In-Depth on Marvel's "Divided We Stand" and The Latest Hydra Cap Twists
Conventions | While the San Diego Chargers support the construction of a multi-use stadium that’s not connected to the San Diego Convention Center, Comic-Con International still favors a contiguous expansion. “If a convention center is built across the street or blocks away from the current location, any convention considering an event in San Diego would be forced to determine who gets to stay at the main facility and who is relegated to the ‘other’ venue,” Comic-Con’s David Glanzer writes in a column reiterating the organization’s stance. “Comic-Con experienced a similar scenario some years ago when we attempted to create more exhibit space by moving some exhibitors upstairs to the Sails Pavilion. Even though all exhibitors were in the same building, the fact that some were only one floor removed from others caused a great deal of consternation as they objected to not being on what they considered to be the main exhibit floor.” [San Diego Union-Tribune]
Awards | Noelle Stevenson’s fantasy comic Nimona has made the longlist for the National Book Awards in the Young People’s Literature category. It’s rare but not unprecedented for a graphic novel to be nominated for a National Book Award: Gene Luen Yang’s American Born Chinese was the first, and his Boxers and Saints made the 2013 longlist. One of the creators of Lumberjanes, Stevenson launched Nimona in 2012 as a webcomic; the print edition was published in May by HarperCollins. [The New Yorker]
Graphic novels | France 24 examines the Thursday release of Asterix and the Picts — the first album by new creative team Jean Yves-Ferri and Didier Conrad — from a political perspective, noting that the story, in which Asterix and Obelix journey from ancient Gaul to Iron Age Scotland, has already become part of the current debate about Scottish independence. [France 24]
Creators | Chinese cartoonist Wang Liming, who spent a night in police custody last week on charges of “suspicion of causing a disturbance,” spoke to the press this week. Liming, who has more than 300,000 followers on his microblog account, first ran into trouble two years ago for one of his cartoons, but police told him that China has freedom of speech and he could continue drawing. Nonetheless, another of his cartoons, depicting Winnie the Pooh (a frequent cartoon stand-in for Chinese President Xi Jinping) kicking a football was deleted and suppressed by censors. “For them, drawing leaders in cartoon form is a big taboo,” the cartoonist said. “I think the controls on the Internet are too harsh. They have no sense of humor. They can’t accept any ridicule.” [Reuters]
Creators | Dark Horse announced that legendary Lone Wolf and Cub writer Kazuo Koike will be its guest of honor at Comic-Con International in San Diego, where he’ll sign July 18-19 at the publisher’s booth (#2615). In 2014, Dark Horse will debut New Lone Wolf and Club, the 11-volume series by Koike and Hideki Mori (original artist Goseki Kojima passed away in 2000) that picks up where the initial saga ended. [Dark Horse]
Awards | The Judging Panel for the British Comic Awards has been announced. This panel will choose the final winners from a shortlist sent to them by the Judging Committee, which screens nominations from the public. [Forbidden Planet]
Commentary | Steve Morris pens a thoughtful essay on cost versus content in comics and what exactly you are paying for with your $2.99 (or, more frequently these days, $3.99). [The Beat]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d spend the first $3.99 on the first issue of 47 Ronin, a retelling of a Japanese legend written by Mike Richardson and illustrated by Stan Sakai. I saw a preview of this and it looks phenomenal. Next up is my favorite soap opera, Life With Archie #24 ($3.99), in which Moose contemplates running for the Senate and The Archies reunite. This comic is consistently well written and the stories really drag me in. I’ll slap down another $3.99 for Popeye #7, because I’m a Roger Langridge fan. And because I love a bargain, I’ll finish up with Freelancers #1, a new series from BOOM! Studios that looks kinda fun — and hey, there’s a variant cover by Felipe Smith, one of my favorite manga artists.
If I had $30, I’d revert to my childhood and pick up the Doctor Who Annual ($12.99) from Penguin. When I was a kid, the British comics annuals were the high point of the holidays, and I’m pretty sure I have a vintage Doctor Who one tucked away somewhere. It’s probably aimed at kids but that just means I can share it with my nephew and nieces.
The splurge item to get this week is the new box set of Hayao Miyazaki’s Nausicaa of the Valley of the Wind. This is Miyazaki’s longest manga by far, and the story continues after the movie ends. It’s going to be the same large format as Viz’s earlier box set, but the seven volumes are being bound as two this time. It’s $60, but I noticed Amazon is offering a steep discount, so I’ll add another splurge: Nickolai Dante: Sympathy for the Devil ($29.99), a story that ran in 2000AD. I saw artist Simon Fraser describe it at NYCC this way: “Nikolai Dante is a swashbuckling hero from the far, far future, the year 2666, where he is alternately working for and against the czar, and for his own family and against his family, and in the meantime trying to get as drunk and screw as many women as he possibly can.” Sold!
