EXCLUSIVE CLIPS: "Justice League: Gods and Monsters" Plot Revealed
Although he’s long since departed this mortal plane, author H.P. Lovecraft left an indelible mark on people — Ben Templesmith among them.
A noted horror writer and artist in his own right, Templesmith is tackling a graphic novel adaptation of one of Lovecraft’s earliest published works. Just four days after launching a Kickstarter campaign to fund the project, he’s already raised more than five times his $14,800 goal. In the wake of such overwhelming success, Templesmith has expanded the graphic novel’s size from 48 to 72 pages, and added in a Lovecraft portrait print with any book order.
The couple, who’s owned the store for 33 years, recently learned their lease isn’t being renewed because the physician next door is looking to expand and offered more money. “We weren’t given a choice,” Marsha Giroux told CBS 5. “And, this beautiful store, filled with amazing stuff, is going to be a waiting room for a doctor’s office.”
Last year Bill Finger biographer Marc Tyler Nobleman campaigned unsuccessfully for a Google Doodle to celebrate the 100th anniversary of the writer’s birth, but now he’s proposing a more attainable goal: a commemorative bench in Poe Park in The Bronx, New York, honoring the uncredited co-creator of Batman.
In a blog post published Sunday — Finger’s birthday — Nobleman dusts off a Kickstarter proposal he’d written in 2013 that lays out the plan, which calls for $6,000 to install the bench and plaque as part of the New York City Department of Parks & Recreation’s Adopt-a-Bench program. “If it generates enough enthusiasm here, it might embolden me to launch it immediately!” he writes.
Nobleman, author of Bill the Boy Wonder: The Secret Co-Creator of Batman, states that the project would not only “help right a wrong,” but also make pop-culture history as “the first memorial honoring a superhero creator in NYC, the Superhero Capital of the World.”
That’s the story of the upcoming comic series Shrinkage, but as you can tell from the title, it has an extra helping of humor. Akin to Tim Burton’s adaptation of Mars Attacks, Shrinkage mixes political humor with anxiety over alien invasion — and it comes from one of the writers of The Daily Show and Conan.
Conventions | With the long-planned expansion of the San Diego Convention Center stalled indefinitely, the Los Angeles Times offers an overview of efforts to keep Comic-Con International in the city past 2016, and what suitors like Los Angeles and Anaheim, California, have to offer. “The proposals we’ve received are pretty amazing,” says Comic-Con spokesman David Glanzer. “It’s not an easy decision.” However, the San Diego Tourism Authority remains confident that convention organizers will sign a deal — possibly with a month — to remain in the city through 2018, based on an agreement for nearby hotels to offer their meeting space for Comic-Con programming. (The Tourism Authority has already asked hotels in the Comic-Con room block to freeze their rates at 2015 levels for the next two years.) [Los Angeles Times]
Two decades after the debut of Nocturnals, the fan base for Dan Brereton’s pulpish horror-adventure shows little sign of dwindling.
Case in point: Within days of launching a Kickstarter campaign for Nocturnals: The Sinister Path, Brereton & Co. have surpassed their $30,000 goal by nearly $10,000.
The 64-page graphic novel, described as “the scariest, hard-boiled tale yet told in their saga,” will be released in three editions: a softcover that will also be sold in stores; a limited sketch cover; and a wraparound hardcover with additional content.
Edited by Michael McDermott, it began life in late 2013 as a modest (if eclectic) anthology of sci-fi and fantasy stories seeking funding through Kickstarter. But as interest and pledges increased — the campaign raised nearly triple its goal — so did the number of pages and indie creators, so that what began as a 56-page comic soon became a 160-page collection.
However, the growth didn’t stop there: When McDermott signed a deal to release Imaginary Drugs through IDW, even more creators were brought on board, bringing the edition that arrives Jan. 27 to a whopping 208 pages.
McDermott, who also wrote several of the stories in the anthology, spoke with ROBOT 6 about the genesis of Imaginary Drugs, how he went about recruiting contributors, lessons learned from the Kickstarter campaign, and the benefits of teaming with IDW.
After successfully funding the first two issues of Noir City through Kickstarter, writer Cody Walker is back with a decidedly different project: Everland, a collection of four connected tales set in a dark fantasy world that will likely be familiar.
Walker has collaborated with a different artist on each of the stories: Chris Yarbrough on “Surviving Everland,” in which a fairy kidnaps a boy, who must survive in a jungle; Nate Peters on “The Boy-God Horror,” in which a terrified pirate fights the Boy-God; Ryan Wheaton on “Mermaid Love,” in which a shipwrecked pirate finds unlikely love; and Nathan Judah on “Monster Slayer,” in which an Iroquois girl seeks revenge against a giant crab for the death of her father.
