Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
Retailing | Susana Polo interviews several members of the Valkyries, the organization of women who work in comic shops, and examines the “Valkyrie Bump,” the sales boost that some comics, such as Sex Criminals, Lumberjanes and Batgirl, get when they benefit from their extra support. [Publishers Weekly]
Political cartoons | Reporter James Hookway interviews the Malaysian cartoonist Zunar, who’s facing sedition charges, and provides some background on Malaysian politics and trial of Anwar Ibrahim, which is the topic of some of Zunar’s controversial cartoons. [The Wall Street Journal]
Conventions | ReedPOP Senior Vice President Lance Fensterman talks about how New York Comic Con reached 151,000 attendees this year, what went well, what could have gone better, and what he learned for next time. The new badges and check in/check out system, introduced last year, let producers know exactly how long people stayed at the show, and that turned into a nice surprise for two attendees: “There was a couple [last year] who literally spent every minute that was possible at New York Comic Con for three and a half days. We reached out to them and did something special for them—gave them a bunch of free stuff and free tickets because they were at the show longer than anyone who wasn’t paid to be at the show.” [ICv2]
Political cartoons | Egyptian cartoonists Mohamed Anwar and Andeel discuss the difficulty of critiquing Egyptian president Abdel Fatah al-Sisi, who doesn’t tolerate dissent; Anwar is a cartoonist for a mainstream newspaper and pulls some punches as the tradeoff for reaching a wide audience, while Andeel has moved over to the alternative press, where he can speak more freely. [The Guardian]
DC Comics’ Batgirl, with its new costume, new direction and new creative team, has its own “(un)official blog,” and now so too does Gotham Academy. Launched over the weekend, Inside Gotham Academy — “the almost official blog” for the upcoming series — so far features promotional pieces, some covers and fan work, but it’s also teased that the series creators (Becky Cloonan, Brenden Fletcher, Karl Kerschl and Romain Gaschet) may post there.
DC Comics has released three new promos introducing the students of Gotham Academy, debuting in October from writers Becky Cloonan and Brenden Fletcher, artist Karl Kerschl and colorist Romain Gaschet.
Announced in June, the teen drama is set in the city’s most prestigious school, where students attend classes (and get into mischief) in “the shadow of Batman and the craziness of Gotham.”
When DC Comics relaunched its superhero line in 2011 with the New 52, there was an unmistakable sameness to the aesthetic of many of the titles. Sure, there have been some eye-catching exceptions, but for the most part, the Jim Lee-led character redesigns have exerted great influence over the DC Universe for the past three years.
If you’re a fan of Jim Lee, that’s pretty awesome. If you’re a fan of a lot of artists and styles, that’s less awesome and has made the New 52 sometimes frustrating and occasionally baffling. There are more than 75 years’ worth of characters bursting with the imagination of hundreds of creators. Why filter all that down to such a narrow experience for readers? I love Oreo cookies, but can I ever have chocolate chip cookie?
But then, along comes new Batman Group Editor Mark Doyle, who moved from Vertigo in February. Suddenly, there’s a new creative team, a new costume and a new outlook, for Batgirl, followed by announcements of Gotham Academy, Arkham Manor and, just Tuesday, Gotham By Midnight, demonstrating that Batman and his world are a resilient and powerful corner of the DC Universe. It’s one where offering different aesthetics adds a richness to the entire line while (possibly) attracting the eye of those looking for something different in their reading experience.
Essentially, Doyle just installed a snack bar. So let’s go eat!
Even as DC Comics announces another intriguing addition to its Batman line, the horror title Gotham By Midnight, artist Karl Kerschl has unveiled the first look at colored panel from Gotham Academy #1, offering a hint at what readers can expect from the October-debuting series. He has also posted a few black-and-white panels on his blog.
Written by Becky Cloonan and Brenden Fletcher, with art by Kerschl and colorist Romain Gaschet, Gotham Academy is a teen drama set in the city’s most prestigious school (or, as the official description reads, “set in the shadow of Batman and the craziness of Gotham City”).
What’s an old prep school without a proper coat of arms? Fans who watched one of the new episodes of DC All Access glimpsed the one for Gotham Academy, but now the publisher has released the image in the form of a teaser, encouraging applicants to “Enroll Now For the Fall Semester.”
Announced late last month among a wave of new titles, Gotham Academy is set in the city’s most prestigious, and undoubtedly weirdest, school. It’s written by Becky Cloonan and Brenden Fletcher and illustrated by Karl Kerschl, who draw some of their inspiration from Harry Potter, Nancy Drew and the secret history of Gotham exposed in Batman: The Court of Owls.
There’s been some criticism that the Eisner Award for Digital Comics tends to favor established creators from the print industry over those who made their names online. Or, in the case of Sugarshock … c’mon. Did you really think Joss Whedon wasn’t winning an award? You’d probably be struck down by lightning or something. (Incidentally, I tried to see whehter that comic was still online. I’d forgotten that it was on MySpace. Oh, man … the nostalgia.)
However, I think that, by and large, the winners have all been very good.
Karl Kerschl’s The Abominable Charles Christopher was one of the webcomics that made a splash among readers before it attracted award attention (a Joe Shuster Award in 2010, an Eisner Award nomination in 2010, and a very deserved Eisner win in 2011). What made The Abominable Charles Christopher stand out from the pack?
