INTERVIEW: "Batgirl and the Birds of Prey" Hunt Rebirth's Oracle
Like most people, I prefer not to dwell too much on Fox’s League of Extraordinary Gentlemen, the 2003 film adaptation that could only have been assembled through a game of telephone, with each person involved passing along a whispered description of the acclaimed Alan Moore/Kevin O’Neill comic until it finally reached the director.
However, Florian Liedtke appears to have given the movie a good deal of thought, or at least enough to create a video he dubs “The REAL League of Extraordinary Gentlemen.” Produced for a university project, it’s a dreamlike title sequence, using O’Neill’s art. Essentially, it’s a stylish a motion comic, set to “The Other Side” by Woodkid (with some creative, and occasionally inspired, recasting).
Back in April Alan Moore told Padraig O. Mealoid that he was almost finished with the follow-up to Nemo: Heart of Ice. Titled Nemo: The Roses of Berlin, the graphic novel follows the further adventures of Janni Nemo, daughter of League of Extraordinary Gentlemen member Captain Nemo, as she takes over the family business (and submarine).
Thanks to Forbidden Planet, we now have some additional details on Roses of Berlin, including a cover, a release date and solicitation text:
“From The League of Extraordinary Gentlemen! Sixteen years ago, notorious science-brigand Janni Nemo journeyed into the frozen reaches of Antarctica to resolve her father’s weighty legacy in a storm of madness and loss, barely escaping with her Nautilus and her life. Now it is 1941, and with her daughter strategically married into the family of aerial warlord Jean Robur, Janni’s raiders have only limited contact with the military might of the clownish German-Tomanian dictator Adenoid Hynkel. But when the pirate queen learns that her loved ones are held hostage in the nightmarish Berlin, she has no choice save to intervene directly, traveling with her aging lover Broad Arrow Jack into the belly of the beastly metropolis. Within that alienated city await monsters, criminals, and legends, including the remaining vestiges of Germany’s notorious ‘Twilight Heroes’, a dark Teutonic counterpart to Mina Murray’s League of Extraordinary Gentlemen. And waiting at the far end of this gauntlet of alarming adversaries there is something much, much worse.”
I’m very fond of the output of artist David Roach. The Welshman has been an on-off contributor to 2000AD since 1988, as well as regularly working as an inker on the strip features in Doctor Who Magazine. I don’t remember him working much recently in the United States, where he regularly turned up at DC and Dark Horse both as a penciler and inker. He comes from a family of academics, and has been developing a parallel career of late as something of a comic book and illustration historian.
Roach regularly uses his Facebook page as an art blog, showcasing artists of all stripes, just as likely to be a fine artist as a comic illustrator, as well as occasionally featuring art from his own collection. This week he has been displaying scans from what he calls “surely the rarest collectible in the comics history.”
We do love a good GIF here at Robot 6. I could make all sorts of bold claims for the format, like it’s one of the first great digital native art forms. I could quote the nerds at the Oxford American Dictionaries who, after making it their 2012 word of the year, announced “the GIF has evolved from a medium for pop-cultural memes into a tool with serious applications including research and journalism, and its lexical identity is transforming to keep pace.” Or I could just point you to the Tumblr blog of the pseudonymous GIF creator ABVH, clearly someone who loves comics.
In the last few weeks he’s posted animated versions of images by Kevin O’Neill and Yale Stewart, but the clear winner is this unsettling adaptation of Jock’s instant-classic cover to Detective Comics #880.
“Even when I was writing the best version [of the movie] I could with more of the darkness and nuance and the feel of Alan Moore’s comic, I remember saying a summer movie is not — I wanted to write that film because it was an opportunity for me, but this is not the way these characters should be portrayed. The perfect version of League of Extraordinary Gentlemen would have been a British BBC series with great character actors, where it doesn’t rely on them being handsome or a box office draw and special effects, along the lines of Torchwood and Doctor Who. With League, it isn’t so much the epic effects, it’s the characters. The idea that they’ve come around and are trying to do a TV show doesn’t surprise me. I think it’s a smart move. We’ll see how good it is.”
“When [DC Comics] did the recent Watchmen prequel comics I said all of sorts of deeply offensive things about the modern entertainment industry clearly having no ideas of its own and having to go through dust bins and spittoons in the dead of night to recycle things. … The announcement that there is a League of Extraordinary Gentlemen television series hasn’t caused me to drastically alter my opinions. Now it seems they are recycling things that have already proven not to work.”
