Comic-Con Trailers: The Best of the Best, Ranked
Publishing | Heidi MacDonald catches word that Top Cow Publisher Filip Sablik is moving on to a new job, which will be announced next month at Comic-Con International (Rich Johnston contends that gig is at BOOM! Studios). Friday will be Sablik’s last day at Top Cow; Social Marketing Coordinator Jessi Reid will assume his marketing duties. [The Beat, Bleeding Cool]
Creators | Through its partnership with the Small Press Expo, the Library of Congress has acquired works by cartoonists Matt Bors, Keith Knight, Jim Rugg, Jen Sorensen, Raina Telgemeier, Matthew Thurber and Jim Woodring. Dean Haspiel’s minicomics collection was added to the holdings just last week. [Comic Riffs]
Comics | Calling Tintin a “Catholic hero,” the Vatican newspaper L’Osservatore Romano took strong exception to the decision by U.K. publisher Egmont to sell the controversial Tintin in the Congo with a protective band around it — or, as the paper says, “wrapped up like a pornographic magazine and consigned to the adults-only section” of bookstores because of its portrayal of racial stereotypes. If you’re going to do that, the editorial argues, why not ban Boy Scouts, which were founded by notorious eugenicist Anthony Baden-Powell? “But then, he was English,” the paper snidely concludes. [Agence France-Presse]
Digital | ComiXology confirmed Tuesday that the Comics by Comixology app will be available for Amazon’s Kindle Fire when it goes on sale next week. ComiXology CEO David Steinberger said the company is prepared for the smaller screen size the Fire has, compared to the iPad: “Ah, well we’re lucky there, because our Guided View reading technology was designed first for a very small device — the iPhone — long before tablets became the norm. A great comics reading experience is one of the core reasons we’re so successful, and it translates great to all devices, from small to large. The Comics by comiXology reading experience is the same on all platforms, so it’s going to be very familiar to our fans. You can toggle in and out of Guided View with a simple double-tap. The Fire has a great screen, and for those pages that have lettering a little too hard to read, Guided View is a fun way to get in there and see the details.” [Chicago Sun Times]
I’m biased: 12 percent of the titles that they’ve physically removed were written by me. From my perspective, it’s a ridiculous overreaction [by Barnes & Noble]. The idea that these people [Amazon] have a digital exclusive, therefore [B&N] will give them a physical exclusive, too — I’m not sure it’s a sane business practice.
If you force publishers to decide between the Amazon tablet and the Barnes & Noble Nook, some of them may come down on the Amazon side.
Creator Neil Gaiman on Barnes & Noble’s removal of DC’s graphic novels from its shelves after Amazon announced DC’s graphic novels would be exclusive on the Kindle Fire e-reader for a limited time. Gaiman’s comment is a reminder that this action affects real people—and carries a certain amount of risk for both creators and publishers.
Noted in passing: I was in my local Barnes & Noble over the weekend, and while the graphic novel section has shrunk way down (to a single six-bay bookcase), there were plenty of DC graphic novels on the shelf.
In the nearly two weeks since Barnes & Noble drew a line in the sand, pulling 100 of DC Comics’ top-selling graphic novels from its shelves to protest the publisher’s exclusive agreement with Amazon’s new Kindle Fire, there’s been little visible change in the tablet wars. That is, unless you count the decision by Books-A-Million to follow the chain’s lead.
Both sides appear to have dug in, with Barnes & Noble and Books-A-Million insisting that books be available in all formats to all customers — specifically, their customers and their e-reader — and DC and parent company Warner Bros. insisting they’re misunderstood, and more than a little disappointed.
There are hints, however, that behind the scenes things may be a bit less … concrete.
Although there’s been some indication that DC’s exclusive arrangement with Amazon will last just four months, meaning graphic novels like Watchmen, Fables, Y: The Last Man and The Sandman could be available digitally for other platforms by mid-March, the publisher has yet to say so, much to the frustration of some fans (and, I would imagine, certain retailers).
In its overview of the dispute, The New York Times notes the DC website trumpets the books are available “exclusively to Amazon’s newly announced Kindle Fire,” period. No qualifiers. But comments for DC Co-Publisher Jim Lee lend credence to reports that the Amazon exclusivity is for a limited time.
Although he cited a nondisclosure agreement with the online retail giant, Lee still told the newspaper that, “Just because we’re starting with Amazon, this is not the be-all and end-all of our digital strategy and distribution.”
And to DC readers frustrated by the deal? “We say to our fans, have a little patience.”
Retail chain Books-A-Million has followed the lead of Barnes & Noble, pulling from its shelves the 100 graphic novels DC Comics plans to sell exclusively on Amazon’s new Kindle Fire.
Barnes & Noble, the largest bookstore chain in the United States, removed the top-selling titles late last week — they include The Sandman, Fables, Watchmen and Batman: The Dark Knight Returns — citing a policy “that unless we receive all formats of a title to make available to our customers, we will not sell those physical titles in our stores.”
Publishers Weekly reports that Books-A-Million, which operates 211 stores in 23 states, has taken the same position, with CEO Terrance Finley saying in a press release that supporting a publisher that “selectively limits distribution of their content” isn’t in the best interest of the store’s customers.
“We will not promote titles in our stores showrooms if publishers choose to pursue these exclusive arrangements that create an uneven playing field in the marketplace,” he continued.
DC’s deal with Amazon apparently only lasts for four months, beginning Nov. 15, so it remains to be seen whether Barnes & Noble and Books-A-Million will return the graphic novels to their shelves when the exclusive arrangement lapses in mid-March.
Working with Graphicly, the publisher will expand to the company’s new Facebook app as well as to Amazon’s newly announced Kindle Fire. Image’s Facebook page will serve as a browseable store where potential readers can preview and purchase comics.
As of Wednesday such titles as Chew, The Infinite, Pilot Season, Severed and Skullkickers will join The Walking Dead and Invincible is being available digitally the same day as print.
“Publishing our top titles the same day digitally as print will allow our loyal reader to buy their favorite comics on almost any smartphone and tablet, while also getting them into the hands of new readers and grow the market,” said Image Comics Publisher Eric Stephenson.
Immediately after Amazon announced its new full-color tablet, the Kindle Fire, on Wednesday, eagle-eyed comics fans noticed something they hadn’t seen before: evidence of a digital version of Alan Moore and Dave Gibbons’ seminal comics work Watchmen. The next day, DC Comics officially announced an exclusive deal with Amazon to offer not only the full Watchmen story in one download for a single price, but to unleash a wave of other graphic novels and collected editions, all formatted for the November-debuting Fire.
As with any announcement for a product not yet available, there remain some questions about the Kindle Fire, the DC agreement, and their effects on digital comics. Here are the ones Robot 6 has: