he described as “a violent adventure story for young readers with a boy lead character.” He’s even revealed a few pieces of art from the pitch. However, as the artist noted in 2010, “if DC would’ve given me & Brian Azzarello a Kamandi series, I’d never have created Battling Boy.”
To see what Greg and the Robot 6 crew have been reading, click below …
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d go with Megaskull, a collection of short, extremely politically incorrect comics by British cartoonist Kyle Platts. Platts is working a similar vein of humor to Johnny Ryan in his Angry Youth Comics days, so those easily offended by jokes about, say, abortion should probably stay away. Those who still own a copy of Truly Tasteless Jokes will want to check this out though.
If I had $30, I’d ignore Megaskull and go with what would pick of the week for me: Grandville: Bete Noire, the third entry in Bryan Talbot’s excellent, ongoing funny-animal detective series, this time finding Inspector LeBrock tracking down an assassin in the city’s art scene. Talbot’s blood-soaked blend of noir, satire, mystery and, um, furry antics might seem a bit odd at first glance but it proves to be an intoxicating and engrossing blend.
Splurge: Grendel Omnibus, Vol. 2 collects one of the most interesting runs starring Matt Wagner’s titular killer, largely due to the art work of the Pander Brothers. I’ve never had the chance to really sit down with this material beyond the occasional five-minute glance, so mayhap this is my chance to dive in.
Hello and welcome to a special birthday bash edition of our weekly “What Are You Reading” feature. Typically the Robot 6 crew talks about what books we’ve read recently, but since it’s our anniversary, we thought we’d invite all our friends and colleagues from Comic Book Resources and Comics Should Be Good! to join in the fun.
To see what everyone has been reading, click below …
Since the end of 2011 is right around the corner, it’s as good a time as any to look forward to what DC may bring us in the next year. The fun part is, the (relatively) eclectic New-52 relaunch has made these sorts of predictions a little less accurate. Nevertheless, I think DC remains a fairly conservative publisher overall, at least in terms of the kinds of comics in its superhero-centric main line, so we can make some educated guesses. The fact that all but one of the New 52 featured well-established characters (and the 52nd was Batwing, buoyed by Batman Incorporated) doesn’t exactly hurt either.
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Accordingly, we start with two of DC’s most prolific titles which haven’t yet been reintroduced in the New-52 context: Adventure Comics and World’s Finest Comics (or, as you might know it, Superman/Batman). Both were on the pre-relaunch roster, but neither appears likely to make a comeback. Pre-relaunch, Adventure had become the second Legion of Super-Heroes title, following a brief run of Geoff Johns/Francis Manapul Superboy stories. The New 52 has since filled both roles, both with Legion Lost and the Legion: Secret Origins miniseries, and with the revamped Superboy. Adventure could come back as an anthology, but the New 52 already has the ongoing DC Universe Presents and the miniseries My Greatest Adventure for spotlights and new-character tryouts. As for Superman/Batman, changes to the Man of Steel’s overall outlook may include this relationship. Put simply, I don’t see the New-52 Superman teaming up with the (same old?) Batman on a regular monthly basis — at least, not right now.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
It is, thankfully, the last week of September which means that, if I had $15, I only have one more week of new launches from DC to pick out potential favorites, Sophie’s Choice-style. This week: Aquaman #1, Flash #1, Fury of Firestorm, The Nuclear Men #1, Justice League Dark #1 and Superman #1 make the cut (All DC, all $2.99 each).
If I had the chance to add some more money to take that total to $30, I’d go for some Marvel books: Brian Michael Bendis gets well-represented with Ultimate Comics Spider-Man #2 ($3.99); New Avengers #16.1 ($2.99), his “new readers jump on” issue with art by Neal Adams; and Brilliant #1 ($3.99), his new creator-owned book with Mark Bagley. Here’s hoping I’m in a suitably Bendis-y mood when I read all of these ones.
Splurgewise, it has to be Habibi (Pantheon, $35), Craig Thompson’s new graphic novel. I know a few people who’ve had a chance to read it already, and everyone has made it sound like a large leap ahead from Blankets, and something almost worth the many-year wait it’s been since his breakthrough last book. I’m really looking forward to this one.
In recent years, we’ve seen a boatload of comic books and graphic novels make their way to the silver screen, from “big two” stalwarts like Spider-Man and Batman to independent titles like Scott Pilgrim and 30 Days of Night. Among the various adaptations, though, some creators have emerged as magnets for Hollywood types — and one artist rules the roost when it comes to movies inspired by his hand: Jack Kirby.
Often referred to as the King of Comics, Jack Kirby was on the ground floor for many of today’s biggest comic-to-screen blockbusters: Iron Man, X-Men, Fantastic Four, The Hulk, Thor, Captain America. His primary collaborator was Stan Lee, but he also created Captain America with Joe Simon. The late-’80s He-Man flick Masters of the Universe was inspired by Kirby, and Kirby himself worked on several cartoons such as Thundarr the Barbarian and The Fantastic Four TV series. Heck, Kirby’s own life could be fodder for numerous films — from his relationship with Marvel and Stan Lee to a standalone movie about the little-known C.I.A. operation “The Canadian Caper,” where his artwork was used trick Iran in 1980.
Here’s a list of some stand-out creations from Jack and where we think they’d be a good fit.
Because no nation may remain neutral where the King of Comics is concerned! PictureBox publisher Dan Nadel has posted a mouth-watering assortment of pictures from the Jack Kirby art show he and British critic Paul Gravett have curated for the Fumetto comics festival in Lucerne, Switzerland. The show occupies three (count ‘em!) floors and consists of 150 pages of Kirby art, including the complete Kamandi< #6 and almost the entirety of Fantastic Four #54. You can find out more about the exhibition at Fumetto’s website, and much much more from Gravett’s lengthy essay on Kirby in general and the exhibit in particular. Can some of North America’s convention organizations start thinking along these lines, please oh please?