– Alan Moore, talking with Entertainment Weekly about last week’s announced that Fox has ordered a television pilot based on The League of Extraordinary Gentlemen
Welcome to the very last Food or Comics. Next week our new-release picks will take a different format, but this week we’re still talking about what comics we’d buy at our local shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Let’s be honest, if I had $15, I’d make sure that Batman Incorporated #8 (DC Comics, $2.99) was first on my list. Not because of any controversy — I’ve been enjoying the series all along — but because I’d be worried it’d sell out if I waited. I’d also grab two Dynamite books: Jennifer Blood #23 and Masks #4 (both $3.99); Al Ewing has done just insane, amazing things on the former, and the Chris Roberson/Dennis Calero team on the latter is just killing it.
If I had $30, I’d find myself time traveling to all the weeks prior in which I didn’t use all $30 to borrow a dollar from past-me, just so that I could get Showcase Presents Justice League of America, Vol. 6 (DC Comics, $19.99), which takes the series firmly into the 1970s and brings the team face to face with villains including the Shaggy Man, Amazo and countless other favorites of my childhood.
Should I have some splurging left in me after that nostalgia-fest, I’d likely go for the Judge Anderson: PSI Files, Vol. 3 collection (Rebellion, $32.99), which picks the series up just after I’d dropped off the 2000AD radar for awhile, and hopefully gives me the chance to get back into the character, now that I am firmly into Thrill Power again.
Legal | A federal judge this week made final his Oct. 17 decision that the heirs of Superman co-creator Joe Shuster surrendered the ability to reclaim their 50-percent interest in the property in a 1992 agreement with DC Comics, triggering an almost-immediate appeal to the 9th Circuit by Shuster estate lawyer Marc Toberoff. Jeff Trexler delves into the legal strategy behind the attorney’s motion for final judgment. [The Hollywood Reporter]
Legal | Todd McFarlane has settled his lawsuit against former employee Al Simmons, who earlier this year released a book in which he claimed to be the inspiration for Spawn. McFarlane had accused Simmons of violating the terms of his employment pact and breaching his duty of loyalty. Settlement terms weren’t disclosed. [The Hollywood Reporter]
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
G.I. Joe #1: As if G.I. Joe wasn’t entirely in my guilty pleasure wheelhouse already, IDW Publishing relaunches the title with Fred Van Lente as writer and the tease of social and media commentary as the team is forced to go public in its fight against Cobra. Seriously, that’s just unfair, people. (IDW, $3.99)
Hawkeye, Vol. 1: My Life As A Weapon TP: One of the best-looking comics around, thanks to David Aja (and Javier Pulido, on a couple of the issues contained herein), and something that I suspect I’m going to want in a collected edition to give to friends wanting some fun, fast-moving action stuff to read. Best thing Matt Fraction’s done in a long time, too. (Marvel, $16.99)
New Tales of Old Palomar HC: Continuing my Love and Rockets education, a chance for me to pick up Gilbert Hernandez’ return to Palomar in this new collected edition of his Ignatz series. This is definitely my favorite of Beto’s work, so I’m happy to see more. (Fantagraphics, $22.99).
The Sixth Gun: Sons of The Gun #1: A new spin-off series from Cullen Bunn and Brian Hurtt’s spectacular horror western? Why, I really don’t mind if I do, thanks very much. For added benefit, having Brian Churilla show up for art duties is pretty sweet, as well. (Oni Press, $3.99)
Young Romance: A New 52 Valentine’s Day Special #1: Even if I’m feeling less than enthused about the majority of DC’s superhero line lately, I have to admit, the idea of a Valentine’s Day special one-off is just far too tempting for me to ignore. (DC Comics, $7.99).
Legal | A Belgian court of appeals has ruled that Tintin in the Congo is not racist and stated that the book has “gentle and candid humour.” The ruling came in a case brought in 2007 by Bienvenu Mbutu Mondondo, an immigrant from the Congo, and the Belgian Council of Black Associations. Although Herge himself expressed regret in later life for the book, which includes numerous depictions of black characters as stupid and inferior, the court did not support the plaintiffs’ claim that “The negative stereotypes portrayed in this book are still read by a significant number of children. They have an impact on their behaviour.” [Sky News]
The longstanding links between The League of Extraordinary Gentlemen‘s U.K. publisher Knockabout and the London comic shop Gosh! mean that Gosh!’s blog is the place to go for news relating to Alan Moore and Kevin O’Neill’s ongoing opus. The retailer has posted a synopsis and cover image for the next installment, the stand-alone Nemo: Heart of Ice:
I had a hard time deciding what comic to feature here this week, so I figured what the heck–let’s not pick just one. So here are round-ups for three different comics this week, two first issues and the presumably concluding chapter to a big ol’ Alan Moore epic. So without further ado …
Written by Dan Abnett and Andy Lanning
Art by Brad Walker, Andres Guinaldo, Mark Irwin, Mariano Taibo and Stephen Downer
Published by BOOM! Studios
Bobby Shortle, Talking Comics: “The Hypernaturals #1, a new superhero science fiction yarn from Dan Abnett and Andy Lanning, is a fun, but flawed tale that suffers from a slow start and its inability to bring anything new to the table.”