It’s time once again for our monthly trip through Previews looking for cool, new comics — now with 100 percent more JK Parkin! Michael May, Graeme McMillan, Chris Arrant and JK have each picked the five comics they’re most anticipating in order to create a Top 20 (or so; we overlap sometimes) of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
47 Ronin #1 (Dark Horse, $3.99): Mike Richardson, Dark Horse’s head honcho, teams with Usagi Yojimbo creator Stan Sakai to retell the story of the 47 ronin who avenged their master after he was forced to commit ritual suicide for assaulting a court official. It will be both very cool and a little odd to see Sakai drawing samurai that aren’t anthropomorphic animals and aren’t in black and white (the book’s full color), but I’ve always admired his clean style. As an added bonus, Kazuo Koike of Lone Wolf and Cub fame consulted on the project, so this should be a treat.
Great Pacific #1 (Image Comics, $2.99): Joe Harris and Martin Morazzo have come up with a book that I just love the high concept behind: the heir to one of America’s most successful oil companies moves to the infamous Great Pacific Garbage Patch and declares it a sovereign country. He then fights giant sea monsters, based on the preview art that’s been released, which is an added bonus.
Marvel NOW!: This might be cheating, but Marvel has 10 new comics debuting in November under the Marvel NOW! banner. Mark Waid on Hulk? John Romita on Captain America? Matt Fraction writing Fantastic Four and FF? Jonathan Hickman on Avengers? Yeah, I’ll just lump all these together and hope no one notices I’m gaming the system here …
Walt Disney’s Donald Duck: A Christmas for Shacktown: Fantagraphics continues its series of high-end collections of the best of Carl Barks’ duck stories, with the Christmas-themed third volume arriving just in time to be stuffed in somebody’s stocking.
Retrovirus (Image Comics, $16.99): Jimmy Palmiotti and Justin Gray’s latest graphic novel, drawn by Norberto Fernandez, is about a research scientist who specializes in viruses heading to Antarctica to examine a perfectly preserved caveman. I’m a fan of Palmiotti and Gray’s work together, from Jonah Hex to The Monolith (which gets the collection treatment in November), and this one sounds like it could be a lot of fun.
Dark Horse President Mike Richardson is teaming with two samurai masters to tell the tale of the 47 Ronin, about a Japanese feudal lord who was forced to commit ritual suicide, and the samurai-turned-ronin who avenged his death. Usagi Yojimbo creator Stan Sakai will draw the project, while Kazuo Koike of Lone Wold and Cub fame will serve as an editorial consultant.
“I’ve been fascinated with this story from the earliest days of Dark Horse, visiting the significant locations and doing research during my trips to Japan. For years I’ve been looking for just the right artist, and it finally dawned on me that he was right here at Dark Horse,” Richardson said in a press release. “Stan Sakai is a master storyteller who knows the material, and his artistic interpretation is perfect for the story. What’s more, my friend, legendary manga writer Kazuo Koike , has served as editorial consultant for the project.”
“I have known the 47 Ronin story about all my life, and I paid a pilgrimage to their grave site when I was in Japan in 2009. This is a significant event in Japanese history, and when Mike asked me to illustrate the story I jumped at the chance. I’m known for the research I do, but I was amazed at the research and knowledge Mike already had. I’m having a blast with this,” Sakai said. .
47 Ronin will be on comic stands November 2012. Check out a piece of Sakai’s art after the jump, as well as the video from CBR that announced the project.
Here’s a quick thought experiment: What would happen to you if you made your own Mickey Mouse comic and sold it online or at conventions? You would expect to feel the wrath of Disney pretty quickly, wouldn’t you?
Yet doujinshi, fan-made comics, are a huge part of Japanese culture, and many of them involve characters from existing manga series. And Ken Akamatsu, creator of Negima and Love Hina—as well as his own doujinshi—wants it to stay that way, which is why he is speaking out against Japan joining the Trans-Pacific Partnership Agreement, a trade agreement would make copyright laws uniform among the nine signatories, including the U.S. If Japan signs on, Akamatsu says, the new regulations would have a chilling effect on the doujinshi market.
Japan’s current copyright laws allow publishers to tolerate a certain amount of remixing of copyrighted characters, although there are limits: In 2007, for instance, the publisher Shogakukan took legal action against the creator of a Doraemon doujinshi that not only perfectly mimicked the look of the original manga (one of the most popular in all of Asia) but also sold over 13,000 copies.