Marguerite Bennett Discusses WWII Female Heroes in "DC Comics Bombshells"
Comic Books, Digital Comics
Ah, Comic-Con International: when comics publishers are tripping over themselves to announce new projects, and movie producers throw star-power at the fans to drum up word-of-mouth support for their latest efforts. Of course, there will be all kinds of lower-profile launches that can tend to get bulldozed off the front pages by the big ticket news items.
Ashley Wood’s 3A Publishing releasing Kent Williams: Ophthalm there is probably a case in point. It’s an art book by a painter whose last major comic project was published in 2005. I’ve loved Williams’ work since he was collaborating with Jon J. Muth in the 1980s, but the work he was producing then doesn’t hold a candle to the canvases he now exhibits. It’s amazing work, as viewable at his website. Wood is quite the advocate for Williams, publishing several portfolios of his work in IDW’s Swallow, then a pocket book of his paintings in their Sparrow series, and recently a collection of drawings through his own Goya imprint. The book’s press release is, however, rather purple. This is the art world we’re dealing with now, people, not comics! And the book’s title? That’s Greek for “the eye.”
Illustrator Christina Ung manages to fit in just about everyone on the planet going at it Gangnam Style, including The Caped Crusader. Batman is, of course, no stranger to faddish dance crazes (also by Christina – The Unreliable Superhero). More below, including work by Ron Wimberly, Ben Caldwell, Daniel Krall, Ashley Wood and many other talented human beings. Continue Reading »
Conventions | Creators like Neal Adams, Tim Bradstreet, Howard Chaykin, Amanda Conner and Scott Lobdell will headline the Long Beach Comic & Horror Con, held Saturday and Sunday at the Long Beach Convention Center. “I think most of our artists are thrilled to come back each year,” said Phil Lawrence, principal sales director for the event. “This is the earliest we sold out our Artists Alley and we have almost 190 tables. By focusing on the artists and giving them their due, they seem to keep coming back and signing up earlier — and they promote the show, which helps us out, too.” [Gazettes.com]
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