Today at BookExpo America in New York City, Scholastic unveiled Kazu Kibuishi‘s new cover for the trade paperback edition J.K. Rowling’s Harry Potter and the Chamber of Secrets.
As we reported in February, the publisher turned to the acclaimed creator of Copper, Daisy Kutter and Amulet to illustrate seven new covers to commemorate the 15th anniversary of the U.S. debut of Rowling’s beloved fantasy series. Each cover will depict a memorable scene from the respective book; in this case, it’s Harry and the Weasley brothers riding in the flying car.
The entire collection will be released in September as a boxed set.
Hello everyone, Happy Memorial Day weekend to America, and welcome one and all to What Are You Reading? This week we are joined by special guests Brandon Montclare and Amy Reeder, the creative team behind Halloween Eve and the upcoming Rocket Girl. I spoke to them earlier this month about Rocket Girl, which surpassed its Kickstarter goal but you still have some time to get in on the action and rewards.
To see what Brandon, Amy and the Robot 6 crew have been reading, click below.
That sound you hear is the collective gasp of millions of J.K. Rowling fans as Scholastic unveiled the new cover for Harry Potter and the Sorcerer’s Stone by none other than Kazu Kibuishi, the acclaimed creator of Copper, Daisy Kutter and Amulet.
The cover is the first of seven illustrated by Kibuishi for the U.S. trade paperbacks commemorating the 15th anniversary of the U.S. debut of Rowling’s beloved fantasy series. According to Scholastic, each of the covers will depict a memorable moment from the respective book. The entire collection will be released in September as a boxed set. The American softcover editions have sported Mary GrandPré’s covers since 1998.
Ryan North’s (Dinosaur Comics, Adventure Time) Kickstarter for his illustrated prose book, To Be or Not To Be is way past being fully funded with 24 days still to go, so this isn’t a plea for action so much as it is a public service announcement. Because, dude …
North is putting together something that he can’t call Choose-Your-Own-Adventure for legal reasons, but totally is, only it’s for grown-ups, based on Hamlet, allows you to play as various characters including the ghost, and is illustrated by an insane line-up of artists like Kate Beaton, Chip Zdarsky, Chris Hastings, David Malki, Dustin Harbin, Jim Zubkavich, Kazu Kibuishi, Ray Fawkes, Vera Brosgol. … Seriously, I’m going to embarrass myself by leaving someone awesome out and the list is loooong. Check out the Kickstarter page for the full scoop.
$15 gets you a PDF copy, but $20 gets U.S. residents the PDF and a paperback copy too. Backers outside the U.S. are asked for a $30 pledge to cover shipping costs. And of course there are other goodies for pledging more.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
I don’t know quite why, considering I’ve been feeling cynical and disinterested in the DC Universe over the past couple of weeks, but I find myself tempted by both Flash Annual #1 and Justice League International Annual #1 (both DC Comics; $4.99) this week; something even more surprising considering I haven’t been following the JLI series past trying out the first issue. And yet, if I had $15 this week, I suspect I’d be using a chunk of it for that. I’d also grab Joe Hill and Gabriel Hernandez’ Locke & Key: Grindhouse (IDW Publishing, $3.99), because, well, Locke & Key is a very, very good comic book.
If I had $30, I may find myself picking up the first collection of Peter Panzerfaust (Vol. 1: The Great Escape; Image Comics; $14.99) because I like the high concept behind it even if I managed to miss the single issues. People who did pick it up in singles: Is it the kind of thing I’d like, do you think?
Should I find the money and ability to splurge, I find myself surprisingly drawn to Dark Horse’s Star Wars Omnibus: Clone Wars Vol. 1 ($24.99); I blame people in my Twitter feed talking about Star Wars Celebration last week, and my thinking, “I haven’t really kept up with Star Wars in ages” in response. Does that count as peer pressure?
Daisy Kutter and Copper creator Kazu Kibuishi is recuperating after being hospitalized in late June with bacterial meningitis.
The news comes in a post by his lead production assistant Jason Caffoe explaining the lack of updates in recent weeks to the Kickstarter page for the Daisy Kutter reprint project. (The campaign was wildly successful, exceeding its $2,000 goal by nearly $50,000.)
“On June 28th Kazu was admitted to the hospital with a case of bacterial meningitis,” Caffoe wrote Tuesday. “After 5 days in the ICU and nearly two weeks of recovery, he’s home and resting. He’s been completely cured of the disease and he’s slowly getting back to being the same old Kazu, but for the time being he’s taking it easy.”
Bacterial meningitis is a rare but serious infection of the membranes that cover the brain and spinal cord. It can be life-threatening if not treated right away, so it’s certainly good to hear that Kibuishi is on the road to recovery (he even posted in the comments thread to Caffoe’s update).
Caffoe has been busy while Kibuishi is out of commission, however, working on the new edition of Daisy Kutter: The Last Train. On the Kickstarter page, he’s posted two panels to show how he’s cleaned up the art for the new printing.
