TOY FAIR EXCLUSIVE: First Look at DC's Jim Lee BlueLine Superman
Graphic novels | The 70th volume of Naruto topped the June BookScan graphic novel charts, followed by Alison Bechdel’s Fun Home and the 23rd volume of The Walking Dead. The rise up the chart by Bechdel’s celebrated 2006 memoir can probably be chalked up to its musical adaptation, which opened in January on Broadway and earned five Tony Awards. [ICv2]
Conventions | Lisa Halverstat rounds up some facts about Comic-Con International, including the number of attendees at the first Comic-Con (100), the number of scheduled events (2,040) and the amount of money con-goers are expected to spend in San Diego ($80.4 million, or $619 per person). [Voice of San Diego]
Margaret Atwood wrote some of the best literary works of the modern era, both in terms of feminist novels and essays and in terms of all-around fascinating and engaging tales from multiple genres. So, news of Atwood contributing to an all-female anthology aimed at “geek girls” and consisting of non-fiction tales and comic strips about dating, love and sex comes as a really pleasant exciting surprise. But what’s even more surprising and exciting is the fact that Atwood won’t be contributing a prose piece: she’ll be drawing a comic strip.
Legal | Mohammed Moghini, the attorney for jailed Iranian cartoonist Atena Farghadani, has been arrested for shaking his client’s hand. (According to this Pakistani source, the official charge is “fornication.”) Held at Rajai Shahr Prison, his bail has been set at about $7,000. This presents a potential problem for Farghadani, who was recently sentenced to 12 years in prison for drawing a cartoon “insulting” the country’s Parliament and leader, as she has only a limited time to appeal that sentence, and now her attorney is behind bars. [The Daily Cartoonist]
In its first crowdfunding case, the Federal Trade Commission has taken legal action against the developer of a board game who raised more than $122,000 on Kickstarter but failed to deliver a product.
Erik Chevalier of The Forking Path Co. launched a fundraising campaign in 2012 for The Doom That Came to Atlantic City, a lighthearted Lovecraftian board game created independently by industry veterans Lee Moyer and Keith Baker. With pledge incentives that included original art, pewter playing pieces and an afternoon of hosted gaming, the Kickstarter effort rocketed past its original $30,000 goal.
Fans of John Layman and Rob Guillory’s Eisner and Harvey Award-winning Image Comics series “Chew” have successfully backed a Kickstarter campaign for a Tony Chu mini-bust — and there’s still time for more.
Designed by Guillory and Israel Skelton and sculpted by Derek Hallett, the mini-bust stands over seven inches tall and features Tony emerging from a can of beets with his gun drawn, ready for FDA action.
Creators | Daniel Clowes talks about Eightball, his hate mail, and the Shia LaBeouf affair: “I mean, I don’t hold a grudge. I don’t think about it that much. But I don’t think what he did was really forgivable. I don’t know that it matters that much if he’s apologizing or whatever. I just hate the idea of anybody doing that to some young artist who couldn’t hire legal representation. I’m sort of the one guy who could deal with something like that, and it would be really possible for somebody with his amount of money and power to just crush some poor young artist if that happened to them, and I would hate to see that. So I don’t think it’s something that needs to be forgiven; I think it’s something that always needs to be thought of as just a horrible thing to do.” [Vulture]
Just two days after its launch, the Kickstarter campaign for the role-playing game based on The Sixth Gun has already exceeded its $5,000 goal by more than $24,000.
According to Oni Press, the publisher of the supernatural Western series by Cullen Bunn, Brian Hurtt and Bill Crabtree, the effort has surpassed $27,000 within the first 24 hours.
Few Kickstarter pitch videos are genuinely funny, but the one created by longtime collaborators Craig Rousseau and Todd Dezago for their new Perhapanauts campaign is one of them. Maybe that’s why they’re nearly halfway to their $15,000 goal just a day after the launch. It’s amazing what you can accomplish with a Chupacabra puppet and an artist in a bear suit …
After a decade of releasing Perhapanauts first through Dark Horse and then Image Comics, Dezago and Rousseau are returning to self-publishing for the 64-page graphic novel The Perhapanauts: Into Hollow Earth, which continues the adventures of the operatives of Bedlam — taking them inside the Earth itself.
