GIANT-SIZE X-POSITION: Duggan Brings Deadpool & Cable Together in "Uncanny Avengers"
Retailing | The Philadelphia comics and art shop Locust Moon is closing its doors as a retailer so that co-owner Joshua O’Neill can focus on a different area of the business: publishing. “[A]s publishers, we’re just getting started,” O’Neill posted on his Facebook page. “[W]e’ll now be able to focus our attentions on making books full time. we’re incredibly excited about that. locust moon is not dying — it’s still just being born.” Locust Moon has already published an Eisner Award-winning anthology of Little Nemo comics, and is running a Kickstarter campaign to fund the publication of some very early “lost” Will Eisner comics. [PhillyVoice]
Passings | Michael C. Gross, the artist, designer and film producer best remembered for creating the iconic Ghostbusters logo, passed away Monday following a prolonged battle with cancer. He was 70 years old. Hired in 1970 as the art director of The National Lampoon, Gross is credited with pioneering the magazine’s approach to comics and illustration; he’s also famed for his notorious cover bearing the headline, “If You Don’t Buy This Magazine, We’ll Kill This Dog.” Gross was encouraged by his friends John Belushi and Dan Aykroyd to move in the early 1980s from New York to Los Angeles, where he produced such films as Heavy Metal, Twins and both Ghostbusters films, and worked on the animated series The Real Ghostbusters. [The Associated Press]
Auctions | A rare drawing of Tintin by Hergé from the 1936 book The Blue Lotus was sold at auction Monday in Hong Kong for $1.2 million. The black-and-white illustration, which depicts Tintin and Snowy being pulled in a rickshaw through the streets of Shanghai, is the only original piece from the book that remains in private hands. [BBC News]
Graphic novels | BookScan’s list of the Top 20 graphic novels sold in bookstores in August is an eclectic mix of old and new, superheroes and other genres. The top seller, for the second month in a row, is the deluxe edition of Batman: The Killing Joke, with hardy perennials Fun Home, American Born Chinese and Watchmen all making the charts, probably because of school assignments. Manga does well, with the two most recent volumes of Naruto, two volumes of Attack on Titan, the first two volumes of Tokyo Ghoul and the seventh volume of Monster Musume all making the cut. Phoebe Gloeckner’s The Diary of a Teenage Girl also charted, as did the first volume of Saga and the 22nd volume of Fables. [ICv2]
Passings| Underground artist Stephen “The Pizz” Pizzuro has died at age 57. Pizzuro, who described his work as “Lowbrow,” started his professional career as an artist for Rat Fink Comics before moving on to do album covers and, later, gallery art. [Hi Fructose]
With these new “Bitch Planet” leggings from Bombsheller, you too can now express your non-compliance to the world. The leggings manufacturer has teamed up with Matt Fraction and Kelly Sue DeConnick’s Milkfed Criminal Masterminds Inc. in order to bring you the latest in comic book fashion.
The leggings feature a design by Valentine De Landro, who co-created the Image Comics series “Bitch Planet” with DeConnick. The symbol stands for “non-compliant,” which — in the not-so-distant future of “Bitch Planet’s” world — is a term applied to women who don’t comply with its societal standards for women. Non-compliant women are sent to an off-planet prison for offenses as simple as rejecting commonly accepted beauty practices.
In an effort to make these leggings available for every fan, DeConnick and Bombsheller are running a beta test for sizes up to 6XL. “When Kelly Sue DeConnick asked to work with us on a design that would be available through 6XL, we were thrilled to get the chance to put our prototypes to the test,” Bombsheller’s website reads. “Compared to the rest of the fashion industry, Bombsheller is non compliant. We believe you should wear what you want, not what you’re told. Get your girl gang together and celebrate spandex for all bodies.”
Conventions | San Diego’s Convention Center Corp. has adjusted its estimate of how much money Comic-Con International pumps into the local economy, down from last year’s $178 million to $136 million, because of possible double-counting and other flaws in methodology. [Voice of San Diego]
Passings | Leonard Starr, who wrote and drew the comic strip Mary Perkins On Stage, died Tuesday at age 89. Starr started his career in 1942, when he was a student at New York’s Pratt Institute, and he worked for most of the early comics publishers: Funnies, Incorporated, Timely (now Marvel), Fawcett, E.C. and DC. He also did work for the Simon and Kirby studio, and both Joe Simon and Jack Kirby were admirers. When comics publishing began to decline in the mid-1950s, Starr began working on newspaper comics and crafting his own strip, Mary Perkins On Stage, which ran from 1957 until 1979, winning a Reuben Award in 1965. After Mary Perkins ended, Starr took over as writer and artist of Little Orphan Annie, bringing new energy to that legacy property until his retirement in 2000. He also wrote a series of graphic novels, Kelly Green, and was the main showrunner for the ThunderCats animated series. [News from ME]
Creators | Fast Company named writer Kelly Sue DeConnick as one of its 100 “Most Creative People in Business 2015,” a list that includes innovators in technology, scientific research, entertainment, medicine and social media. The writer of such comics as Bitch Planet and Pretty Deadly, DeConnick is cited specifically for “reanimating a superhero,” Captain Marvel. [Fast Company]
Awards | Bad Blood, the Dark Horse miniseries written by Jonathan Maberry and illustrated by Tyler Crook, won the Bram Stoker Award for superior achievement in a graphic novel, presented over the weekend by the Horror Writers Association. [Horror Writers Association]
Dark Horse has provided ROBOT 6 with an exclusive first look at three limited-edition variant covers produced for the upcoming Emerald City Comicon: Lady Killer #1 by Joëlle Jones, Past Aways #1 by Scott Kolins, and Fire and Stone: Prometheus—Omega #1 by Patric Reynolds.
