Chris Pine Reportedly Closes "Wonder Woman" Deal
IDW may be one of the Big Five publishers in the direct market — that is, one of the five publishers whose titles are listed separately from those of the hoi polloi in Diamond Comic Distributors’ Previews catalog. But unlike the Biggest Two, IDW’s line consists mainly of comics based on a variety of licensed concepts*, and therefore do not feature shared settings like the DC Universe or the Marvel Universe.
You’d think that would prohibit the company from doing the sorts of line-wide crossover stories that DC and Marvel have been pumping out with regularity, but IDW has found a pretty clever way to have its licensed comics cake and eat its intra-company crossovers as well, by dreaming up a fairly generic threat, and then having that threat appear in a bunch of unrelated comics whose characters never really meet.
Rather than all the characters teaming up to fight the same threat on the same battlefield at the same time, as in your Crisis on Infinite Earths or Civil War or whatnot, IDW’s crossovers are a bit more like individual battles in large-scale wars taking place in different dimensions.
So, for example, 2011’s Infestation crossover pitted zombies from the publisher’s Zombies Vs. Robots comics against characters from G.I. Joe, Transformers, The Ghostbusters and Star Trek, in two-issue miniseries set in different universes. That was followed by Infestation 2, in which Lovecraftian space-god-monster-things invaded the home universes of G.I. Joe, Transformers, Dungeons & Dragons, Teenage Mutant Ninja Turtles and 30 Days of Night.
More recently, IDW published a much smaller-scale, simpler crossover story of sorts in Mars Attacks …, in which the little green skull-faced men of the 1960s Topps collectible cards (and 1996 Tim Burton movie) “invaded” comics featuring a comically diverse group of licensed characters. For the more patient among us, it arrived in trade format this month, in a collection titled Mars Attacks IDW.
Yahoo! Japan has excerpted the first chapter of the serialized manga adaptation of Steve Jobs: The Exclusive Biography, debuting today in the josei anthology magazine Kiss.
Based on Walter Isaacson’s authorized biography of the late co-founder of Apple, the manga is Mari Yamazaki’s follow-up to her acclaimed historical comedy Thermae Romae, which concluded earlier this month. Publishing giant Kodansha, which owns Kiss, published Isaacson’s 2011 book in Japan.
There’s also a new nearly minute-long promo spot, featuring Yamazaki, which you can see below, along with some pages from the manga’s first chapter.
Japanese publishing giant Kodansha will debut a serialized manga adaptation of Steve Jobs: The Exclusive Biography in the May issue of Kiss magazine, out March 25, Anime News Network reports.
The manga will be Mari Yamazaki’s follow-up to Thermae Romae, her acclaimed historical comedy that comes to an end March 12 in Monthly Comic Beam. Yen Press publishes that manga in North America. Appearing Tuesday on the talk show Hello from Studio Park, Yamazaki revealed a peek at her rendition of Jobs, and said she felt sympathy for the computer pioneer.
Released in October 2011, less than three weeks after the death of the Apple co-founder, the authorized biography by Walter Isaacson is based on more than 40 interviews conducted with Jobs as well as with family members, friends, colleagues and competitors. Kodansha published the book in Japan.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15 (big “if” this week!), I’d take a break from the struggles of adult life and find sanctuary in the pages of high mythology thanks to Jason Aaron and Esad Ribic’s Thor: God of Thunder #4 (Marvel, $3.99). Aaron and Ribic have really build up an excellent foil for Thor in the God-Killer, and also snuck in the idea of Young Thor and Old Thor – something I’d love to see expounded upon in their own series or one-shot (hint-hint). Second up would be the startling potent promise of Star Wars #1 (Dark Horse, $2.99). I never thought I’d see Brian Wood do a Star Wars comic, but I’m so glad he is – and seemingly doing it on his own terms. Thinking of him writing Princess Leia, and the potential there specifically has been rolling around in my brain for weeks. Third, I’d get two promising artist-centric series (at least for me) in B.P.R.D.: Hell On Earth — Abyss Time #1 (Dark Horse, $3.50) and TMNT: Secret of the Foot Clan #1 (IDW, $3.99). James Harren and Mateus Santolouco, respectively, are two artists I’ve been keen on for the past year and both of these books look like potential breakouts to a bigger stage. On the TMNT side, I’ve always thought Shredder and the Foot Clan to be one of the most overlooked great villains in comics, so I’m glad to see some focus on that and some potential answers.
