5 Deadpool Friends & Frenemies We Gotta See in the Sequel
Film, Comic Books
Awards | The winners of the first Kirkus Prize were announced last night, and Roz Chast took top honors in the nonfiction category for her graphic memoir Can’t We Talk About Something More Pleasant? Chast is also a finalist for the National Book Award, marking the first time a graphic novel has been nominated in one of the adult categories. [The Washington Post]
Legal | A Turkish court acquitted cartoonist Musa Kart on charges of insulting President Recep Tayyip Erdoğan, stemming from a cartoon Kart drew last year portraying the then-prime minister as complicit in covering up government corruption. “Yes, I drew it [the cartoon] but I did not mean to insult,” Kart said. “I just wanted to show the facts. Indeed, I think that we are inside a cartoon right now. Because I am in the suspect’s seat while charges were dropped against all the suspects [involved in two major graft scandals]. I need to say that this is funny.” If convicted, Kart could have faced nearly a decade in prison. [Today’s Zaman]
Auctions | The original art for two Peanuts Sunday comics, one of them autographed by Charles Schulz, sold for a combined price of $78,200 at auction on June 6. [artdaily.org]
Creators | Zander Cannon and Kevin Cannon, who are doomed to be forever yoked by the parenthetical phrase “no relation,” reminisce about the days when they were paid for their work in beef, and talk about their digital-first strategy, serializing Zander’s Heck and Kevin’s Crater XV in their monthly digital magazine Double Barrel before releasing them in print. Mark Waid drops in to praise the Cannons for their digital strategy, saying, “If you let the audience access your material over the Web rather than force them to search — often in vain — for a retail outlet, they’ll be your fans for life.” [Minneapolis Star Tribune]
Comics | To mark the 75th anniversary of Superman, and the premiere this week of Warner Bros.’ Man of Steel, Edward Helmore of The Telegraph recounts the long and bitter legal feud between DC Comics and the families of creators Jerry Siegel and Joe Shuster over the rights to to the multibillion-dollar property, a battle from which the publisher has seemingly emerged victorious. [The Telegraph]
Comics | The New York Post’s Reed Tucker has some ideas on how to “fix” comics, starting with cutting the cover price to increase sales. [Parallel Worlds]
Comics | With an exhibit of original art from Charles Schulz’s Peanuts opening in a local gallery last week, a local comic convention in the works, and a thriving comics retail scene all year round, South Florida could just be the next comics hotspot. [WLRN]
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Crater XV HC (Top Shelf, $19.95): I’ve been following (and loving) the serialization of Kevin Cannon’s follow-up to Far Arden in the digital pages of Double Barrel, but I know that I’ll be picking up this hardcover collection of the further adventures of sea dog Rusty Shanks nonetheless. The Canadian space program deserves no less.
In The Days of the Mob HC (DC Comics, $39.99): To say that Kirby’s 1970s take on the organized-crime world of the 1930s is something I’ve been longing to read since I first discovered its existence would be an understatement, so I’m definitely looking forward to this deluxe reprint, complete with material that wasn’t in the original edition.
Indigo Prime: Anthropocalypse TP (Rebellion/2000AD, $24.99): John Smith’s cosmic authorities are one of comics’ most secret treasures, I think, especially when he’s paired with an artist like Edmund Bagwell, who brings a wonderful Euro-Kirby influence to the stories in this collection. Really looking forward to this one.
Relish: My Life in the Kitchen GN (First Second, $17.99): As a sucker for good autobiographical comics and also good food writing, the idea of Lucy Knisley creating a food-centric memoir — complete with recipes! — is far too good to ignore. I love that publishers like First Second are publishing work like this.
Solo Deluxe Edition HC (DC Comics, $49.99): Even though I own most of these issues from their original appearance, the oversized hardcover format is waaaay too tempting when you consider some of the material this book has up its 500+ page sleeve: Paul Pope covering Kirby! Brendan McCarthy channeling Ditko as only he could! The amazing Darwyn Cooke issue! The only thing that could make this better would be if it included work completed on follow-up issues before the plug had been pulled … But maybe that can appear in a second volume, one day…
You might not have a Kobo e-reader, but if you’re reading Robot 6, you probably do have some sort of tablet, iOS or Android, or maybe a smartphone, yes? Well, here’s some good news: Kobo is having a half-price sale on graphic novels, and you can get its iOS and Android apps for free. So if you have been holding off on something, and you don’t mind having it in a different app than everything else, this is your lucky day.