Creators | Saying his job has become “too much to bear,” cartoonist Renald Luzier (Luz) is leaving the French satirical magazine Charlie Hebdo. He said he worked too hard in the aftermath of the January attack on the Charlie Hebdo offices in which 12 people, most of them his co-workers, were killed, and he did not give himself time to grieve. “I needed time but I carried on for solidarity and not to let anyone down,” he said. However, the loss is taking its toll: “Each issue is torture because the others are gone.” He had previously announced he would no longer draw cartoons of the Prophet Muhammad, saying it no longer interested him, and he is tired of the media attention. “We are not heroes, we have never been, we never meant to be,” he said. “Everyone evokes the spirit of Charlie for anything and everything now.” [The Independent]
Toronto Comic Arts Festival organizer Christopher Butcher opened the 2014 show by announcing the “unspoken theme” of that year’s show was spotlighting work by women creators. “Then,” I noted at the time, “Butcher did something truly amazing: He introduced a panel of three women that was not titled ‘Women in Comics.'” This year’s festival continued that theme, showcasing a diverse group of artists and spreading that diversity across the breadth and depth of the show.
In fact, the first thing I noticed when I looked over the schedule was there was no “Women in Comics” or “LGBTQ Comics” panel. There were a couple of more specialized panels — one on gay comics art in Japan, another on older women and comics — but for the most part, the diversity was just sort of there, no further comment needed. The “Art of the Travelogue” panel moderated by my con roommate Johanna Draper Carlson, for instance, featured four women and two men, and it didn’t seem like a particularly big deal until I started to write this article. This may be a watershed in the history of comics events.
Publishing | Paul Kaminski, Archie Comics’ executive director of editorial since 2012, has left the publisher to become an associate editor for DC Comics’ Superman Group. Kaminski joined Archie in 2007, editing such titles as Sonic the Hedgehog, Mega Man and The New Crusaders. [Twitter]
Museums | The reason the Cartoon Art Museum is vacating its current location is familiar to San Franciscans, says curator Andrew Farago: “The price per square foot is going to more than double, and that’s just not viable for us. The landlords are giving us what considerations they can, but ultimately it’s a business decision.” The museum will remain open in its current location, on Mission Street, until June 28; a new venue has not been found yet. [SFGate]
She launched Templar, Arizona at a time when the webcomics business model was still being hammered out — and a lot of people were still dubious about it. However, Trotman not only made it work, she expanded the scope of what she does, running a Kickstarter for the Poorcraft graphic novel, then curating and publishing the Smut Peddler anthology, which was also funded on Kickstarter. Her small press Iron Circus Comics is now publishing its first creator-owned work, an omnibus edition of EK Weaver’s webcomic The Less Than Epic Adventures of TJ and Amal, which was just successfully funded on Kickstarter — in fact, the project raised $65,000, far exceeding its goal of $18,500.
This seemed like a good time to talk to Spike about growing her own small press—and what the future holds for Iron Circus.
The era before World War II was known as the Belle Epoque, the Beautiful Age, in France, but that was for the rich. For the poor and the working class, it was a time of harsh conditions and few opportunities, and numerous anarchist groups sprung up amid the disenfranchised. Among them was the Bonnot Gang, ideological criminals whose anarchist principles led them to go on a crime spree in France in 1911-12, robbing banks and stealing from the rich (they were the first bank robbers ever to use a getaway car). The Illegalists is their story.
Or rather, it will be their story if the graphic novel is completed. Right now, writer Stefan Vogel is running a Kickstarter campaign to raise the funds to finish it. The artist is Attila Futaki, whose credits include the Image Comics series Severed (written by Scott Snyder and Scott Tuft) and the second Percy Jackson graphic novel.
Retrofit Comics is extending its early bird sale, allowing readers to subscribe to a full year of their comics for just $65, shipping included.
That includes original single-issue comics by Kate Leth, Olivier Schrauwen and Matt Madden, as well as some up-and-coming creators you probably haven’t heard of … yet. But wait! There’s more! They also throw in a free digital version of each comic (in PDF format) and two free gifts and you can have one of their 2014 comics sent to a friend! If that’s all too much, there’s also a digital-only option for $35.
Retrofit, which publishes single-issue alt-comics, was launched in 2011 by creator Box Brown with initial funding from a Kickstarter campaign. The idea is to allow creators to publish single-issue comics, which Brown sees as an important part of the creative process:
Although he’s long since departed this mortal plane, author H.P. Lovecraft left an indelible mark on people — Ben Templesmith among them.
A noted horror writer and artist in his own right, Templesmith is tackling a graphic novel adaptation of one of Lovecraft’s earliest published works. Just four days after launching a Kickstarter campaign to fund the project, he’s already raised more than five times his $14,800 goal. In the wake of such overwhelming success, Templesmith has expanded the graphic novel’s size from 48 to 72 pages, and added in a Lovecraft portrait print with any book order.