Koyama Press Archives - Robot 6 @ Comic Book Resources
Passings | Customers and family mourn the passing of Steve Koch, longtime owner of Comic Headquarters in St. Louis, who died Aug. 31 of a suspected heart attack. He was 55. “He knew the true value of a comic book was in the story and the art, not as it being a collectible,” said his wife Carla, whom he introduced to comics with a copy of X-Men #1. Koch’s customers praised him for running a store that was welcoming to everyone, no matter what their tastes; some have been shopping there since they were children. [Riverfront Times]
Crime | Police in Lexington, Kentucky, believe the man who robbed a local comics and hobby shop D20 Hobbies late last month is also behind three other robberies. In all cases, the robber wore a clown mask and indicated he had a weapon but didn’t show one. D20 owner James Risner was puzzled at first as to why anyone would rob a comic shop, but he speculates the thief didn’t realize his business had taken over from the previous tenant of the site, a Quick Cash store. “I guess he figured we had a lot of money,” Risner said. “Thankfully we didn’t have that much.” [Lex18.com]
It is fair to say a newlywed couple experiences a honeymoon like no other, on myriad life-changing levels, in writer/artist Jesse Jacobs‘ new Koyama Press book Safari Honeymoon — and jungle madness is only the beginning of what transpires. Jacobs’ art belies any description that accurately conveys the complexity and intoxicating absurdity of his work.
In this interview, I gain insight into his creative approach, among other areas of interest.
Legal | Attorney Tom Goldstein, co-founder of the respected SCOTUSblog, has joined with Marc Toberoff to represent the heirs of Jack Kirby in their appeal to the U.S. Supreme Court of the Second Circuit’s affirmation that the artist’s contributions to Marvel between 1958 and 1963 were work for hire and therefore not subject to copyright termination. In a response filed this week to Marvel’s brief urging the high court to decline review, Goldstein and Toberoff again challenge the Second Circuit’s “instance and expense” test and its definition of “employer,” and argue, “Many of our most celebrated literary and musical works were created before 1978 and signed away to publishers in un-remunerative transactions. Termination rights were ‘needed because of the unequal bargaining position of authors.’ It would be hard to find a better example of this than the prolific Jack Kirby, who worked in his basement with no contract, no financial security and no employment benefits, but without whom Marvel might not even be in business today.” [Hollyqood, Esq.]
Retailing | Memo to politicians: You don’t win friends and influence people by taking up five spots in a comic store’s parking lot with your campaign bus on a Wednesday — especially when it’s Batman Day. [The Clarion-Ledger]
We’re a little more than halfway through the year, which makes it the perfect time to pause and separate the truly exemplary comics from the merely mediocre.
Below are six of my favorite comics of the year thus far. Many of them will likely make their way into my final “best of 2014″ list come December, but I reserve the right to completely change my mind between now and then.
In any case, let me know what comics you’ve enjoyed reading thus far (or how crazy I am for forgetting Graphic Novel X) in the comments section.
Publishing | John Jackson Miller mines the circulation statements provided once a year to put together a 54-year sales history of Archie Comics’ flagship title Archie (the publisher is one of the few that still prints annual statements of ownership, allowing the numbers to be traced back, unbroken, to 1960). As he points out, Archie was a big newsstand title, selling almost 600,000 copies in the late 1960s, but it didn’t fare well when comics moved to the direct market — although Archie Comics has done well nonetheless with its digests, which far outsell its single-issue comics. [Comichron]
Publishing | Annie Koyama of Koyama Press talks with Dan Berry about how comics publishing works, and how she got into the field. [Make It Then Tell Everybody]
Manga | While at the Angouleme International Comics Festival, I had a chance to study the French manga market and talk to some of the publishers. Manga represents more than one-third of the French comics market (last year, there were more new manga releases than BDs), and sales and production dipped for the first time last year. [Publishers Weekly]
Comics | Gary Cox rounds up reactions from refugees to the Australian government’s online comic that warns them not to try to enter the country without a visa. “The people who are coming here are not economic migrants, they’re coming to have a safer, peaceful life here,” says Ibrar Hassani. And an advocate for refugees pointed out that the images of refugees suffering in detention centers were evidence that the government is deliberately mistreating them. [SBS]
Koyama Press’ latest announcement arrived in my in-box while I was on my way home from Angoulême, so I’m just now getting around to it, but it’s impressive enough to merit a bit of belated blogging.