Of course, much depends on what you like to read. There are no Marvel or DC Comics to be found, but if you’re a Walking Dead, Star Wars, Doctor Who or Buffy fan, Kobo has you covered. Lots of good indy stuff, too: Adam Warren’s Empowered, Brian Wood and Becky Cloonan’s Channel Zero, and the superb action comic Kill Shakespeare. The publishers most prominently represented seem to be Dark Horse, Image, IDW, Digital Manga (which publishes mainly yaoi manga but also Vampire Hunter D), Top Cow and Devil’s Due.
Before you pay full price for your second graphic novel, though, you might want to do a little comparison shopping; several of the Dark Horse books I checked were much cheaper on the publisher’s own digital app than in the Kobo store, and the Parker book below is only $7.99 at comiXology. Also, the Kobo store carries both single-issue comics and graphic novels, and it’s a bit pricey for the single issues, most of which seem to go for $4.99; Archie comics seem to be the exception to that.
With those caveats, here are a couple of books that I would recommend:
With Labor Day weekend upon us, now is a good time to stock the virtual longbox with some digital comics. We reported the other day that Image has made 20 of its #1 issues free on comiXology; here’s a roundup of some other free’ n’ cheap digital comics to check out over the holiday.
Centsless Books is a website that rounds up all the free Kindle books on Amazon, and it has a dedicated section for comics and graphic novels. There’s a preview of Batman: Earth One up there, and a lot of first issues of different indy series. Some of the graphic novels aren’t really — at least one book I checked was prose not a graphic novel, and Little Nemo’s Wild Sleigh Ride is a picture book that uses Winsor McCay’s illustrations (which are in the public domain). Well worth checking out, especially if you’re a First Second fan, are the two Between the Panels books, which are promotional pieces put out by Macmillan, with creator essays, character sketches and side stories, all related to different First Second graphic novels. Aside from that, it’s a pretty mixed bag, but one that looks like it will be fun to rummage around in. These Kindle comics will also work on the Kindle iPad and Android apps.
Infinity is a free iPad fanzine from Panel Nine, which has published Eddie Campbell’s Dapper John and David Lloyd’s Kickback as standalone iPad apps. The inaugural issue includes an interview with Lloyd, a preview of Dapper John, a roundup of digital-comics news, a couple of app reviews, art by Simon Russell, and an interview with PJ Holden, the creator of Murderdrome, a short comic that was booted from the iTunes store for being too violent (it’s actually a spoof). It’s a nice collection and well worth the effort of clicking that iTunes button.
Hello and welcome to another edition of What Are You Reading? Our special guest this week is Matthew Thurber of 1-800 Mice and Infomaniacs fame. To see what Matthew and the Robot 6 crew have been reading, click below.
Top Shelf has provided Robot 6 with a preview of Double Barrel #1, the digital-only pulp anthology by Zander Cannon and Kevin Cannon (no relation). The 122-page first issue, which goes on sale today, begins the serialization of two graphic novels: HECK, by Zander Cannon (The Replacement God, Top 10), about a washed-up high school football player who returns to his hometown to attend his father’s funeral, only to discover a portal to the underworld; and Crater XV, Kevin Cannon’s follow-up to Far Arden, featuring a new adventure of crusty sea-dog Army Shanks.
As if that weren’t enough, the $1.99 price tag — that’s tough to pass up! — also includes extras like this introductory comic, which you can read below. Double Barrel #1 is available for download today via Comixology, Apple iBooks, Comics+ by iVerse and the Top Shelf app.
