Hello and welcome to What Are You Reading? Today our special guests are Gardner Linn and Dave Lentz, the creative team behind the webcomic Registered Weapon — “the internet’s only webcomic starring a robotic cash register who fights crime.” They just kicked off their latest story, Case 006, on Nov. 12, and you can also download the first ten pages from their site if you prefer to read in bigger chunks.
To see what Gardner, Dave and the Robot 6 crew have been reading, click below …
Rick Remender has the unenviable task of following Ed Brubaker on Captain America, a book that Brubaker took to new heights during his seven-year run on the character. Based on the review so far, though, it seems that Remender is not only up to the task, he’s taking Cap in a completely different direction, with a different tone and focus that most folks seem to be responding well to. Along with artists John Romita Jr. and Klaus Janson, Remender has sent Cap off to Dimension Z, for some “high adventure/science fiction” fun.
“It’s a departure from the standard operating procedure of Captain America, definitely,” said Romita. “We are in a different ballgame here. This is as far away from what I expected for Cap as you can get and I’m really enjoying this.”
Here are a few reviews to let you know how different the ballgame is now, and how well the new team’s doing in their first inning:
Ryan K. Lindsay, Comic Book Resources: “Captain America #1 from Rick Remender and John Romita Jr. with Klaus Janson doesn’t so much walk away from Ed Brubaker’s defining run on the character over the past seven years as it does leap frog it. There was obviously no point in trying to ape Brubaker at his A game, so instead Remender swerves Cap back toward his pulpier roots. This issue begins a strange tale that sees the Sentinel of Liberty fight the Green Skull and get embroiled with Arnim Zola in Dimension Z.”
Hello and welcome to What Are You Reading? This week we’re joined by music video director and comic book writer Alex de Campi, whose works include Smoke, Kat & Mouse, Valentine and the in-production Ashes.
To see at Alex and the Robot 6 crew have been reading, click below.
Organizations | Jillian Kirby, the 16-year-old granddaughter of Jack Kirby, makes a pitch for Kirby4Heroes, a campaign to encourage donations to The Hero Initiative on Aug. 28, which would have been the legendary creator’s 95th birthday. [Los Angeles Times]
Comics | Roger Rautio, who’s spearheading an effort to establish a physical Comic Book Hall of Fame, said he’s received responses from officials in four cities — Chicago, Cleveland, New York City and San Jose — and he may meet with a Chicago city council member as early as next month. [North Country Now]
Creators | Cartoonist Reinhard Kleist discusses his graphic novel The Boxer, the true story of Polish Jew Harry Haft, who had to fight other prisoners at Auschwitz for the entertainment of the Nazi soldiers. [Deutsche Welle]
Brian Michael Bendis has debuted the first look at Bill Sienkiewicz’s interior art from Daredevil: End of Days, the long-awaited Marvel miniseries that teams the writer and artist with David Mack and Klaus Janson to tell the final story of the Man Without Fear.
Announced more than five years ago, the tale is set in the not-too-distant future, and begins with Daredevil’s murder. “It goes a little further than most of ‘The End’ stories,” Bendis told Comic Book Resources in 2007. “And we make it canon. This is in-continuity, not too dissimilar to how Dark Knight Returns became continuity through sheer force of will. So we put it out there and everybody jumped.”
Ahead of Comic-Con International, Marvel at last set an October debut for the miniseries, with Bendis explaining, “”Everyone who works on this book is working on several major comic book situations for Marvel and for other companies. So we decided to go this route. What we would like to see is this Daredevil all-star team, but to do that, you have to sit back and wait for everyone to [come together].”
Judging from that Sienkiewicz art, it’ll definitely be worth the wait.
Season’s Greetings and welcome to another edition of What Are You Reading?, our weekly look at what we’ve been reading lately. Today our special guests are Geoffrey Golden and Amanda Meadows, editors of Devastator: The Quarterly Comedy Magazine for Humans. Their latest issue has a video game theme, with contributions from James Kochalka, Corey Lewis, Danny Hellman and many more. And if you head over to their website between now through Dec. 16, the code ROBOT6 gets you 20 percent off single issues.
To see what Amanda, Geoffrey and the Robot 6 crew have been reading lately, click below.
Say the name “Scarlet Spider” to a longtime Marvel reader and you’re bound to get a range of reactions. But come the new year, Marvel is hoping all the reactions will be positive and numerous when the new Scarlet Spider series launches on January11. As recently confirmed in Marvel’s Point One one-shot, the new Scarlet Spider is none other than Kaine, the Peter Parker clone recently cured during the Spider Island event. Unlike many of Marvel’s series set in New York, Scarlet Spider will enjoy the unique cityscape of Houston, Texas — one of many factors that has me looking forward to reading it. Before the series gets started though, series artist Ryan Stegman stepped away from his drawing table to take part in this Q&A. In addition to this interview, CBR also is offering a preview of the first issue. After reading this (and enjoying the preview), be sure to check out the recent installment of Comic Book Resources’ “Axel-in-Charge,” where Alonso interviewed Stegman.
Tim O’Shea: How did Marvel approach you about joining the Scarlet Spider creative team? Was getting to work with [series writer] Chris Yost a deciding factor in joining the project?
Ryan Stegman: I had been working on an issue of Amazing Spider-Man and I made it clear as I could to editorial that this is the type of stuff I wanted to be doing. I practically begged. And Steve Wacker said that he would love to have me back and but that ASM was booked up artist-wise for the foreseeable future. I couldn’t argue this, because the artists that they have are fantastic. So one day, out of the blue he called me up and told me about this idea and I was sold. No offense to Chris, but that wasn’t a selling point because I think I was hired before him! Chris turned out to be the icing on the cake.