Rob Liefeld Looks Back on Deadpool's Real Secret Origin
Film, Comic Books
Creators | Political cartoonist Ted Rall talks to the local news about his firing by the Los Angeles Times, which concluded a post he wrote in May for its OpinionLA blog about being stopped by police in 2001 for jaywalking contained “inconsistencies.” Rall, who worked for the Times on a freelance basis, insists the audiotape of the incident provided to the newspaper by the Los Angeles Police Department doesn’t contradict his statements about being treated rudely and handcuffed. “I would do it all over the same way today,” Rall told CBS Los Angeles. “I’m disgusted that the Times took the LAPD’s word, based on nothing.” [CBS Los Angeles]
Manga | Kentaro Miura’s action-fantasy manga Berserk has 35 million copies in print — 27 million in Japan, and 8 million overseas — Hakusensha’s Young Animal magazine announced today. Miura returned to the series this week after a 10-month hiatus. The manga, which centers on a pair of mercenaries in a medieval Europe-inspired fantasy world, debuted in 1989; 37 volumes have been released to date. Dark Horse holds the license to Berserk in North America. [Anime News Network]
Crime | Russell Brandom and Colin Lecher describe a fascinating case in which comics figured in two types of crimes, money laundering and theft of evidence. Along the way, they explain the importance of grading, how slabbing works, and why it’s pointless to steal a really valuable comic that’s already known to collectors. [The Verge]
Manga | Vernieda Vergara examines the way Attack on Titan reflects Japanese politics and history as well as the current sense of social anxiety experienced by young people of creator Hajime Isayama’s generation: “One of the biggest criticisms levied against Japan’s youth is that they lack the ambition of previous generations. But if the majority have no hope of advancement due to a corporate wall, why is that a surprise? In the manga, most people are content to live inside the walls. It’s safe. But as the manga’s protagonist, Eren, says, that’s like living in a cage. There’s no hope for something more. Eren, along with his allies, don’t accept this fate as easily. They fight against it actively.” [Women Write About Comics]
Auctions | A page of original artwork from 1971’s Asterix and the Laurel Wreath sold at auction Sunday for more than $158,000, with proceeds going to benefit the families of those killed in the attack on Charlie Hebdo‘s offices. The art included a special dedication by Asterix co-creator Albert Uderzo, who came out of retirement in the days after the attack to draw tributes to the victims. The auction house Christie’s waived its commission for Sunday’s sale. [BBC News]
Political cartoons | Ecuadorean cartoonist Xavier Bonilla, who has been sued, threatened and reprimanded by his own government because of his political cartoons, revealed last week that he has also received threats from an Ecuadorean member of ISIS over a cartoon making fun of the extremist group. While he ultimately decided the threat wasn’t credible, Bonilla said, “It has to be understood within this climate of hostility and harassment that’s been created within the country. It’s gotten to the point where even humor is being persecuted and oppressed by the president.” Reporter Jim Wyss also looks at some other cases of government suppression of political cartoons in Latin America [Miami Herald]
Graphic novels | Once again, Roz Chast’s Can’t We Talk About Something More Pleasant? leads the BookScan list of the top-selling graphic novels in bookstores. Volumes one and two of March also did well on the February chart, placing third and fourth, respectively. All four volumes of Saga made the list, along with three volumes of The Walking Dead and, shockingly, just one of Attack on Titan. [ICv2]
Creators | Jeff Lemire began getting calls from Hollywood even before the first issue of his new series Descender, a collaboration with artist Dustin Nguyen, came out. But while they sold the film rights to Sony Pictures, Lemire is determined the comic will come first: “I think one of the biggest things that went into us choosing Sony [was], we made it very clear — and they were very receptive — that we were going to tell the comic book the way we wanted to tell the comic. Meaning, if in the comic we wanted to veer left and they wanted to go right with the movie, we could do that.” [Comic Riffs]
Legal | A 48-year-old man has been charged in the theft of the extensive comics collection of artist Jim Wheelock last month from a storage facility in Brattleboro, Vermont. William Brown pleaded not guilty Tuesday to 17 counts of burglary, petit larceny and unlawful mischief after he was allegedly recorded on security camera breaking into numerous units. Brown said he sold all of the items, and none of Wheelock’s comics has turned up in searches of the suspect’s home and car. [Brattleboro Reformer]
Retailing | Comics retailers surveyed by ICv2 were more optimistic than ever before, thanks to strong sales and excitement around upcoming titles in the superhero, creator-owned, and kids/teens sectors; the analysis also includes charts of the top-selling properties during the fall and holiday season of last year. [ICv2]