Benjamin Bailey, IGN: “Dan Abnett and Andy Lanning do cosmic superheroes better than anyone today. They practically wrote the book on it. That’s what really makes this book such a letdown. Nothing happens within these pages that you have not read many times before. This issue hits so many cliches of the superhero genre it borders on silly. It’s hard to tell where exactly Abnett and Lanning are going with this story, but right now there is nothing to grasp on to and be interested in. It’s the same old song and dance. There is no hook; nothing to set it apart.”
The League of Extraordinary Gentlemen: Century 2009 by Alan Moore and Kevin O’Neill is due out this week, and the U.K. newspaper The Independent zeroes in on what everyone will be talking about: The Antichrist has arrived, and he sounds an awful lot like Harry Potter:
Though the words “Harry Potter” are never mentioned, the allusions are unmistakable. One section features a magical train hidden between platforms at King’s Cross station which leads to a magical school. The Antichrist character has a hidden scar and a mentor named Riddle. (Lord Voldemort, born Tom Riddle, is Harry Potter’s arch enemy in the Potter series.) Characters resembling both Ron Weasley and Hermione Granger also appear and, at one point, the Potter character kills someone with a lightning bolt from his flaccid penis.
So is Moore lining himself up with the religious fanatics who were burning the Harry Potter books in parking lots a few years ago? Of course not. Reviewer Laura Sneddon, who has actually read the book, says Moore is using the boy wizard to critique modern popular culture:
Legal | Stan Lee’s Guardian Project, introduced last year at New York Comic Con, has sparked a lawsuit from a Hollywood manager who claims he was cut out of the venture, which transformed National Hockey League mascots into superheroes.
In the lawsuit, filed last week in Los Angeles Superior Court, Adam Asherson contends the project, now co-owned by NBC Universal, dates back to 2003, when he was introduced to the idea by fellow manager Anthony Chargin and Chargin’s client Jake Shapiro. Asherson, who had a relationship with Lee, says he suggested the legendary comics writer would be the “perfect” partner for the endeavor. They pitched Lee on the project, called Defenders, which focused on the National Football League, with plans to expand to Major League Baseball, the National Basketball Association and the NHL. For unspecified reasons, the NFL deal never came together. However, six years later The Guardian Project emerged with the involvement of Chargin, Shapiro and Lee — but without Asherson.
Asherson claims Guardian Media Entertainment, SLG Entertainment, Chargin and Shapiro have breach an oral joint-venture agreement, committed promissory estoppel and fraud, and breach fiduciary duties by leaving him out of the NHL agreement. [Hollywood, Esq.]
The Astro Smurf (Papercutz) Despite mild—or should I say morbid?—curiosity, I’ve decided to hold off on seeing the new Smurfs movie until it’s on DVD. Or has been on DVD for a few years. Mostly because I’m afraid that seeing it will make it that much harder for me to enjoy Papercutz’ repackaged reprints of Peyo’s original Smurfs comics, which, even in the seventh volume, remain a surprising amount of fun.
The Astro Smurf features the unnamed Smurf whose defining characteristic is to be the first Smurf to fly into outer space and visit another planet. Papa Smurf and the rest of the village go to great (bordering on insane) lengths to make the little Smurf’s dream come true, even if it’s not technically possible for Smurf technology to send a Smurf into outer space. It’s paired with another story of Smurf tech, as a pair of Smurfs invents a submarine, and Gargamel builds his own sub to destroy it (That one’s titled “The Smurf Submarine,” not “The Hunt For Blue October”).
As with previous volumes, there are some less-than-perfect packaging decisions and questionable translation choices, but they’re more glitches than mortal wounds—The Smurfs trades remain one of the better amount of quality comics to price of comics values on the stands.