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Kodansha Comics will celebrate the 35th anniversary of Akira next year with the release of a box set characterized as “the ultimate, definitive English edition” of Katsuhiro Otomo’s pioneering cyberpunk manga.
The announcement was made over the weekend at Emerald City Comicon in Seattle, where the U.S. imprint of Japanese publishing giant Kodansha also trumpeted the same-day digital release in English of Attack on Titan and 16 other titles.
When Akira creator Katushiro Otomo was announced as the winner of the Grand Prix d’Angoulême earlier this year, it was a notable moment because he’s the first Japanese artist, and one of only five non-French creators, to be honored with the Angoulême International Comics Festival’s top prize.
Part of the award is an invitation to serve as the president of the following year’s festival. Although the previous winner, Calvin and Hobbes creator Bill Watterson, didn’t make the trip to France, it was announced Friday that Otomo will not only come to Angoulême but will star in a two-and-a-half-hour presentation, alternating interviews with audio-visual presentations, on the making of Akira.
The iTunes’ Terms and Conditions agreement has got to be the least-read-yet-most-signed contract in human history. For pages and pages (and a nearly limitless downward digital scroll), it enumerates Apple’s latest subtle shifts in policy regarding the ways we purchase, license and “own” music and media acquired through the most influential online marketplace to date. Who reads those things? Who could even pretend to? Can one even imagine a more arduous task than going through that document, line by line, and trying to parse what exactly it is we are all signing on for?
But ah, the magic of comics. Cartoonist R. Sikoryak, whose work has appeared in Drawn and Quarterly and The New Yorker, is publishing his painstakingly thorough, unabridged graphic adaptation of the iTunes Terms and Conditions agreement on Tumblr. This version of the contract is no mere dry rendering of legalese — instead, Sikoryak has transformed the document into a showcase of styles from talent all across the history of comics, making each page an experiment in the diverse visual language of the medium’s most beloved luminaries.
The Montreux Jazz Festival Japan has unveiled the main visual for its 2015 event, created by none other that acclaimed Akira artist Katsuhiro Otomo.
“I really don’t want to explain my work,” he said, “but since it is going to be held in Tokyo, I was strongly aware of the image of Japan.” The art will appear on posters and merchandise for the festival, held for 12 days in October in Tokyo; it’s tied to the Montreux Jazz Festival in Switzerland, the second-largest jazz festival in the world.
Akira creator Katsuhiro Otomo has won the Angoulême International Comics Festival’s Grand Prix, marking the first time a Japanese artist has received the event’s top honor. Just five non-Europeans have earned the award.
Jeremiah artist Hermann and Watchmen writer Alan Moore were also finalists for the award, presented annually in recognition of lifetime achievement to a living comics creator. The winner traditionally serves as president of the jury for the following year’s festival.
After initially announcing he would decline the Angoulême International Comics Festival’s Grand Prix Award, Jeremiah creator Hermann has reluctantly altered his position.
“Under friendly but insistent pressure from publishers, fans and colleagues who don’t understand his position, Hermann changed his mind and seems now to accept the Grand Prix if he eventually wins it,” reads a statement posted this morning on the Belgian cartoonist’s official Facebook page.
The prize is presented annually to a living comics creator, with the winner traditionally serving as president of the jury for the following year’s festival. Calvin and Hobbes creator Bill Watterson received the honor in 2014, becoming only the fourth non-European to do so, but the famously reclusive cartoonist declined to attend. He did, however, create a poster for this year’s festival.
You’ll likely recall the Akira Project, the crowd-funded fan trailer for a live-action adaptation of Katsuhiro Otomo’s pioneering manga and anime that sticks close to the source material (as opposed to whatever Hollywood’s been toiling away at for the past decade or so). It’s an impressive effort.
Now the minds behind that project have released a visual-effects video showing just how they recreated Neo-Tokyo, Kaneda’s iconic bike and some of those memorable scenes.
Japan’s Sendai Airport is installing a massive mural designed by Katsuhiro Otomo, the acclaimed creator of Akira.
Blending elements of traditional Japanese art with Otomo’s distinctive stylistic touches, the 258-square-foot ceramic relief depicts a boy, accompanied by the gods of wind and thunder, riding “against nature’s might towards the future he desires.”
Hollywood has been trying since 2002 to produce a live-action adaptation of Akira, Katsuhiro Otomo’s pioneering cyberpunk manga and anime, coming frighteningly close two years ago with a version that could’ve starred Garrett Hedlund and Kristen Stewart. Frustrated by those efforts, a group of fans in 2012 launched an Indiegogo campaign to fund their own adaptation that would “do Akira justice” by sticking as close to possible to the source material.
And now the Akira Project has released the result, a live-action trailer from CineGround Media directed by Nguyen-Anh Nguyen.
Here’s a treat for fans of both Astro Boy and Katsuhiro Otomo: The creator of Akira drew Osamu Tezuka’s robot for the cover of the third volume of the industry magazine Anime Busience as only Otomo can.
Crunchyroll notes that Neon Genesis Evangelion character designer and manga author Yoshiyuki Sadamoto took on Akira for the cover of the magazine’s second volume (below), while Evangelion creator Hideaki Anno depicted Space Battleship Yamato for the first.
Welcome to Best of 7, where we talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out. So without further ado, let’s get to it …
Events | The British Library is staging a “long overdue” exhibit on comics, called “Comics Unmasked: Art and Anarchy in the U.K.,” which will feature comics in a variety of genres from the 19th century to the present. Featured items include The Trials of Nasty Tales, which chronicles the 1972 obscenity trial of the editorial staff of Nasty Tales. “I went to a very traditional school where they would raid desks and take comics off to the orchard to burn them,” said Dave Gibbons, one of the contributors to The Trials of Nasty Tales. “Fast forward 40 years and they now invite me to the school to lecture on graphic novels.” The exhibition runs May 2-Aug. 14. [The Guardian]
LEGO modelers the Arvo Brothers have recreated Kaneda’s bike from Katsuhiro Otomo’s landmark manga and anime Akira, using only those little Danish bricks, of course. What’s more, they’re going to share just how they did it in a 200-page book that will be available beginning next week — complete with die-cut decals.
Conventions | Coast City Comicon returns this weekend to Portland, Maine, and Batman artist Chris Burnham, who will be a guest, drums up excitement by explaining the nuances of Batman’s nostrils to the local newspaper. Other guests include Mike Norton, Yanick Paquette, Rachel Deering, Ben Templesmith, Alex de Campi, JK Woodard and Lee Weeks. [Portland Press-Herald]
Publishing | Jamal Igle and Kelly Dale have been named marketing co-directors of Action Lab Entertainment, with Igle handling public relations and promotions and Dale coordinating retailer outreach. [ICv2.com]
Creators | Brian Heater interviews Paul Pope for the latest RIYL podcast. [BoingBoing]
Creators | Ed Piskor talks about his love of hip-hop and his latest graphic novel, Hip Hop Family Tree. [TribLive]