Limited to just 500 copies, each variant will available for $5 throughout the show, while supplies last, at the Dark Horse booth (#802). There will also be an ECCC variant for Frankenstein Underground, the new miniseries by Mike Mignola, Ben Stenbeck and Dave Stewart.
Crime | The Wow Cool Alternative Comics store in Cupertino, California, has been burglarized for the second time in two months, and it looks as if it was the same crew both times. The thieves took cash and pretty much every minicomic and digest in the store, as well as a box of Marvel and DC comics. [Wow Cool Comics]
Political cartoons | Malaysian cartoonist Zunar, who’s facing sedition charges in his home country, has been invited to speak at a United Nations forum next month in Geneva, Switzerland, titled “Defending Artistic Expression — Time for the UN to Act.” “In my speech, I will reaffirm my stand that freedom of expression for artistes including cartoonists is paramount and cannot be compromised,” he said, and he will also criticize the UN’s lack of commitment to the issue, which has “given more power to corrupt regimes and extremist bigots to be more repressive toward artists.” [The Rakyat Post]
Conventions | At a press conference Thursday to kick off FanXperience, the Salt Lake Comic Con spinoff event, Salt Lake City Mayor Ralph Becker declared Jan. 29, 2015, as “Salt Lake Comic Con’s Day of Heroes.” Organizers, who have capped ticket sales for the second annual event at 70,000, say they expect a sellout. The Deseret News also looks at the origins of Salt Lake Comic Con in a profile of founders Dan Farr and Bryan Brandenburg, who were introduced to comic conventions not as fans but as entrepreneurs. FanX continues through Sunday. [KSL.com]
Festivals | Reporter Alex Turnbull files a video report from the Angoulême International Comics Festival that includes segments on the tributes to the Charlie Hebdo cartoonists, the Belgian cartoonist Hermann, and a 24-hour comics challenge. [France 24]
Image Expo returned on Thursday, and it wasn’t messing around. Each year, Image Comics seems to pack bigger announcements and bigger surprises into a single-day event. And the diversity of creators and genres gets that much better, too.
This year’s Image Expo — held again at the Yerba Buena Center for the Arts in San Francisco, following last July’s event at Comic-Con International in San Diego — included the now-standard keynote address by Publisher Eric Stephenson. He reviewed the past year’s successes and echoed plans to make Image the No. 1 publisher, but aside from throwing the gauntlet down at the feet of Marvel and DC, his address avoided some of the controversial statements and manifestos of years past. While I appreciate a good sabre-rattling, it allowed the focus to remain squarely on the creators and their comics.
With that in mind, here are my six favorite announcements from Image Expo 2015:
This will not be a post about how Saga is awesome. I’ve written 30 of those already. No thrilling over Lying Cat here, no desperation for the next issue, none of my hopes to see The Will return to action or for [SPOILER] to [SPOILER] and [SPOILER SPOILER SPOILER].
Nor will I lose my cool over the fact that, right now, my bookshelf contains two excellent and weird and hilarious China Mieville (China Mieville!)-penned trades of Dial H, complete with blink-and-you’ll-miss-‘em anti-MPAA digs. Or that Neil Gaiman, in the – yikes — almost two decades since I picked up my first Sandman trade, has evolved from Sensational Comic Book Writer Neil Gaiman to MechaGaiman, Devourer of Worlds, Savior of Publishing and Champion of Art. Or that Genevieve Valentine is writing Catwoman!
I won’t flip out about The Wicked + The Divine or Chew or either Marvel, Ms. or Captain.
Publishing | Abraham Riesman looks at the revival of Valiant, which was once the third-largest comics publisher in the United States and now, under new management, aspires to reclaim that position. The article covers the rise and fall of the original company, its rescue by now-CEO Dinesh Shamdasani, and the strategy the new Valiant has used to quickly build an audience for a different type of superhero comic. [Vulture]
Conventions | San Diego officials had to do some shuffling to accommodate the Major League Baseball All-Star Game, which will be played in the city in 2016, but they didn’t move Comic-Con International, which is only a few days later. “Their attendees are such a unique group that they don’t take well to change,” said Joe Terzi, chief executive of the San Diego Convention & Visitors Bureau. “They plan their year around this event.” [U-T San Diego]
Hawkeye merch has been available at the WeLoveFine online store for quite some time — but did you know proceeds were going to an anti-violence charity? Kelly Sue DeConnick announced via Twitter that the Hawkeye-themed merch had raised $2,068.39, which has been donated to Futures Without Violence, which seeks to end violence against women and children worldwide.
While creators in the past such as Mark Millar have done a fine job of developing their name as a brand to build a fanbase around, writer Kelly Sue DeConnick has taken brand building to a whole new level. Perusing the back end material in the first issue, I was astounded and impressed to find that anticipation for the new Image Comics series, Bitch Planet, had grown so much in advance that a few people actually got a tattoo sporting the “non-compliance” icon (that features prominently in the story).