If I had $30, I’d continue my super(comic)market sweep with Womanthology: Space #4 (IDW, $3.99). This series has two things I love: new, young creators and a space theme. I’ve been on a space opera/sci-fi kick for a while now thanks to Saga and re-reading some Heinlein, so this anthology series comes to me most fortuitously. Next up would be Legend of Luther Strode #2 (Image, $3.50). Luther Strode is a real down-and-out kind of hero, like some sort of action-based Charlie Brown. Tradd Moore’s artwork really makes this sing, too. Finally, I’d get two Marvel books with Secret Avengers #36 (Marvel, $3.99) and Wolverine and the X-Men #23 (Marvel, $3.99). I’m gritting my teeth on the latter – not because it’s bad, but because it isn’t as good for me as the previous arcs. For Secret Avengers, I feel Rick Remender and Matteo Scalera’s run on this has been sadly overlooked in the wave of Marvel NOW books, but this mega-arc about the Descendents and now Black-Ant has been great. I’d love to see Black-Ant as a permanent part of the Marvel U.
If I could splurge, I’d throw practicality out the door and shell out big bucks for the Black Incal deluxe hardcover (Humanoids, $79.95). There’s few times I’d spend nearly 80 bucks on a comic, but this classic story by Alejandro Jodorowsky and Moebius is one of those once-in-a-blue-moon kind of things. This has been reprinted numerous times (I have an older one), but I’m re-buying the story here for the deluxe treatment this volume has with its large size.
KISS frontman, reality star and licensing entrepreneur Gene Simmons is no stranger to comics, having fought Doctor Doom and teamed up with Howard the Duck back in the 1970s. More recently, the band has appeared in comics published by IDW Publishing and Archie.
USA Today reports that Arcana will have 200 copies of his new Simmons Comics Anthology book at Comic-Con International, where Simmons will be “on hand to debut exclusive art and talk to fans about the three properties that are the beginning of his comic-book universe.” The anthology reprints the first issues of Zipper, a “leather-clad reluctant hero;” Dominatrix, a “CIA meets T&A” heroine; and a Gene Simmons House of Horrors tale. According to a press release, it also includes the first chapter of the all-new crossover event, “The Slave Trade,” where Zipper and Dominatrix will face off against each other.
Simmons says the plan is to release the comics bi-monthly, and, of course, to license and merchandise them into T-shirts, Bobbleheads and more. Simmons will be doing a book signing on Friday, July 13 at 2 p.m. at Arcana Comics Booth #2415. Fans will get the chance to meet Gene and get their photo taken with real-life versions of Dominatrix and Zipper.
Passings | Classic comics artist Sheldon Moldoff, who co-created Poison Ivy, Mr. Freeze, Bat-Mite and Ace the Bat Hound, passed away Wednesday. He was 91. Moldoff broke into comics at the age of 17 with a sports filler that appeared on the inside back cover of Action Comics #1. He went on to become a prolific cover artist, drawing the first cover image of the Golden Age Flash for Flash Comics #1 and the Golden Age Green Lantern for All-American Comics #16. He also worked on comics featuring Hawkman, Kid Eternityand Black Pirate. He also was one of the pioneers of horror comics in the late 1940s and worked as a “ghost artist” for Bob Kane on Batman from 1953 to 1967. After being let go by DC Comics in 1967, he went on to work in animation. [News from ME]
Conventions | Badges for Comic-Con International sold out Saturday morning within an hour and a half, a record for the annual pop-culture extravaganza. Last year it took about seven hours for badges to disappear. [U-T San Diego]
The serious business of Comic-Con got underway Thursday in San Diego with a wave of panels and announcements. Here are the highlights:
• Announcements at the Marvel panel included Jeff Parker and Patrick Zircher’s Hulk of Arabia arc, a new Deadpool arc, an Avengers Academy recruitment drive and Villains for Hire, a new spin on the Heroes for Hire concept. Also in the works: A series of Avengers Origins one-shots.
• T.H.U.N.D.E.R. Agents is coming back in November; the new comics will be written by Nick Spencer and drawn by Wes Craig.
• At the Marvel Digital panel, Marvel senior vice president of publishing David Gabriel announced that Marvel will begin simultaneous print and digital release of its Spider-Man and X-Men comics, starting next week with Amazing Spider-Man #666 and Spider Island line.
• At the Vertigo panel, Executive Editor Karen Berger announced a new graphic novel called Marzi that would ba marketed to both young and old readers. She also said that Vertigo will launch a new Halloween anthology in October and a totally new series later this year.