Comic-Con Trailers: The Best of the Best, Ranked
Conventions | Organizers of the San Diego Hall of Champions sports museum announced this week they’ve been in talks with Comic-Con International about establishing a comics-focused museum in the city’s Balboa Park. The report notes that “details remain sketchy,” even though discussions have been under way for the past year. “There’s no hurry to move it along,” said Hall of Champions board member Dan Shea. As the report notes, this isn’t the first time a Comic-Con museum has been discussed: Stalled expansion plans for the current San Diego Convention Center called for a museum celebrating the event. [The San Diego Union-Tribune]
Retailing | The Philadelphia comics and art shop Locust Moon is closing its doors as a retailer so that co-owner Joshua O’Neill can focus on a different area of the business: publishing. “[A]s publishers, we’re just getting started,” O’Neill posted on his Facebook page. “[W]e’ll now be able to focus our attentions on making books full time. we’re incredibly excited about that. locust moon is not dying — it’s still just being born.” Locust Moon has already published an Eisner Award-winning anthology of Little Nemo comics, and is running a Kickstarter campaign to fund the publication of some very early “lost” Will Eisner comics. [PhillyVoice]
As television shows go, Jem and the Holograms and Miami Vice couldn’t possibly be more different. The former, which aired from 1985 to 1988, was a children’s carton that also functioned as an extended ad campaign for an accompanying toy line, while the latter, which ran from 1984 to 1989, was an hour-long adult police drama.
Other than their medium and the decade in which they were produced — and, perhaps, how readily they embraced and celebrated the pop culture of that era — a viewer would have trouble finding a whole lot of similarities between the two.
Now, more than 25 years after both shows ended, they have something new in common: They’re being adapted as comic books released by IDW Publishing.
Last month on our sister blog Comics Should Be Good, columnist Kelly Thompson wrote a piece titled “6 Sublime Superheroine Redesigns” that profiled several recent costume makeovers she thought effective and true to the characters. In the post and the ensuing comments, talk abounded about the subject of superheroines often being saddled with revealing costumes that lean more toward fan service than suitable crime-fighting gear. Some posters argued there’s a current trend toward female characters having less-revealing costumes than in the past — Psylocke’s recent wardrobe redesign by Kris Anka was cited as an example — and that it’s an overreaction by publishers and designers that panders to feminists.
Anka took umbrage with some of the comments, and it opened the floor to an interesting debate about the look of superheroes. On the surface it questions the near-universal portrayal of female superheroes in more sexualized garb, but also attempts to draw a line between drawing a superhero as sexy without necessarily being sexist.
To see what Greg and the Robot 6 crew have been reading, click below …
This isn’t comics, but it’s certainly comics-adjacent. Kelly Thompson writes the She Has No Head! column for Robot 6’s sibling blog Comics Should Be Good and is also one of the hosts of the 3 Chicks Review Comics podcast. She’s also written a contemporary fantasy novel that she’s hoping to get published through Kickstarter. She describes The Girl Who Would Be King this way:
Separated by thousands of miles, two young women are about to realize their extraordinary powers which will bind their lives together in ways they can’t begin to understand.
Protecting others. Maintaining order. Being good. These are all important things for Bonnie Braverman, even if she doesn’t understand why. Confined to a group home since she survived the car accident that killed both her parents, Bonnie has lived her life until now in self-imposed isolation and silence; but when an opportunity presents itself to help another girl in need, Bonnie has to decide whether to actually use the power she has long suspected she has. Power that frightens her.
Across the country, Lola LeFever is inheriting her own power by sending her mother over a cliff…literally. For Lola the only thing that matters is power; getting it, taking it, and eliminating anyone who would get in the way of her pursuit of it. With her mother dead and nothing to hold her back from the world any longer, Lola sets off to test her own powers on anyone unfortunate enough to cross her. And Lola’s not afraid of anything.
One girl driven to rescue, save, and heal; the other driven to punish, destroy, and kill.
And now they’re about to meet.