Merc With A Movie: The 16-Year Odyssey of the "Deadpool" Film
“I never gave it a thought. I guess common sense would say it was made of orange rock too, but I always thought it was more interesting to think about Reed Richards. As you know, he had the ability to stretch, and sexually, that would seem to be a great asset in many areas.”
I’ve talked before about the oddness of Dynamite’s Green Hornet line, I think; the sheer deluge of books so quickly after launch, and the way it makes little sense to me in any way other than ensuring a lot of bookstore product in time for January’s movie release. But I’ve been reading a lot of the books recently, and now I have to admit: It makes even less sense. Continue Reading »
WWE.com reports that Dynamite Entertainment has enlisted wrestler and Monday Night Raw commentator Jerry “The King” Lawler to provide the cover to an upcoming issue of the Kevin Smith-written Green Hornet comic. Which issue he’d provide the cover for wasn’t specified.
“Not only is The Green Hornet one of the most important characters in American pop culture history… not only is this going to be one of the biggest launched comics of the year,” Lawler told WWE.com, “but I am also going to have cover art featured in an upcoming issue of The Green Hornet!”
This isn’t the first time we’ve heard word of Lawler’s involvement with comics. Back in 2006, we learned he was a huge Superman buff on WWE.com, and in 2007, the site had a brief item on a Superman project that Lawler was going to draw that I don’t think we’ve ever heard about since.
He also provided artwork for a WWE-themed children’s book, Mick Foley’s Christmas Chaos, written by fellow wrestler Mick Foley. You can also see some of his artwork from 1970s Memphis Wrestling programs here.
The first issue of Smith’s Green Hornet comic arrives in shops today.
The most entertaining reading of the weekend wasn’t, surprisingly enough, the continued overblown response to Captain America #602 but rather Kevin Smith’s Twitter crusade against Southwest Airlines after he was removed from a flight for, well, being too fat.
It all started on Saturday after the filmmaker and comics writer, who according to the airline had purchased two seats for a flight from Oakland to Burbank, California, changed his plans, opting for an earlier flight. That meant Smith was flying standby on a plane that, by the time he boarded, had only one seat available.
Shortly thereafter is when the problem, and the subsequent public-relations headache, began. Let’s mark the starting time at 7:52 p.m. Pacific on Saturday, when Smith fired the first volley: “Dear @SouthwestAir – I know I’m fat, but was Captain Leysath really justified in throwing me off a flight for which I was already seated?”
“I flew out in one seat, but right after issuing me a standby ticket, Oakland Southwest attendant Suzanne (wouldn’t give last name) told me Captain Leysath deemed me a ‘safety risk,'” Smith continued. “Again: I’m way fat … But I’m not THERE just yet. But if I am, why wait til my bag is up, and I’m seated WITH ARM RESTS DOWN. In front of a packed plane with a bunch of folks who’d already I.d.ed me as ‘Silent Bob.’ So, @SouthwestAir, go fuck yourself. I broke no regulation, offered no ‘safety risk’ (what, was I gonna roll on a fellow passenger?). I was wrongly ejected from the flight (even Suzanne eventually agreed). And fuck your apologetic $100 voucher, @SouthwestAir. Thank God I don’t embarrass easily (bless you, JERSEY GIRL training). But I don’t sulk off either: so everyday, some new fuck-you Tweets for @SouthwestAir.”
But that, of course, was only the beginning.
They say nice guys finish last, but when event comics will finish is anybody’s guess. The demands of a high-profile series around which entire shared universes revolve can play havoc with scheduling. Naturally, editors and publishers love to maintain the artistic quality and consistency (and sales levels) provided by the big-name writer-artist teams that tend to lend such books a sense of “this is a big deal.” On the other hand, they need to get books out on time so that other series whose storylines depend upon what happens in the event can proceed as planned — and so that they don’t end up alienating retailers and readers. But these same readers and retailers can end up just as irritated if they get the sense that the creators are being rushed, or if fill-in artists aren’t up to snuff. It’s a tough row to hoe.
With his front-row seat for a variety of events this decade, including Avengers Disassembled, House of M, Civil War, and Secret Invasion, Marvel Executive Editor Tom Brevoort knows this better than anyone. So it was with an obvious mix of boldness and trepidation that he made the following prediction on his Twitter account:
It’s height of hubris time: I’m willing to bet that SIEGE will wrap up before BLACKEST NIGHT does.