Conventions | The New York Post previews this week’s New York Comic Con in a pair of articles, the second of which focuses on announcements from Marvel and DC. Marvel’s “Cup O’ Joe” panel will reveal how Fear Itself, Avengers: The Children’s Crusade and X-Men: Schism tie together, while DC plans to reveal “the surprising origin of a longtime member of the Justice League” and more creators who will work on their New 52 books, in addition to Andy Kubert. Update: Presumably the Justice League member with the surprising origin is Wonder Woman. [New York Post article #1, article #2]
Comics | Not surprisingly, DC saw double-digit increases in September compared to the year before, but the overall market was down a touch as graphic novel sales, lacking this year’s equivalent of Scott Pilgrim, were down. [The Comichron]
Business | Disney CEO Robert Iger, who oversaw the company’s purchase of both Marvel Entertainment and Pixar, will step down as CEO in March 2015. [Bloomberg]
E-books | Amazon announced it will allow Kindle users to read e-books from more than 11,000 libraries, marking a reversal of the company’s policy. Previously library users who borrowed e-books could read them on Barnes & Noble’s Nook, the Sony Reader and other devices, but not the Kindle. “We’re excited that millions of Kindle customers will be able to borrow Kindle books from their local libraries,” Jay Marine, Amazon’s director of Kindle, said in a statement. The Kindle Library Lending will debut later this year. [The New York Times, press release]
Publishing | Several DC Comics staff members laid off as part of the sweeping corporate restructuring — among them, editors Mike Carlin and Pornsak Pichetshote — have been hired by DC Entertainment’s newly formed Burbank-based Creative Affairs division, which operates alongside Creative Services. [Bleeding Cool]
Legal | Japanese police have arrested a 25-year-old man suspected of using Share file-sharing software to upload about 28,000 manga and anime files without the copyright holders’ permission. [Anime News Network]
For their upcoming April 1 issue, Game Informer recruited Zander and Kevin Cannon to create a mock cover for a future issue of the magazine. They chose to spotlight Bioshock 3 and featured the game’s main character, Big Daddy, looking a little past his prime.
An interview with Jim Ottaviani is long overdue, on multiple levels. Ottaviani is a storyteller that has been impressing peers and entertaining/informing readers since 1997. I should have interviewed the writer a long time ago. And in fact, I did. This email interview was conducted in mid-November 2009, but logistical snafus on my end prevented me from being able to post this interview until now. My apologies to Ottaviani for the delay. On the good news front, since this interview, Ottaviani’s latest book (T-Minus: The Race to the Moon)–which we discuss a great deal–was included in YALSA’s 2010 Great Graphic Novel for Teens (ALA) list. T-Minus, as described by Ottaviani at his G.T. Labs site, “tells you what happens when you take two global superpowers, dozens of daring pilots, thousands of engineers and scientists, and then point them at the night sky and say “Go!?” So join the whole world as it counts down to sending the first men to the moon, and discover the story of the people who made it happen, both in the rockets and behind the scenes.” We also got a chance to discuss his upcoming work for First Second and Tor.com.
Tim O’Shea: You’ve been writing graphic novels since 1997, a period of time that has seen numerous independent creators come and go. What about the creative process has kept you around and interested in projects?
Jim Ottaviani: The short answer is everything about the process keeps me interested: I enjoy finding out about new scientists and subjects, figuring out whether there’s a graphic novel in their story somewhere, doing the research, and then crafting that story. And the pleasure of seeing the finished product — a story I care about realized via the skills of artist(s) I admire — never grows old.
A few months back when I interviewed Dustin Harbin regarding this year’s HeroesCon, I made a mental note to follow-up with Harbin in another interview, where we could just discuss his creative projects/process. This interview was conducted via email several weeks back. Late last week, Harbin let me know that while he’s remaining as Creative Director at Heroes Aren’t Hard To Find and Heroes Convention, he will be reducing his hours at the store and has “gone full-time with cartooning”. My thanks to Harbin for another interview, I’m happy to say this one was even more fun than the last.
Tim O’Shea: How much are you paying Tom Spurgeon to pimp your work? Seriously, Spurgeon praises many talented storytellers, but he seems to be your number one fan. Did you buy him a lot of meals when he came to HeroesCon in 2008 or what?
Dustin Harbin: I remember having to argue with Tom just to be able to bring him a water: I tried hard to buy him a drink at the hotel bar, but he was leery of my seductive ways. I think Tom is like a lot of us–he’s a passionate advocate for people he thinks deserve wider recognition. I’m not basing this just on the very VERY kind attention he’s showed my comics so far, but he’s the reason I discovered Richard Thompson’s work, who you’ll agree Tom is an even more vociferous a supporter of. I don’t know what attracted Tom’s good feelings, but I’m incredibly grateful for them.