Kevin Smith Archives - Page 2 of 2 - Robot 6 @ Comic Book Resources
The most entertaining reading of the weekend wasn’t, surprisingly enough, the continued overblown response to Captain America #602 but rather Kevin Smith’s Twitter crusade against Southwest Airlines after he was removed from a flight for, well, being too fat.
It all started on Saturday after the filmmaker and comics writer, who according to the airline had purchased two seats for a flight from Oakland to Burbank, California, changed his plans, opting for an earlier flight. That meant Smith was flying standby on a plane that, by the time he boarded, had only one seat available.
Shortly thereafter is when the problem, and the subsequent public-relations headache, began. Let’s mark the starting time at 7:52 p.m. Pacific on Saturday, when Smith fired the first volley: “Dear @SouthwestAir – I know I’m fat, but was Captain Leysath really justified in throwing me off a flight for which I was already seated?”
“I flew out in one seat, but right after issuing me a standby ticket, Oakland Southwest attendant Suzanne (wouldn’t give last name) told me Captain Leysath deemed me a ‘safety risk,’” Smith continued. “Again: I’m way fat … But I’m not THERE just yet. But if I am, why wait til my bag is up, and I’m seated WITH ARM RESTS DOWN. In front of a packed plane with a bunch of folks who’d already I.d.ed me as ‘Silent Bob.’ So, @SouthwestAir, go fuck yourself. I broke no regulation, offered no ‘safety risk’ (what, was I gonna roll on a fellow passenger?). I was wrongly ejected from the flight (even Suzanne eventually agreed). And fuck your apologetic $100 voucher, @SouthwestAir. Thank God I don’t embarrass easily (bless you, JERSEY GIRL training). But I don’t sulk off either: so everyday, some new fuck-you Tweets for @SouthwestAir.”
But that, of course, was only the beginning.
They say nice guys finish last, but when event comics will finish is anybody’s guess. The demands of a high-profile series around which entire shared universes revolve can play havoc with scheduling. Naturally, editors and publishers love to maintain the artistic quality and consistency (and sales levels) provided by the big-name writer-artist teams that tend to lend such books a sense of “this is a big deal.” On the other hand, they need to get books out on time so that other series whose storylines depend upon what happens in the event can proceed as planned — and so that they don’t end up alienating retailers and readers. But these same readers and retailers can end up just as irritated if they get the sense that the creators are being rushed, or if fill-in artists aren’t up to snuff. It’s a tough row to hoe.
With his front-row seat for a variety of events this decade, including Avengers Disassembled, House of M, Civil War, and Secret Invasion, Marvel Executive Editor Tom Brevoort knows this better than anyone. So it was with an obvious mix of boldness and trepidation that he made the following prediction on his Twitter account:
It’s height of hubris time: I’m willing to bet that SIEGE will wrap up before BLACKEST NIGHT does.