Publishing | ICv2 sits down for a three-part interview with DC Comics Co-Publishers Jim Lee and Dan DiDio that takes the long view of the past year, covering the launch of the New 52, the effect of digital and the loss of Borders, and the recent discussions around creators’ rights. “It’s a cyclical thing. It’s an issue that constantly comes back,” DiDio said. “We hear about the great jobs and the great books that creators might participate in, but what we don’t hear about are all the books we’ve invested in over the years that never delivered, where we’ve invested in the talent and the time to make sure they had the opportunity to tell the stories they tell. It’s a very big picture, and it’s a very complex issue that can’t be boiled down. One thing I feel the most strongly is that I feel extraordinarily confident that we do everything we can to make this a very creator friendly company, to make sure they have an opportunity to tell the stories they want to tell with our characters and also in their creator owned stories too.” [ICv2]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
It had to happen; I’m so uninspired by this week’s offerings, I’d skip the $15 altogether and go straight for the $30 option, which I’d spend on the Ultimate Comics: Spider-Man by Brian Michael Bendis Premiere Edition Vol. 1 HC (Marvel, $24.99); I ended up skipping out on the single issues after #3 because of the price, but I enjoyed it enough that I’d happily pick up the collection.
If I were looking to splurge even more than that, there’s also the Spider-Man: Spider-Island Companion HC (Marvel, $39.99), which gives me a chance to catch up on the peripheral titles from the recent event; I picked up the Spider-Girl series, but missed out on the well-reviewed Cloak and Dagger and other books.
You know who is getting a lot of my money this week? Abrams, that’s who: I’m going two for two on their releases this week.
If I had $15, I’d keep it all-ages, with their Explorer: Mystery Box anthology, edited by Kazu Kibuishi, who was also responsible for the Flight anthologies, so you know the talent lineup will be stellar. At $10.95, the paperback edition won’t break the bank, and it’s a good deal for 128 pages of full-color comics. That leaves just enough for issue #5 of Roger Langridge’s Snarked ($3.99).
If I had $30, I’d put Snarked back on the shelf and pick up another Abrams book with a more adult subject: My Friend Dahmer ($17.95 for the paperback). Derf Backderf went to school with Jeffrey Dahmer; one grew up to be a cartoonist, one became a serial killer. I’m always interested in how people evolve, and by all accounts, Backder’s story of the young Dahmer is fascinating.
Splurge: A big pile of manga! This is Viz’s big release week for comics stores, and they have a lot of worthy titles: Vol. 19 of Naoki Urasawa’s outstanding 20th Century Boys, vol. 6 of the lovely pseudo-historical shoujo drama The Story of Saiunkoku ($9.99), vol. 9 of the I-want-to-be-a-mangaka drama Bakuman ($9.99), and the first volume of a new series about a sassy girl in a new school, The Devil and Her Love Song ($9.99). There are some weeks when I can barely figure out how to spend any money at all, but between Abrams and Viz and BOOM!, this week really does bring an embarrassment of riches.
The Toronto Comic Arts Festival, one of the high points of the indy comics year, has announced the first round of guests for this year. It doesn’t seem to be up on the TCAF site just yet, but Tom Spurgeon has the rundown at The Comics Reporter, and it’s an impressive list: Jeff Smith, Alison Bechdel, Guy Delisle, and Gabriel Bá and Fábio Moon are the headliners. Smith will be celebrating the 20th anniversary of Bone, while Bechdel’s Are You My Mother? and Delisle’s Jerusalem are both due out shortly before the show.
But wait! There’s more! Kate Beaton, German creator Arne Bellstorf, Scottish creator Tom Gauld (whose Goliath is due out soon from Drawn and Quarterly) Gabriella Giandelli, Jennifer and Matt Holm (Babymouse), Jason, Kazu Kibuishi (creator of Amulet and editor of the Flight anthologies), Bryan Lee O’Malley (Scott Pilgrim), Gary Panter, Michel Rabagliati, Andy Runton (Owly), Olivier Schrauwen, and Adam Warren (Empowered) will also be gracing the halls of the Toronto Reference Library this May. That’s an amazingly eclectic and talented group. If you have been thinking “Some day I’ll make it to TCAF,” this should probably be the year.
[Note: this post was assembled by both Tim O'Shea and JK Parkin]
This is our final post for our big birthday bash, and what a post it is. No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we have in past years, we have asked various comics folks what they are excited about for 2012 in comics–something they aren’t working on and something they are.
There’s a lot of great stuff here–hints at new projects and even some downright announcements. Our thanks to everyone this year who responded!
I’m most anticipating the 30th Anniversary of HEROES CON (June 22-24, Charlotte, NC) . For any convention 30 years is an amazing run, but the fact that Shelton Drum and his extended family have put this show together every year with nothing but blood, sweat and tears is flat out super heroic.
On the personal front, the challenging and exhilarating ride that’s been Loose Ends will come to a close with issue 4. It’ll be bittersweet to send our child off to into the real world but I can’t wait for you guys to see the work Brunner & Renzi are doing.
I’m also super excited to dip my own toes into the Mignola-verse with the BPRD: The Pickens County Horror [March 28, 2012] and to read the end of Jason Aaron & RM Guera’s Scalped, which is my favorite series in years.