As Koyama Press is a small publisher, the list is short: six titles all together, four for adults and two for kids. But there’s some interesting range to it, and the books are packaged attractively and displayed in a way that makes you want to read each one for different reasons, which isn’t necessarily the case if you’re just looking at a stack of random art-comix. One thing I really enjoyed, as I was reading through their catalog descriptions, was their use of high-concept blurbs. “Richard Scarry and Rube Goldberg collide in John Martz’s whimsical comic book world.” Bring it on!
While children’s comics may seem like a stretch, it’s one of the fastest growing sectors of the comics market, and one can see a niche for books that appeal to children and adults on different levels (such as Luke Pearson’s Hilda books, published by Nobrow Press) and for children’s books that are far off the commercial beaten track. The challenge will be to get them in front of parents and children who aren’t regular readers of The Comics Journal. It will be interesting to see if librarians climb on board; that could be a game-changer.
Anyway, here’s the list:
It happens every year: Despite the best efforts of authors, publishers and publicists, there are smart, funny and downright entertaining comics that fail to get their proper due. It’s a truth made more manifest every year as production and publishing costs are lowered and more and more people find ways of getting their work on print or online.
So once again I’ve put together a list of some books I thought could have used a bit more love, at least in terms of coverage if not also sales (though usually it’s both). These aren’t necessarily the best books of the past year – I’m not sure I’d swap any of them out for my own top 10 list – they’re just really good comics that didn’t seem to get enough attention. Let me know what you’d add to the list in the comments section below.
Awards | March: Book One, by John Lewis, Andrew Aydin and Nate Powell, was honored this morning at the American Library Association Midwinter Meeting in Philadelphia with the Coretta Scott King (Author) Book Award, recognizing an African American author and illustrator of outstanding books for children and young adults. Other youth media winners include: Lucy Knisley’s Relish, the Alex Award as one of the 10 best adult books that appeal to teens; Chip Kidd’s Go: A Kidd’s Guide to Graphic Design, a finalist for the YALSA Award for Excellence in Nonfiction for Young Adults; and Brian Selznick, recipient of the May Hill Arbuthnot Honor Lecture Award. [press release]
Passings | One of Fiji’s best-known cartoonists, Laisiasa Naulumatua, was remembered by his former editor as someone who relied on humor rather than venom to make his point. A number of former government officials, including a former prime minister, came to pay their respects to the cartoonist, who used the pen name Lai, at his funeral on Saturday. [The Fiji Times]
Wonder what Koyama Press has planned for the coming year? Well, wonder no more: The company has announced it will release four books in May and June, including titles by acclaimed cartoonists Michael DeForge (Lose, Very Casual) and Jesse Jacobs (By This You Shall Know Him).
DeForge’s A Body Beneath will collect material from issues 2-5 of his one-man anthology series Lose. Jacobs’ Safari Honeymoon follows a newly married couple as they venture into a mysterious forest filled with weird creatures.
Koyama Press will also publish Cat Person by Seo Kim, a collection of comics by the Adventure Time storyboard artist starring herself and her cat, and 100 Crushes, which compiles artist Elisha Lim‘s gay-themed comics.
Then, in November, the company will release Distance Mover by Patrick Kyle. about a man who owns a magical vehicle that can explore the world when not fending off the evil “Ooze.”
You can find more information about all of these books, including cost and ISBN number, as well as some preview pages, below.
Retailing | Fans of the Fall River, Massachusetts, retailer StillPoint Comics, Cards & Games kicked in $5,000 in a GoFundMe campaign to keep the store in business. The shop, which opened in 1997, had to close for 10 days last month after its power was shut off. [The Herald News]
Publishing | Following confirmation last month of a Space Mountain graphic novel series, Heidi MacDonald talks with executives from Disney Publishing Worldwide about the expansion of the new Disney Comics imprint. [Publishers Weekly]
Events | Sean Kleefeld reports on Day 1 of the Billy Ireland Cartoon Library & Museum Grand Opening Festival of Cartoon Art in Columbus, Ohio. [Kleefeld on Comics]
Is Noah Van Sciver the finest cartoonist of his generation? It certainly seems like he’s on the path to earn that title, as readers of The Hypo and his contribution to Alternative Comics #4 will attest. Van Sciver further underscores his considerable talent in Deep in the Woods, a two-man anthology published on newspaper. Van Sciver’s original (I’m assuming) fairy tale involves a hapless and poor young maiden who flees her evil stepmother and alcoholic father only to come across a supernatural benefactor in the shape of a floating cow’s head. The temptation to let the story delve into parody or slapstick must have been tremendous, especially during sequences like the one where the girl, Robin, attempts to feed the cow, only to have the stew slop out the back of its head. But Van Sciver plays it deadly straight here, keeping the comedy at a far, buried distance (though not so buried that it’s completely undetectable). Filling his pages with suffocating black ink, often in the form of nefarious tree branches that threaten to engulf the protagonists, Van Sciver has created a decidedly claustrophobic, downbeat fairy tale that is no less magical due to the storytelling craft on display.