Crowdfunding | Digital Manga Publishing’s recent Kickstarter campaign raised some questions as to the proper role of crowdfunding in publishing. When DMP acquired the rights to all of Osamu Tezuka’s manga that haven’t already been translated into English, CEO Hikaru Sasahara launched an ambitious Kickstarter effort to publish about 400 volumes in just a few years. The campaign raised eyebrows not only because of the large amount of money involved (with stretch goals, it would have been more than half a million dollars) but also because it went beyond the direct costs associated with single volumes to include travel and staffing. That campaign failed, but DMP immediately launched another one that’s closer to the usual model. I interviewed Sasahara and one of his most prominent critics to get both sides of the discussion. [Publishers Weekly]
Editorial cartoons | The Indianapolis Star first altered a cartoon by Gary Varvel and then removed it from its website after receiving an outpouring of protests from readers. The cartoon, a reaction to President Obama’s executive actions delaying deportations, showed a white family sitting around a Thanksgiving table, looking in horror as brown-skinned people, presumably immigrants, climbed in the window. The caption was “Thanks to the president’s immigration order, we’ll be having extra guests this Thanksgiving.” “Gary did not intend to be racially insensitive in his attempt to express his strong views about President Barack Obama’s decision to temporarily prevent the deportation of millions of immigrants living and working illegally in the United States,” Executive Editor Jeff Taylor said in a post explaining the removal of the cartoon. “But we erred in publishing it.” Tom Spurgeon offers some commentary. [Indianapolis Star]
Creators | In a new profile of Naif Al-Mutawa, the creator of the Islamic superhero comic The 99 addresses the death threats made against him by ISIS and the fatwa issued against the animated adaptation in Saudi Arabia, and reveals he recently met with Kuwaiti police “to answer the charges of being a heretic.” Mutawa also blames pressure from “a handful of conservative bloggers” in the United States for The Hub not following through with plans to air the animated series. He said that after President Obama praised his work in 2010, attacks on him escalated in the United States, where he was painted as a jihadist “intent on radicalizing young kids to make them suicide bombers. And here [in the Gulf] I became an apostate Zionist. My mother told me growing up, be careful who your friends are because you end up inheriting their enemies. And that’s what happened: I don’t know President Obama. I’m very honored he called me out. But the hate became magnified after that.” [Al-Monitor]
SLG Publishing has been a major part of the American comics industry, helping to usher in notable creators like Charles Soule, Jhonen Vasquez and Jim Rugg. But for the past few years the publisher has been struggling.
Founder Dan Vado has been public about the company’s financial status, turning to crowdfunding platforms for help in keeping the business afloat — but with little success. He organized two unsuccessful Kickstarter campaigns in 2012, and returned this year, first with a GoFundMe effort and now with Patreon.
While none of the campaigns have reached the stated goal, Vado remains hopeful. The comics industry has witnessed numerous successful crowdfunding campaigns (even on a publisher level, such as with Fantagraphics), but SLG’s plight underscores that, unfortunately, they don’t all work out that way. But what’s so different about SLG’s situation?
LeSean Thomas’ fabled fantasy Cannon Busters series may finally be returning, only this time in animated form.
The TV animation producer/director/artist has launched a $120,000 Kickstarter campaign to fund an eight- to 10-minute animated pilot for Cannon Busters: The Animated Series, featuring contributions from the likes of Joe Madureira, Thomas Romain and Tim Yoon.
Awards | Alexis Deacon has won the 2014 Observer/Cape/Comica graphic short story prize for “The River,” “a luscious, tangled, whispering kind of story” that earned him £1,000 (about $1,611 U.S.). The runners-up were Fionnuala Doran’s “Countess Markievicz” and Beth Dawson’s “After Life.” The short-story competition has been held annually since 2007 by London’s Comica Festival, publisher Jonathan Cape and The Observer newspaper. [The Observer]
Publishing | Mark Peters spotlights Archie Comics’ recent transformation from staid to startling, with titles like Afterlife With Archie and the new Chilling Adventures of Sabrina. [Salon]
Superheroes come from all walks of life: journalists, scientists, school teachers, lawyers, even fast-food workers. But what about a DJ? In The Future Prophecy, two DJ sisters take on a dystopian version of Toronto under the control of a mutant army. But they aren’t just any DJ sisters, they’re creators — and real-life DJs — Sara Simms and Melle Oh.
So far, Simms and Oh have self-published two issues of The Future Prophecy, but to produce four more they’ve turned to Kickstarter.