This sounds politic, but it’s genuine: what excites me about comics in 2012 is what’s exciting every year, the work of the talent. Seeing what the best are up to and how the up-n-comers have grown as artists and writers. In the new year, I’m also excited about illustrating several books and covers that feature my favorite Avengers.
Season’s Greetings and welcome to another edition of What Are You Reading?, our weekly look at what we’ve been reading lately. Today our special guests are Geoffrey Golden and Amanda Meadows, editors of Devastator: The Quarterly Comedy Magazine for Humans. Their latest issue has a video game theme, with contributions from James Kochalka, Corey Lewis, Danny Hellman and many more. And if you head over to their website between now through Dec. 16, the code ROBOT6 gets you 20 percent off single issues.
To see what Amanda, Geoffrey and the Robot 6 crew have been reading lately, click below.
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes and first issues so that I don’t have to come up with a new way to say, “ Mouse Guard is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Explorer: The Mystery Boxes - With the Flight anthologies done, the all-ages version, Flight Explorer has morphed into this. I expect it to be as lovely as its predecessors and especially like the Mystery Box theme.
Jinx – J Torres and Rick Burchett’s graphic novel aimed at tween girls.
Kevin Keller, Volume 1 and Kevin Keller #1 – Archie collects the first appearances and mini-series of their major, gay character and also launches his ongoing series.
Flash Gordon: Vengeance of Ming – The third volume in Ardden’s Flash Gordon series.
CBR’s Alex Dueben interviewed Flight editor Kazu Kibuishi about the release of the eighth and final volume in the much-acclaimed anthology series this week, and Kibuishi talked a bit about why he and his editor decided to bring it to an end:
While “Flight” continues to be very successful for an anthology, it doesn’t sell enough copies to be considered a hit in the mainstream book publishing world, and our sales numbers were not rising. My goal with the project was to reach new readers and bring them into comics, but I was seeing that we weren’t doing a good enough job of it. I think much of the blame can be placed on the size and price of the books. It’s just a bit much to ask someone who has never read the other “Flight” books to spend $27 on a paperback. So I realized that the time spent on the series could be better spent helping the artists begin working on their own books. We’ll revisit the project again, but it will probably show up in a different form.
As comics shift more and more into a graphic novel model, Kibuishi’s words are worth thinking about. Book publishers and comics publishers have different ways of doing things, and apparently the Flight books, as great as they are, didn’t fit neatly into either category. On the other hand, they launched a lot of artists who did go on to make successful graphic novels.
And there’s a bit of good news in the article: Flight 8 is the last volume of the numbered series, but Kibuishi is also working with editor Sheila Keenan on one more volume of the all-ages Flight Explorer anthology, and he will be applying the lessons learned to this new book.
Since a Xeric Foundation grant back in 2002 first allowed him to self-publish, comics creator Sonny Liew has created a series of stories starring Atari and Oliver, two street urchins who steal bicycles, watch giant robot movies and get into trouble in a futuristic city filled with robots. The stories have appeared in various comics and anthologies over the years, and this August Image Comics will collect them into one volume titled Malinky Robot.
Liew, whose body of work includes the Vertigo series My Faith in Frankie and Minx book Re-Gifters with writer Mike Carey, Marvel’s Sense and Sensibility adaptation with writer Nancy Butler, and SLG’s Wonderland with writer Tommy Kovac, shared some details on the new collection with me via the magic of email. Based in Singapore, Liew is also working on a few new projects, as he shares below.
JK: What stories are included in the new collection and where did they originally appear?
Sonny: The collection begins with “Stinky Fish Blues,” which was first conceived in David Mazzucchelli’s Graphic Storytelling class at the Rhode Island School of Design. Xeroxed copies of the story ended up in a couple of comic stores in the Boston area, before a Xeric grant allowed to me to try my hand at self-publishing. Later on a colored version appeared in Liquid City vol 1. “Bicycle” was originally released as a one-shot from SLG Comics, and the other stories, “Dead Soul’s Day Out,” “New Year’s Day” and “Karakuri” appeared in various editions of the Flight anthologies edited by Kazu Kibuishi.
Ever-present story-breaker Variety has the scoop that Warner Bros. and Will Smith have picked up the rights to Flight founder Kazu Kibuishi‘s graphic novel series Amulet, tapping screenwriter Rob Edwards (The Princess and the Frog) to adapt the three-volume series. Will Smith will co-produce the film series and is rumored to be looking at the two key roles of brother Navin and sister Emily for his son Jaden (The Karate Kid) and daughter Willow (I Am Legend). In fact, Smith and his wife Jada Pinkett-Smith could find themselves in the film as well as the two siblings in the story chase after their parents.
Variety is framing this as a potential live-action vehicle, but I could see this going over better as an animated film in the vein of How To Train Your Dragon or owing to Kibuishi’s own Hayao Miyazaki influences. Still, great movies start from great stories, so a feature adaptation of Amulet is starting off on the right foot.
Originally debuting as a graphic novel back in 2008, Kibuishi’s graphic novel series has gone on to two further installments with a fourth scheduled for September 2011.