Nic Breutzman is someone I’m less familiar with, or rather, I should say I’m not that familiar with his work at all. I like his contribution here though, a somewhat more modern tale involving a poor, meth-taking family, the level-headed young girl that serves as our protagonist, a grandfather who won’t come out of a well and a nefarious creature that lives in a hollow tree. I’m all about stories that place archetypical folk structures and place them in a modern setting and Breutzman does that well enough here that I’m going to keep an eye out for what he does next time.
Cat Person, by Seo Kim: Kim, a storyboard artist for the Cartoon Network show Adventure Time, started with a challenge to draw a cartoon a day and ended up with what looks like a winsome collection of cartoons about cats and everyday life.
A Body Beneath, by Michael DeForge: DeForge was nominated for an Eisner this year for his Lose #4; this is a collection of issues 2-5 of that anthology. I don’t think I can improve on this bit of catalog text: “He has crafted a phantasmagoria of stories that feature a spider-infested pet horse head, post-apocalyptic dogs dealing with existential angst, the romantic undertones of a hired hit, and more.”
Safari Honeymoon, by Jesse Jacobs: This seems to be the one graphic novel of the batch that has a single narrative arc; it’s the story of a newlywed couple who find love and horror on a honeymoon trip through the jungle.
100 Crushes, by Elisha Lim: A collection of new and previously published queer comics set in Toronto, Berlin, and Singapore, among other locales, and including “interviews, memoirs, and gossip from an international queer vanguard.”
In case you missed it in Comics A.M., there’s a great interview with Koyama Press publisher Annie Koyama at Sequential Highway.
(via Tom Spurgeon)
Editorial cartoons | Ahmad Akkari, one of the leaders of the protests in 2006 against the cartoons of the Prophet Muhammad published by the Danish newspaper Jyllands-Posten, now says he regrets his activities and has even apologized in person to one of the cartoonists, Kurt Westergaard. “I want to be clear today about the trip: It was totally wrong,” Akkari said in an interview with The Associated Press. “At that time, I was so fascinated with this logical force in the Islamic mindset that I could not see the greater picture. I was convinced it was a fight for my faith, Islam.” [The Guardian]
Passings | The body of Ramen Fighter Miki creator Jun Sadogawa (real name Mutsumi Kawato) was discovered early Tuesday hanging from a tree in a park in Ibaraki Prefecture’s Kitasōma District. According to police, evidence at the scene suggested suicide. The 34-year-old manga creator had been serializing Amane Atatameru in Weekly Shonen Champion magazine at the time of his death. [Anime News Network]
Note: My schedule has been all goofy lately which means I haven’t been able to post on a regular weekly basis or contribute to Cheat Sheet or What Are You Reading in the manner I’d like to. I know: Wah, wah, wah.
Meanwhile, the books keep piling up. And piling up.
So, in an effort to assuage my guilt, I attempted to run through some of the titles I’ve received in the mail in the past few months. Warning: I might do this again. I might not. I’m mercurial.
You’re All Just Jealous of My Jetpack by Tom Gauld (Drawn & Quarterly)
As appreciative as I am that we live in an era when cartoonists are encouraged to, and do, create lengthy, thoughtful, multi-layered stories, there’s something to be said for the simple pleasures of a gag strip – the fleeting joy that a really short, well-constructed joke can provide. I didn’t realize how much I missed that sort of thing until I read You’re All Just Jealous of My Jetpack, a collection of short strips that cartoonist Tom Gauld did for The Guardian. The bulk of the strips play upon classic stories, genre fiction or publishing in general. Gauld’s jokes are are silly enough and play upon familiar cliches well enough to make the reader feel smart even if you haven’t read, say, Zola’s “Germinal.” His minimalist, silhouetted style helps get the joke across as well. He’s also rather fond of diagrams and maps, which puts him in good company with folks like New Yorker cartoonists Roz Chast and Jack Ziegler I didn’t care much for Gauld’s last book, Goliath, which I thought milked a rather weak joke (gosh, the Biblical Goliath was actually a really nice guy!) but Jetpack had me frequently laughing out loud in the way that only my favorite comic strips do. Comics need more of this sort of “get in, get out quick” work right now and I’m happy that Gauld is here to fill that void.