Crime | Wichita, Kansas’ KWCH TV is showcasing the Nov. 19 burglary of comics and collectibles store Riverhouse Traders as its Crime Stoppers crime of the week. The thieves apparently knew what they were looking for, and stole a reported $300,000 worth of rare comic books and memorabilia, leaving owner Mark Rowland with an unwanted shift in priorities: He has always given free comics to local children who get As on their report cards, and he provides gifts to local families at Christmas, but this year he has to cut back to pay for a security system. [KWCH]
Creators | Writer Jeff Lemire and artist Terry Dodson discuss their new graphic novel Teen Titans: Earth One. George Perez and Marv Wolfman’s Teen Titans were Lemire’s gateway to comics, so he was particularly enthusiastic about this project, and, he that affected his choice of a cast: “My decision early on was just to use the unique characters that Marv and George created that weren’t sidekicks, and that freed me from having to establish the adult superheroes in this world.” [Comic Riffs]
Awards | Jillian Tamaki has won the prestigious Governor General’s Literary Prize for children’s literature illustration for her work on This One Summer, a graphic novel collaboration with cousin Mariko Tamaki (who was nominated in the text category). Their first book, 2008’s Skim, was previously nominated in the text division, further demonstrating a separation of illustration and story that Jillian Tamaki finds “strange.” ““I think we are both creators of the book,” she tells the Edmonton Journal. “You can’t read a comic without either component, it won’t make sense. It’s something I will always be addressing when talking about the award. But I am completely flattered by the honor and will be sharing the prize with my cousin.” [Edmonton Journal, via The Comics Reporter]
Publishing | Spurred by the GoFundMe campaign launched last week by Dan Vado to get SLG Publishing “back on its feet,” Comic-Con and the Business of Pop Culture author Rob Salkowitz wonders whether a nonprofit model might make sense for some indie/niche publishers: “Contrary to popular perception, however, being a non-profit doesn’t mean you can’t make money. Lots of successful non-profits generate revenues in the millions and pay their staff, executives and contributors salaries comparable with those in the private sector. They can also pay contractors and contributors like performers or creators full market rates. They just don’t pay shareholders, and they plow any excess revenues back into their operations.” [ICv2.com]
The web is the most decentralized comics platform: There’s no comiXology or Diamond Comic Distributors for the web, and a lot of webcomics, such as xkcd and Homestuck, have huge followings that don’t necessarily cross over into the rest of the comics world. At the same time, the question of how to make money by giving away a comic is one that creators answer over and over again, often in very different ways.
That’s why Tapastic is worthy of notice. It aims to be the central location, sort of a YouTube of webcomics, and the big news this week is that the company has signed a deal with the Korean Internet portal Daum Communications for $2 million of Series A funding. One immediate result of the partnership is that Tapastic has begun carrying an English-language version of the Like a Wolf, one of the most popular webcomics in Korea.
We talked to Tapastic CEO Chang Kim about his plans for Tapastic and how the Korean webcomics market differs from the U.S. market. Plus we also have an exclusive look at art from Like a Wolf.
Digital comics | ComiXology CEO David Steinberger dicusses the growth of the digital-comics platform, which was the top-grossing non-game iPad app for the third year in a row. “We’re finding that a larger and larger percentage of our user base — our new user base — is people who are buying comics for the very first time with us,” he tells Wired. Steinberger also hints at a next step for comiXology: curation. [Wired.com]
Comics | Torsten Adair looks back at some comics trends in from 2013 and looks ahead to what we can expect in 2014. [The Beat]
Comics | Dark Horse Editor-in-Chief Scott Allie discusses the relaunch of the publisher’s Alien, Predator and Alien vs. Predator series and the debut of Prometheus. [io9]
Conventions | The second annual Edmonton Comic & Entertainment Expo attracted 25,000 people over the weekend, up from about 14,000 for the inaugural event. [Edmonton Journal]
Conventions | Tom Spurgeon reports in on MIX, the comics expo hosted by the Columbus College of Art and Design in Columbus, Ohio, this past weekend. [The Comics Reporter]
Conventions | And Lyndsey Hewitt was on the scene at Wildcat Comic Con at Pennsylvania College. [Williamsport Sun-Gazette]
Conventions | Jim Steranko and Kim Deitch will be among the guests at the Locust Moon Comics Festival in Philadelphia this weekend. [The Philadelphia Inquirer]
The JoongAng Daily News has a brief story about South Korean political cartoonist Kim Sung-hwan, who sketched vignettes from the Korean war from life as a teenager. Sung-hwan, who is now in his 70s, went on to become a prominent political cartoonist under the pen name “Gobau.” This website, by Andrew Salmon, the author of a book on the war, has more of his war sketches, whose beauty belies the horrors they depict.