Awards | Gilbert Hernandez is the recipient of the 2013 PEN Center USA award for outstanding body of work in graphic literature. Drawn and Quarterly announced the honor along with news that it will publish Hernandez’s next graphic novel, Bumperhead. [The Comics Reporter]
Conventions | “SPX is all about the hugs,” says Heidi MacDonald, who relegates her business piece on the Small Press Expo to Publishers Weekly and turns to her blog to discuss not only her impressions but what folks were saying on social media. [The Beat]
When she isn’t drawing comics like Batman or The True Lives of the Fabulous Killjoys, Becky Cloonan is self-publishing her own awesome minicomics like The Mire and Wolves. Her latest, Demeter, is now available for pre-order on WereHouse.ca, a site that also features work by Karl Kerschl and Andy Belanger.
Cloonan said she decided to move from her previous storefront at Big Cartel to the new site because of the response she’s received to her self-published comics.
Digital comics | The top-selling digital comic may not be what you think: Rich Johnston reports that Ape Entertainment’s game comic Temple Run is the top paid book app in the iTunes store (it was No. 2 this morning). He also reveals that Ape Entertainment has sold a million copies of its digital Pocket God comic. [Bleeding Cool]
Publishing | Jen Vaughn and friends pay a visit to the offices of MAD magazine. [Flog]
Conventions | Corinna Kirsh files a report, with plenty of pictures, on last weekend’s Brooklyn Comics and Graphics Festival. [L Magazine]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d walk out of the comic store with one book this week Fatale, Vol. 1: Death Chases Me (Image, $14.99). I fell off this book after the first issue, preferring to read in trades, and now that time has come. I’m looking forward to being surprised at what Brubaker and Phillips have done in this first arc as the debut issue was very promising.
If I had $30, I’d load up at Image with Manhattan Projects #4 (Image, $3.50), Prophet #26 (Image, $2.99) and Hell Yeah #4 (Image, $2.99). Prophet is becoming my favorite Image book because it unites my comic heroes of childhood (Prophet!) and one of the top cartoonists out there (Brandon Graham) with a surprising introduction of BD-style science fiction. Hell Yeah is a fun romp reimagining the staples of ’80s and ’90s comics as if John Hughes were the eighth Image founder. Last up I’d get Wolverine and the X-Men #12 (Marvel, $3.99). I was worried this series would get derailed by Avengers Vs. X-Men, but Aaron and Co. have managed to keep it on point as best as conceivably possible. It’s an ideal opening to bring Rachel Summers to the forefront, and the smirking Kid Gladiator on the cover is full of win.
If I could splurge, I’d get Michel Rabagliati’s Song of Roland hardcover (Conundrum Press, $20). I’ll always admire Free Comic Book Day, because it was there that a little Drawn and Quarterly one-shot introduced me to Rabagliati’s work. I’m surprised to see this new volume of his work not published by D&Q, instead published by Canadian house Conundrum. Anyway, this book appears to deal with the death of the father-in-law of the lead character, Paul. It’s been extremely engaging to see Paul grow through the series, and having him deal with events like this as I myself grow up and experience similar events is really touching.
David Macho rolls out his fourth trailer this week for DC Comics’ New 52, this time spotlighting Legion of Super-Heroes #1, by Paul Levitz and Francis Portela, one of two relaunch titles starring the teenagers from the future (the other is Legion Lost by Facian Nicieza and Pete Woods).
The Legion of Super-Heroes has been decimated by the worst disaster in its history. Now, the students of the Legion Academy must rise to the challenge of helping the team rebuild – but a threat of almost unstoppable power is rising at the edge of Dominator space, and if the new recruits fail, the Legion Espionage Squad may be the first casualties in a war that could split worlds in half!
Legion of Super-Heroes #1, which boasts a cover by Karl Kerschl, arrives on Sept. 21.
Publishing | The 60th volume of Eiichiro Oda’s popular pirate manga One Piece sold more than 2 million copies in its first four days of release. It’s the first book to move more than 2 million copies in its first week of sales since the Japanese market survey company Oricon began reporting its charts in 2008. As we reported last week, this volume’s 3.4 million-copy first printing set a record, and propelled the series past the 200 million-copy mark. [Anime News Network]
Editorial cartoons | Pulitzer Prize-winning cartoonist Matt Davies has been laid off by the Gannett-owned Journal News in White Plains, N.Y. [Comic Riffs]
Publishing | Abrams has made three comics-related promotions: Susan Van Metre to senior vice president and publisher, overseeing all comic arts books as well as Abrams Books for Young Readers and Amulet Books; Charles Kochman to editorial director of Abrams ComicArts; and Chad W. Beckerman to creative director, overseeing design for all comic arts books as well as Abrams Books for Young Readers and Amulet Books. [Abrams]
Yesterday, DC announced that frequent Grant Morrison collaborator Cameron Stewart has been replaced by Buffy the Vampire Slayer: Season Eight artist Georges Jeanty on the Western-themed fourth issue of Batman: The Return of Bruce Wayne. Post-solicitation creative-team changes are a dime a dozen at DC, but this is certainly one of the more high-profile examples of that kind of switcheroo I can think of. Amid all the say-it-ain’t-sos, Stewart took to his blog to offer a fairly circumspect summary of the situation:
Unfortunately, several weeks back I was forced to make the difficult decision to leave the book. It was a decision that I struggled with, but sadly conditions were such that I felt that my work would be drastically compromised and subpar should I stay on board, and so I felt that it was best that I walked away. I’d like to extend big thanks to my editors for trying to do whatever they could to make it possible for me to stay, but in the end it just wasn’t happening.
Stewart added that the only thing he’d drawn for the issue was the cover and a sketch or two, so the final product will be all Jeanty. He also promised a big announcement at the San Diego Comic-Con regarding a popular property he and Karl Kerschl will be working on. So while fans of his Bat-work (like me!!!) are no doubt disappointed, there are at least a few more Cam jams coming down the pike.